From 923c21c1d82e2119f1135eebe319e37d1fad3cb4 Mon Sep 17 00:00:00 2001
From: Retype GitHub Action <retype@object.net>
Date: Thu, 2 Nov 2023 20:55:55 +0000
Subject: [PATCH] Refreshes Retype-generated documentation.

Process triggered by latenitefilms.
---
 404.html                                      |   8 ++++----
 bugtracker/index.html                         |   8 ++++----
 case-studies/external-case-studies/index.html |   8 ++++----
 community/forums/index.html                   |   8 ++++----
 community/podcasts/index.html                 |   8 ++++----
 community/socialmedia/index.html              |   8 ++++----
 contribute/index.html                         |   8 ++++----
 credits/index.html                            |   8 ++++----
 cut-on-resolve/index.html                     |   8 ++++----
 developers/dctl/index.html                    |   8 ++++----
 developers/encodeplugin/index.html            |   8 ++++----
 developers/fusionfuse/index.html              |   8 ++++----
 developers/fusiontemplates/index.html         |   8 ++++----
 developers/luts/index.html                    |  16 ++++++++--------
 developers/openfx/index.html                  |   8 ++++----
 developers/scripting/index.html               |   8 ++++----
 developers/workflowintegrations/index.html    |   8 ++++----
 ecosystem/assetmanagement/index.html          |   8 ++++----
 ecosystem/fusiontemplates/index.html          |   8 ++++----
 ecosystem/plugins/index.html                  |   8 ++++----
 ecosystem/tools/index.html                    |   8 ++++----
 faq/index.html                                |   8 ++++----
 hardware/controlsurfaces/index.html           |   8 ++++----
 hardware/monitors/index.html                  |   8 ++++----
 hardware/storage/index.html                   |   8 ++++----
 index.html                                    |   8 ++++----
 ipad/index.html                               |   8 ++++----
 latenite-technology/index.html                |   8 ++++----
 learn/articles/index.html                     |   8 ++++----
 learn/history/index.html                      |   8 ++++----
 learn/training/index.html                     |   8 ++++----
 learn/videos/index.html                       |   8 ++++----
 learn/workflow/index.html                     |   8 ++++----
 newbies/index.html                            |   8 ++++----
 privacy/index.html                            |   8 ++++----
 release-notes/index.html                      |   8 ++++----
 resources/js/config.js                        |   2 +-
 resources/js/search.json                      |   2 +-
 rss.xml                                       |  12 +-----------
 rss/index.html                                |   8 ++++----
 sitemap.xml.gz                                | Bin 715 -> 717 bytes
 troubleshooting/index.html                    |   8 ++++----
 wishlist/index.html                           |   8 ++++----
 43 files changed, 163 insertions(+), 173 deletions(-)
diff --git a/404.html b/404.html
index 9403b61..2ae83d0 100644
--- a/404.html
+++ b/404.html
@@ -3,7 +3,7 @@
 <head>
     <meta charset="UTF-8">
     <meta name="viewport" content="width=device-width,initial-scale=1">
-    <meta name="turbo-cache-control" content="no-cache" data-turbo-track="reload" data-track-token="3.5.0.748223193170">
+    <meta name="turbo-cache-control" content="no-cache" data-turbo-track="reload" data-track-token="3.5.0.752273750126">
 
     <!-- See retype.com -->
     <meta name="generator" content="Retype 3.5.0">
@@ -28,11 +28,11 @@
     <script data-cfasync="false">(function () { var el = document.documentElement, m = localStorage.getItem("doc_theme"), wm = window.matchMedia; if (m === "dark" || (!m && wm && wm("(prefers-color-scheme: dark)").matches)) { el.classList.add("dark") } else { el.classList.remove("dark") } })();</script>
 
     <link href="/static/favicon.ico" rel="icon">
-    <link href="/resources/css/retype.css?v=3.5.0.748223193170" rel="stylesheet">
+    <link href="/resources/css/retype.css?v=3.5.0.752273750126" rel="stylesheet">
 
-    <script data-cfasync="false" src="/resources/js/config.js?v=3.5.0.748223193170" data-turbo-eval="false" defer></script>
+    <script data-cfasync="false" src="/resources/js/config.js?v=3.5.0.752273750126" data-turbo-eval="false" defer></script>
     <script data-cfasync="false" src="/resources/js/retype.js?v=3.5.0" data-turbo-eval="false" defer></script>
-    <script id="lunr-js" data-cfasync="false" src="/resources/js/lunr.js?v=3.5.0.748223193170" data-turbo-eval="false" defer></script>
+    <script id="lunr-js" data-cfasync="false" src="/resources/js/lunr.js?v=3.5.0.752273750126" data-turbo-eval="false" defer></script>
 
     <link rel="stylesheet" href="https://cdnjs.cloudflare.com/ajax/libs/font-awesome/4.7.0/css/font-awesome.min.css">
     <style>
diff --git a/bugtracker/index.html b/bugtracker/index.html
index ddcae3f..9ccbdf0 100644
--- a/bugtracker/index.html
+++ b/bugtracker/index.html
@@ -3,7 +3,7 @@
 <head>
     <meta charset="UTF-8">
     <meta name="viewport" content="width=device-width,initial-scale=1">
-    <meta name="turbo-cache-control" content="no-cache" data-turbo-track="reload" data-track-token="3.5.0.748223193170">
+    <meta name="turbo-cache-control" content="no-cache" data-turbo-track="reload" data-track-token="3.5.0.752273750126">
 
     <!-- See retype.com -->
     <meta name="generator" content="Retype 3.5.0">
@@ -33,11 +33,11 @@
     <script data-cfasync="false">(function () { var el = document.documentElement, m = localStorage.getItem("doc_theme"), wm = window.matchMedia; if (m === "dark" || (!m && wm && wm("(prefers-color-scheme: dark)").matches)) { el.classList.add("dark") } else { el.classList.remove("dark") } })();</script>
 
     <link href="../static/favicon.ico" rel="icon">
-    <link href="../resources/css/retype.css?v=3.5.0.748223193170" rel="stylesheet">
+    <link href="../resources/css/retype.css?v=3.5.0.752273750126" rel="stylesheet">
 
-    <script data-cfasync="false" src="../resources/js/config.js?v=3.5.0.748223193170" data-turbo-eval="false" defer></script>
+    <script data-cfasync="false" src="../resources/js/config.js?v=3.5.0.752273750126" data-turbo-eval="false" defer></script>
     <script data-cfasync="false" src="../resources/js/retype.js?v=3.5.0" data-turbo-eval="false" defer></script>
-    <script id="lunr-js" data-cfasync="false" src="../resources/js/lunr.js?v=3.5.0.748223193170" data-turbo-eval="false" defer></script>
+    <script id="lunr-js" data-cfasync="false" src="../resources/js/lunr.js?v=3.5.0.752273750126" data-turbo-eval="false" defer></script>
 
     <link rel="stylesheet" href="https://cdnjs.cloudflare.com/ajax/libs/font-awesome/4.7.0/css/font-awesome.min.css">
     <style>
diff --git a/case-studies/external-case-studies/index.html b/case-studies/external-case-studies/index.html
index 5710755..f5643f7 100644
--- a/case-studies/external-case-studies/index.html
+++ b/case-studies/external-case-studies/index.html
@@ -3,7 +3,7 @@
 <head>
     <meta charset="UTF-8">
     <meta name="viewport" content="width=device-width,initial-scale=1">
-    <meta name="turbo-cache-control" content="no-cache" data-turbo-track="reload" data-track-token="3.5.0.748223193170">
+    <meta name="turbo-cache-control" content="no-cache" data-turbo-track="reload" data-track-token="3.5.0.752273750126">
 
     <!-- See retype.com -->
     <meta name="generator" content="Retype 3.5.0">
@@ -33,11 +33,11 @@
     <script data-cfasync="false">(function () { var el = document.documentElement, m = localStorage.getItem("doc_theme"), wm = window.matchMedia; if (m === "dark" || (!m && wm && wm("(prefers-color-scheme: dark)").matches)) { el.classList.add("dark") } else { el.classList.remove("dark") } })();</script>
 
     <link href="../../static/favicon.ico" rel="icon">
-    <link href="../../resources/css/retype.css?v=3.5.0.748223193170" rel="stylesheet">
+    <link href="../../resources/css/retype.css?v=3.5.0.752273750126" rel="stylesheet">
 
-    <script data-cfasync="false" src="../../resources/js/config.js?v=3.5.0.748223193170" data-turbo-eval="false" defer></script>
+    <script data-cfasync="false" src="../../resources/js/config.js?v=3.5.0.752273750126" data-turbo-eval="false" defer></script>
     <script data-cfasync="false" src="../../resources/js/retype.js?v=3.5.0" data-turbo-eval="false" defer></script>
-    <script id="lunr-js" data-cfasync="false" src="../../resources/js/lunr.js?v=3.5.0.748223193170" data-turbo-eval="false" defer></script>
+    <script id="lunr-js" data-cfasync="false" src="../../resources/js/lunr.js?v=3.5.0.752273750126" data-turbo-eval="false" defer></script>
 
     <link rel="stylesheet" href="https://cdnjs.cloudflare.com/ajax/libs/font-awesome/4.7.0/css/font-awesome.min.css">
     <style>
diff --git a/community/forums/index.html b/community/forums/index.html
index 921aeff..5f72c5f 100644
--- a/community/forums/index.html
+++ b/community/forums/index.html
@@ -3,7 +3,7 @@
 <head>
     <meta charset="UTF-8">
     <meta name="viewport" content="width=device-width,initial-scale=1">
-    <meta name="turbo-cache-control" content="no-cache" data-turbo-track="reload" data-track-token="3.5.0.748223193170">
+    <meta name="turbo-cache-control" content="no-cache" data-turbo-track="reload" data-track-token="3.5.0.752273750126">
 
     <!-- See retype.com -->
     <meta name="generator" content="Retype 3.5.0">
@@ -33,11 +33,11 @@
     <script data-cfasync="false">(function () { var el = document.documentElement, m = localStorage.getItem("doc_theme"), wm = window.matchMedia; if (m === "dark" || (!m && wm && wm("(prefers-color-scheme: dark)").matches)) { el.classList.add("dark") } else { el.classList.remove("dark") } })();</script>
 
     <link href="../../static/favicon.ico" rel="icon">
-    <link href="../../resources/css/retype.css?v=3.5.0.748223193170" rel="stylesheet">
+    <link href="../../resources/css/retype.css?v=3.5.0.752273750126" rel="stylesheet">
 
-    <script data-cfasync="false" src="../../resources/js/config.js?v=3.5.0.748223193170" data-turbo-eval="false" defer></script>
+    <script data-cfasync="false" src="../../resources/js/config.js?v=3.5.0.752273750126" data-turbo-eval="false" defer></script>
     <script data-cfasync="false" src="../../resources/js/retype.js?v=3.5.0" data-turbo-eval="false" defer></script>
-    <script id="lunr-js" data-cfasync="false" src="../../resources/js/lunr.js?v=3.5.0.748223193170" data-turbo-eval="false" defer></script>
+    <script id="lunr-js" data-cfasync="false" src="../../resources/js/lunr.js?v=3.5.0.752273750126" data-turbo-eval="false" defer></script>
 
     <link rel="stylesheet" href="https://cdnjs.cloudflare.com/ajax/libs/font-awesome/4.7.0/css/font-awesome.min.css">
     <style>
diff --git a/community/podcasts/index.html b/community/podcasts/index.html
index 355bf2c..20684b3 100644
--- a/community/podcasts/index.html
+++ b/community/podcasts/index.html
@@ -3,7 +3,7 @@
 <head>
     <meta charset="UTF-8">
     <meta name="viewport" content="width=device-width,initial-scale=1">
-    <meta name="turbo-cache-control" content="no-cache" data-turbo-track="reload" data-track-token="3.5.0.748223193170">
+    <meta name="turbo-cache-control" content="no-cache" data-turbo-track="reload" data-track-token="3.5.0.752273750126">
 
     <!-- See retype.com -->
     <meta name="generator" content="Retype 3.5.0">
@@ -33,11 +33,11 @@
     <script data-cfasync="false">(function () { var el = document.documentElement, m = localStorage.getItem("doc_theme"), wm = window.matchMedia; if (m === "dark" || (!m && wm && wm("(prefers-color-scheme: dark)").matches)) { el.classList.add("dark") } else { el.classList.remove("dark") } })();</script>
 
     <link href="../../static/favicon.ico" rel="icon">
-    <link href="../../resources/css/retype.css?v=3.5.0.748223193170" rel="stylesheet">
+    <link href="../../resources/css/retype.css?v=3.5.0.752273750126" rel="stylesheet">
 
-    <script data-cfasync="false" src="../../resources/js/config.js?v=3.5.0.748223193170" data-turbo-eval="false" defer></script>
+    <script data-cfasync="false" src="../../resources/js/config.js?v=3.5.0.752273750126" data-turbo-eval="false" defer></script>
     <script data-cfasync="false" src="../../resources/js/retype.js?v=3.5.0" data-turbo-eval="false" defer></script>
-    <script id="lunr-js" data-cfasync="false" src="../../resources/js/lunr.js?v=3.5.0.748223193170" data-turbo-eval="false" defer></script>
+    <script id="lunr-js" data-cfasync="false" src="../../resources/js/lunr.js?v=3.5.0.752273750126" data-turbo-eval="false" defer></script>
 
     <link rel="stylesheet" href="https://cdnjs.cloudflare.com/ajax/libs/font-awesome/4.7.0/css/font-awesome.min.css">
     <style>
diff --git a/community/socialmedia/index.html b/community/socialmedia/index.html
index 334f074..80ce0ba 100644
--- a/community/socialmedia/index.html
+++ b/community/socialmedia/index.html
@@ -3,7 +3,7 @@
 <head>
     <meta charset="UTF-8">
     <meta name="viewport" content="width=device-width,initial-scale=1">
-    <meta name="turbo-cache-control" content="no-cache" data-turbo-track="reload" data-track-token="3.5.0.748223193170">
+    <meta name="turbo-cache-control" content="no-cache" data-turbo-track="reload" data-track-token="3.5.0.752273750126">
 
     <!-- See retype.com -->
     <meta name="generator" content="Retype 3.5.0">
@@ -33,11 +33,11 @@
     <script data-cfasync="false">(function () { var el = document.documentElement, m = localStorage.getItem("doc_theme"), wm = window.matchMedia; if (m === "dark" || (!m && wm && wm("(prefers-color-scheme: dark)").matches)) { el.classList.add("dark") } else { el.classList.remove("dark") } })();</script>
 
     <link href="../../static/favicon.ico" rel="icon">
-    <link href="../../resources/css/retype.css?v=3.5.0.748223193170" rel="stylesheet">
+    <link href="../../resources/css/retype.css?v=3.5.0.752273750126" rel="stylesheet">
 
-    <script data-cfasync="false" src="../../resources/js/config.js?v=3.5.0.748223193170" data-turbo-eval="false" defer></script>
+    <script data-cfasync="false" src="../../resources/js/config.js?v=3.5.0.752273750126" data-turbo-eval="false" defer></script>
     <script data-cfasync="false" src="../../resources/js/retype.js?v=3.5.0" data-turbo-eval="false" defer></script>
-    <script id="lunr-js" data-cfasync="false" src="../../resources/js/lunr.js?v=3.5.0.748223193170" data-turbo-eval="false" defer></script>
+    <script id="lunr-js" data-cfasync="false" src="../../resources/js/lunr.js?v=3.5.0.752273750126" data-turbo-eval="false" defer></script>
 
     <link rel="stylesheet" href="https://cdnjs.cloudflare.com/ajax/libs/font-awesome/4.7.0/css/font-awesome.min.css">
     <style>
diff --git a/contribute/index.html b/contribute/index.html
index ee7501c..97f268f 100644
--- a/contribute/index.html
+++ b/contribute/index.html
@@ -3,7 +3,7 @@
 <head>
     <meta charset="UTF-8">
     <meta name="viewport" content="width=device-width,initial-scale=1">
-    <meta name="turbo-cache-control" content="no-cache" data-turbo-track="reload" data-track-token="3.5.0.748223193170">
+    <meta name="turbo-cache-control" content="no-cache" data-turbo-track="reload" data-track-token="3.5.0.752273750126">
 
     <!-- See retype.com -->
     <meta name="generator" content="Retype 3.5.0">
@@ -33,11 +33,11 @@
     <script data-cfasync="false">(function () { var el = document.documentElement, m = localStorage.getItem("doc_theme"), wm = window.matchMedia; if (m === "dark" || (!m && wm && wm("(prefers-color-scheme: dark)").matches)) { el.classList.add("dark") } else { el.classList.remove("dark") } })();</script>
 
     <link href="../static/favicon.ico" rel="icon">
-    <link href="../resources/css/retype.css?v=3.5.0.748223193170" rel="stylesheet">
+    <link href="../resources/css/retype.css?v=3.5.0.752273750126" rel="stylesheet">
 
-    <script data-cfasync="false" src="../resources/js/config.js?v=3.5.0.748223193170" data-turbo-eval="false" defer></script>
+    <script data-cfasync="false" src="../resources/js/config.js?v=3.5.0.752273750126" data-turbo-eval="false" defer></script>
     <script data-cfasync="false" src="../resources/js/retype.js?v=3.5.0" data-turbo-eval="false" defer></script>
-    <script id="lunr-js" data-cfasync="false" src="../resources/js/lunr.js?v=3.5.0.748223193170" data-turbo-eval="false" defer></script>
+    <script id="lunr-js" data-cfasync="false" src="../resources/js/lunr.js?v=3.5.0.752273750126" data-turbo-eval="false" defer></script>
 
     <link rel="stylesheet" href="https://cdnjs.cloudflare.com/ajax/libs/font-awesome/4.7.0/css/font-awesome.min.css">
     <style>
diff --git a/credits/index.html b/credits/index.html
index a16af6b..f0979f8 100644
--- a/credits/index.html
+++ b/credits/index.html
@@ -3,7 +3,7 @@
 <head>
     <meta charset="UTF-8">
     <meta name="viewport" content="width=device-width,initial-scale=1">
-    <meta name="turbo-cache-control" content="no-cache" data-turbo-track="reload" data-track-token="3.5.0.748223193170">
+    <meta name="turbo-cache-control" content="no-cache" data-turbo-track="reload" data-track-token="3.5.0.752273750126">
 
     <!-- See retype.com -->
     <meta name="generator" content="Retype 3.5.0">
@@ -33,11 +33,11 @@
     <script data-cfasync="false">(function () { var el = document.documentElement, m = localStorage.getItem("doc_theme"), wm = window.matchMedia; if (m === "dark" || (!m && wm && wm("(prefers-color-scheme: dark)").matches)) { el.classList.add("dark") } else { el.classList.remove("dark") } })();</script>
 
     <link href="../static/favicon.ico" rel="icon">
-    <link href="../resources/css/retype.css?v=3.5.0.748223193170" rel="stylesheet">
+    <link href="../resources/css/retype.css?v=3.5.0.752273750126" rel="stylesheet">
 
-    <script data-cfasync="false" src="../resources/js/config.js?v=3.5.0.748223193170" data-turbo-eval="false" defer></script>
+    <script data-cfasync="false" src="../resources/js/config.js?v=3.5.0.752273750126" data-turbo-eval="false" defer></script>
     <script data-cfasync="false" src="../resources/js/retype.js?v=3.5.0" data-turbo-eval="false" defer></script>
-    <script id="lunr-js" data-cfasync="false" src="../resources/js/lunr.js?v=3.5.0.748223193170" data-turbo-eval="false" defer></script>
+    <script id="lunr-js" data-cfasync="false" src="../resources/js/lunr.js?v=3.5.0.752273750126" data-turbo-eval="false" defer></script>
 
     <link rel="stylesheet" href="https://cdnjs.cloudflare.com/ajax/libs/font-awesome/4.7.0/css/font-awesome.min.css">
     <style>
diff --git a/cut-on-resolve/index.html b/cut-on-resolve/index.html
index 42cd6f3..5672104 100644
--- a/cut-on-resolve/index.html
+++ b/cut-on-resolve/index.html
@@ -3,7 +3,7 @@
 <head>
     <meta charset="UTF-8">
     <meta name="viewport" content="width=device-width,initial-scale=1">
-    <meta name="turbo-cache-control" content="no-cache" data-turbo-track="reload" data-track-token="3.5.0.748223193170">
+    <meta name="turbo-cache-control" content="no-cache" data-turbo-track="reload" data-track-token="3.5.0.752273750126">
 
     <!-- See retype.com -->
     <meta name="generator" content="Retype 3.5.0">
@@ -31,11 +31,11 @@
     <script data-cfasync="false">(function () { var el = document.documentElement, m = localStorage.getItem("doc_theme"), wm = window.matchMedia; if (m === "dark" || (!m && wm && wm("(prefers-color-scheme: dark)").matches)) { el.classList.add("dark") } else { el.classList.remove("dark") } })();</script>
 
     <link href="../static/favicon.ico" rel="icon">
-    <link href="../resources/css/retype.css?v=3.5.0.748223193170" rel="stylesheet">
+    <link href="../resources/css/retype.css?v=3.5.0.752273750126" rel="stylesheet">
 
-    <script data-cfasync="false" src="../resources/js/config.js?v=3.5.0.748223193170" data-turbo-eval="false" defer></script>
+    <script data-cfasync="false" src="../resources/js/config.js?v=3.5.0.752273750126" data-turbo-eval="false" defer></script>
     <script data-cfasync="false" src="../resources/js/retype.js?v=3.5.0" data-turbo-eval="false" defer></script>
-    <script id="lunr-js" data-cfasync="false" src="../resources/js/lunr.js?v=3.5.0.748223193170" data-turbo-eval="false" defer></script>
+    <script id="lunr-js" data-cfasync="false" src="../resources/js/lunr.js?v=3.5.0.752273750126" data-turbo-eval="false" defer></script>
 
     <link rel="stylesheet" href="https://cdnjs.cloudflare.com/ajax/libs/font-awesome/4.7.0/css/font-awesome.min.css">
     <style>
diff --git a/developers/dctl/index.html b/developers/dctl/index.html
index 0f9c45c..8cb2380 100644
--- a/developers/dctl/index.html
+++ b/developers/dctl/index.html
@@ -3,7 +3,7 @@
 <head>
     <meta charset="UTF-8">
     <meta name="viewport" content="width=device-width,initial-scale=1">
-    <meta name="turbo-cache-control" content="no-cache" data-turbo-track="reload" data-track-token="3.5.0.748223193170">
+    <meta name="turbo-cache-control" content="no-cache" data-turbo-track="reload" data-track-token="3.5.0.752273750126">
 
     <!-- See retype.com -->
     <meta name="generator" content="Retype 3.5.0">
@@ -33,11 +33,11 @@
     <script data-cfasync="false">(function () { var el = document.documentElement, m = localStorage.getItem("doc_theme"), wm = window.matchMedia; if (m === "dark" || (!m && wm && wm("(prefers-color-scheme: dark)").matches)) { el.classList.add("dark") } else { el.classList.remove("dark") } })();</script>
 
     <link href="../../static/favicon.ico" rel="icon">
-    <link href="../../resources/css/retype.css?v=3.5.0.748223193170" rel="stylesheet">
+    <link href="../../resources/css/retype.css?v=3.5.0.752273750126" rel="stylesheet">
 
-    <script data-cfasync="false" src="../../resources/js/config.js?v=3.5.0.748223193170" data-turbo-eval="false" defer></script>
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-    <script id="lunr-js" data-cfasync="false" src="../../resources/js/lunr.js?v=3.5.0.748223193170" data-turbo-eval="false" defer></script>
+    <script id="lunr-js" data-cfasync="false" src="../../resources/js/lunr.js?v=3.5.0.752273750126" data-turbo-eval="false" defer></script>
 
     <link rel="stylesheet" href="https://cdnjs.cloudflare.com/ajax/libs/font-awesome/4.7.0/css/font-awesome.min.css">
     <style>
diff --git a/developers/encodeplugin/index.html b/developers/encodeplugin/index.html
index ea63c4a..20260d1 100644
--- a/developers/encodeplugin/index.html
+++ b/developers/encodeplugin/index.html
@@ -3,7 +3,7 @@
 <head>
     <meta charset="UTF-8">
     <meta name="viewport" content="width=device-width,initial-scale=1">
-    <meta name="turbo-cache-control" content="no-cache" data-turbo-track="reload" data-track-token="3.5.0.748223193170">
+    <meta name="turbo-cache-control" content="no-cache" data-turbo-track="reload" data-track-token="3.5.0.752273750126">
 
     <!-- See retype.com -->
     <meta name="generator" content="Retype 3.5.0">
@@ -31,11 +31,11 @@
     <script data-cfasync="false">(function () { var el = document.documentElement, m = localStorage.getItem("doc_theme"), wm = window.matchMedia; if (m === "dark" || (!m && wm && wm("(prefers-color-scheme: dark)").matches)) { el.classList.add("dark") } else { el.classList.remove("dark") } })();</script>
 
     <link href="../../static/favicon.ico" rel="icon">
-    <link href="../../resources/css/retype.css?v=3.5.0.748223193170" rel="stylesheet">
+    <link href="../../resources/css/retype.css?v=3.5.0.752273750126" rel="stylesheet">
 
-    <script data-cfasync="false" src="../../resources/js/config.js?v=3.5.0.748223193170" data-turbo-eval="false" defer></script>
+    <script data-cfasync="false" src="../../resources/js/config.js?v=3.5.0.752273750126" data-turbo-eval="false" defer></script>
     <script data-cfasync="false" src="../../resources/js/retype.js?v=3.5.0" data-turbo-eval="false" defer></script>
-    <script id="lunr-js" data-cfasync="false" src="../../resources/js/lunr.js?v=3.5.0.748223193170" data-turbo-eval="false" defer></script>
+    <script id="lunr-js" data-cfasync="false" src="../../resources/js/lunr.js?v=3.5.0.752273750126" data-turbo-eval="false" defer></script>
 
     <link rel="stylesheet" href="https://cdnjs.cloudflare.com/ajax/libs/font-awesome/4.7.0/css/font-awesome.min.css">
     <style>
diff --git a/developers/fusionfuse/index.html b/developers/fusionfuse/index.html
index fea090b..b1d8ca0e 100644
--- a/developers/fusionfuse/index.html
+++ b/developers/fusionfuse/index.html
@@ -3,7 +3,7 @@
 <head>
     <meta charset="UTF-8">
     <meta name="viewport" content="width=device-width,initial-scale=1">
-    <meta name="turbo-cache-control" content="no-cache" data-turbo-track="reload" data-track-token="3.5.0.748223193170">
+    <meta name="turbo-cache-control" content="no-cache" data-turbo-track="reload" data-track-token="3.5.0.752273750126">
 
     <!-- See retype.com -->
     <meta name="generator" content="Retype 3.5.0">
@@ -31,11 +31,11 @@
     <script data-cfasync="false">(function () { var el = document.documentElement, m = localStorage.getItem("doc_theme"), wm = window.matchMedia; if (m === "dark" || (!m && wm && wm("(prefers-color-scheme: dark)").matches)) { el.classList.add("dark") } else { el.classList.remove("dark") } })();</script>
 
     <link href="../../static/favicon.ico" rel="icon">
-    <link href="../../resources/css/retype.css?v=3.5.0.748223193170" rel="stylesheet">
+    <link href="../../resources/css/retype.css?v=3.5.0.752273750126" rel="stylesheet">
 
-    <script data-cfasync="false" src="../../resources/js/config.js?v=3.5.0.748223193170" data-turbo-eval="false" defer></script>
+    <script data-cfasync="false" src="../../resources/js/config.js?v=3.5.0.752273750126" data-turbo-eval="false" defer></script>
     <script data-cfasync="false" src="../../resources/js/retype.js?v=3.5.0" data-turbo-eval="false" defer></script>
-    <script id="lunr-js" data-cfasync="false" src="../../resources/js/lunr.js?v=3.5.0.748223193170" data-turbo-eval="false" defer></script>
+    <script id="lunr-js" data-cfasync="false" src="../../resources/js/lunr.js?v=3.5.0.752273750126" data-turbo-eval="false" defer></script>
 
     <link rel="stylesheet" href="https://cdnjs.cloudflare.com/ajax/libs/font-awesome/4.7.0/css/font-awesome.min.css">
     <style>
diff --git a/developers/fusiontemplates/index.html b/developers/fusiontemplates/index.html
index 433e55e..d9dddb5 100644
--- a/developers/fusiontemplates/index.html
+++ b/developers/fusiontemplates/index.html
@@ -3,7 +3,7 @@
 <head>
     <meta charset="UTF-8">
     <meta name="viewport" content="width=device-width,initial-scale=1">
-    <meta name="turbo-cache-control" content="no-cache" data-turbo-track="reload" data-track-token="3.5.0.748223193170">
+    <meta name="turbo-cache-control" content="no-cache" data-turbo-track="reload" data-track-token="3.5.0.752273750126">
 
     <!-- See retype.com -->
     <meta name="generator" content="Retype 3.5.0">
@@ -31,11 +31,11 @@
     <script data-cfasync="false">(function () { var el = document.documentElement, m = localStorage.getItem("doc_theme"), wm = window.matchMedia; if (m === "dark" || (!m && wm && wm("(prefers-color-scheme: dark)").matches)) { el.classList.add("dark") } else { el.classList.remove("dark") } })();</script>
 
     <link href="../../static/favicon.ico" rel="icon">
-    <link href="../../resources/css/retype.css?v=3.5.0.748223193170" rel="stylesheet">
+    <link href="../../resources/css/retype.css?v=3.5.0.752273750126" rel="stylesheet">
 
-    <script data-cfasync="false" src="../../resources/js/config.js?v=3.5.0.748223193170" data-turbo-eval="false" defer></script>
+    <script data-cfasync="false" src="../../resources/js/config.js?v=3.5.0.752273750126" data-turbo-eval="false" defer></script>
     <script data-cfasync="false" src="../../resources/js/retype.js?v=3.5.0" data-turbo-eval="false" defer></script>
-    <script id="lunr-js" data-cfasync="false" src="../../resources/js/lunr.js?v=3.5.0.748223193170" data-turbo-eval="false" defer></script>
+    <script id="lunr-js" data-cfasync="false" src="../../resources/js/lunr.js?v=3.5.0.752273750126" data-turbo-eval="false" defer></script>
 
     <link rel="stylesheet" href="https://cdnjs.cloudflare.com/ajax/libs/font-awesome/4.7.0/css/font-awesome.min.css">
     <style>
diff --git a/developers/luts/index.html b/developers/luts/index.html
index 105e8d3..ac9a4ef 100644
--- a/developers/luts/index.html
+++ b/developers/luts/index.html
@@ -3,7 +3,7 @@
 <head>
     <meta charset="UTF-8">
     <meta name="viewport" content="width=device-width,initial-scale=1">
-    <meta name="turbo-cache-control" content="no-cache" data-turbo-track="reload" data-track-token="3.5.0.748223193170">
+    <meta name="turbo-cache-control" content="no-cache" data-turbo-track="reload" data-track-token="3.5.0.752273750126">
 
     <!-- See retype.com -->
     <meta name="generator" content="Retype 3.5.0">
@@ -31,11 +31,11 @@
     <script data-cfasync="false">(function () { var el = document.documentElement, m = localStorage.getItem("doc_theme"), wm = window.matchMedia; if (m === "dark" || (!m && wm && wm("(prefers-color-scheme: dark)").matches)) { el.classList.add("dark") } else { el.classList.remove("dark") } })();</script>
 
     <link href="../../static/favicon.ico" rel="icon">
-    <link href="../../resources/css/retype.css?v=3.5.0.748223193170" rel="stylesheet">
+    <link href="../../resources/css/retype.css?v=3.5.0.752273750126" rel="stylesheet">
 
-    <script data-cfasync="false" src="../../resources/js/config.js?v=3.5.0.748223193170" data-turbo-eval="false" defer></script>
+    <script data-cfasync="false" src="../../resources/js/config.js?v=3.5.0.752273750126" data-turbo-eval="false" defer></script>
     <script data-cfasync="false" src="../../resources/js/retype.js?v=3.5.0" data-turbo-eval="false" defer></script>
-    <script id="lunr-js" data-cfasync="false" src="../../resources/js/lunr.js?v=3.5.0.748223193170" data-turbo-eval="false" defer></script>
+    <script id="lunr-js" data-cfasync="false" src="../../resources/js/lunr.js?v=3.5.0.752273750126" data-turbo-eval="false" defer></script>
 
     <link rel="stylesheet" href="https://cdnjs.cloudflare.com/ajax/libs/font-awesome/4.7.0/css/font-awesome.min.css">
     <style>
@@ -357,8 +357,8 @@ <h3>
 <p>A 1D lookup table allows output values to be specified corresponding to
 equally spaced input values in a given range. In the header of the LUT, the
 size and range of the LUT can be specified as follows:</p>
-<p>LUT_1D_SIZE N
-LUT_1D_INPUT_RANGE MIN_VAL MAX_VAL</p>
+<p><code v-pre>LUT_1D_SIZE N</code></p>
+<p><code v-pre>LUT_1D_INPUT_RANGE MIN_VAL MAX_VAL</code></p>
 <p>where:
 N - number of entries, up to a maximum of 65536
 MIN_VAL - floating point input value corresponding to the first entry in the lookup table
@@ -388,8 +388,8 @@ <h3>
 may cause a change in the other two color channels as well.</p>
 <p>Similar to a 1D LUT, the header contains information about the size of the
 lookup table as well as the range of input values.</p>
-<p><code v-pre>LUT_3D_SIZE N</code>
-<code v-pre>LUT_3D_INPUT_RANGE MIN_VAL MAX_VAL</code></p>
+<p><code v-pre>LUT_3D_SIZE N</code></p>
+<p><code v-pre>LUT_3D_INPUT_RANGE MIN_VAL MAX_VAL</code></p>
 <p>where:
 <code v-pre>N</code> - number of entries per channel (NOTE: this results in a lookup table that has N * N * N entries)
 <code v-pre>MIN_VAL</code> - floating point input value corresponding to the first entry in the lookup table
diff --git a/developers/openfx/index.html b/developers/openfx/index.html
index 3939434..eb12cfa 100644
--- a/developers/openfx/index.html
+++ b/developers/openfx/index.html
@@ -3,7 +3,7 @@
 <head>
     <meta charset="UTF-8">
     <meta name="viewport" content="width=device-width,initial-scale=1">
-    <meta name="turbo-cache-control" content="no-cache" data-turbo-track="reload" data-track-token="3.5.0.748223193170">
+    <meta name="turbo-cache-control" content="no-cache" data-turbo-track="reload" data-track-token="3.5.0.752273750126">
 
     <!-- See retype.com -->
     <meta name="generator" content="Retype 3.5.0">
@@ -31,11 +31,11 @@
     <script data-cfasync="false">(function () { var el = document.documentElement, m = localStorage.getItem("doc_theme"), wm = window.matchMedia; if (m === "dark" || (!m && wm && wm("(prefers-color-scheme: dark)").matches)) { el.classList.add("dark") } else { el.classList.remove("dark") } })();</script>
 
     <link href="../../static/favicon.ico" rel="icon">
-    <link href="../../resources/css/retype.css?v=3.5.0.748223193170" rel="stylesheet">
+    <link href="../../resources/css/retype.css?v=3.5.0.752273750126" rel="stylesheet">
 
-    <script data-cfasync="false" src="../../resources/js/config.js?v=3.5.0.748223193170" data-turbo-eval="false" defer></script>
+    <script data-cfasync="false" src="../../resources/js/config.js?v=3.5.0.752273750126" data-turbo-eval="false" defer></script>
     <script data-cfasync="false" src="../../resources/js/retype.js?v=3.5.0" data-turbo-eval="false" defer></script>
-    <script id="lunr-js" data-cfasync="false" src="../../resources/js/lunr.js?v=3.5.0.748223193170" data-turbo-eval="false" defer></script>
+    <script id="lunr-js" data-cfasync="false" src="../../resources/js/lunr.js?v=3.5.0.752273750126" data-turbo-eval="false" defer></script>
 
     <link rel="stylesheet" href="https://cdnjs.cloudflare.com/ajax/libs/font-awesome/4.7.0/css/font-awesome.min.css">
     <style>
diff --git a/developers/scripting/index.html b/developers/scripting/index.html
index ce354ae..dfeede2 100644
--- a/developers/scripting/index.html
+++ b/developers/scripting/index.html
@@ -3,7 +3,7 @@
 <head>
     <meta charset="UTF-8">
     <meta name="viewport" content="width=device-width,initial-scale=1">
-    <meta name="turbo-cache-control" content="no-cache" data-turbo-track="reload" data-track-token="3.5.0.748223193170">
+    <meta name="turbo-cache-control" content="no-cache" data-turbo-track="reload" data-track-token="3.5.0.752273750126">
 
     <!-- See retype.com -->
     <meta name="generator" content="Retype 3.5.0">
@@ -31,11 +31,11 @@
     <script data-cfasync="false">(function () { var el = document.documentElement, m = localStorage.getItem("doc_theme"), wm = window.matchMedia; if (m === "dark" || (!m && wm && wm("(prefers-color-scheme: dark)").matches)) { el.classList.add("dark") } else { el.classList.remove("dark") } })();</script>
 
     <link href="../../static/favicon.ico" rel="icon">
-    <link href="../../resources/css/retype.css?v=3.5.0.748223193170" rel="stylesheet">
+    <link href="../../resources/css/retype.css?v=3.5.0.752273750126" rel="stylesheet">
 
-    <script data-cfasync="false" src="../../resources/js/config.js?v=3.5.0.748223193170" data-turbo-eval="false" defer></script>
+    <script data-cfasync="false" src="../../resources/js/config.js?v=3.5.0.752273750126" data-turbo-eval="false" defer></script>
     <script data-cfasync="false" src="../../resources/js/retype.js?v=3.5.0" data-turbo-eval="false" defer></script>
-    <script id="lunr-js" data-cfasync="false" src="../../resources/js/lunr.js?v=3.5.0.748223193170" data-turbo-eval="false" defer></script>
+    <script id="lunr-js" data-cfasync="false" src="../../resources/js/lunr.js?v=3.5.0.752273750126" data-turbo-eval="false" defer></script>
 
     <link rel="stylesheet" href="https://cdnjs.cloudflare.com/ajax/libs/font-awesome/4.7.0/css/font-awesome.min.css">
     <style>
diff --git a/developers/workflowintegrations/index.html b/developers/workflowintegrations/index.html
index 197a6a9..7dd6d43 100644
--- a/developers/workflowintegrations/index.html
+++ b/developers/workflowintegrations/index.html
@@ -3,7 +3,7 @@
 <head>
     <meta charset="UTF-8">
     <meta name="viewport" content="width=device-width,initial-scale=1">
-    <meta name="turbo-cache-control" content="no-cache" data-turbo-track="reload" data-track-token="3.5.0.748223193170">
+    <meta name="turbo-cache-control" content="no-cache" data-turbo-track="reload" data-track-token="3.5.0.752273750126">
 
     <!-- See retype.com -->
     <meta name="generator" content="Retype 3.5.0">
@@ -31,11 +31,11 @@
     <script data-cfasync="false">(function () { var el = document.documentElement, m = localStorage.getItem("doc_theme"), wm = window.matchMedia; if (m === "dark" || (!m && wm && wm("(prefers-color-scheme: dark)").matches)) { el.classList.add("dark") } else { el.classList.remove("dark") } })();</script>
 
     <link href="../../static/favicon.ico" rel="icon">
-    <link href="../../resources/css/retype.css?v=3.5.0.748223193170" rel="stylesheet">
+    <link href="../../resources/css/retype.css?v=3.5.0.752273750126" rel="stylesheet">
 
-    <script data-cfasync="false" src="../../resources/js/config.js?v=3.5.0.748223193170" data-turbo-eval="false" defer></script>
+    <script data-cfasync="false" src="../../resources/js/config.js?v=3.5.0.752273750126" data-turbo-eval="false" defer></script>
     <script data-cfasync="false" src="../../resources/js/retype.js?v=3.5.0" data-turbo-eval="false" defer></script>
-    <script id="lunr-js" data-cfasync="false" src="../../resources/js/lunr.js?v=3.5.0.748223193170" data-turbo-eval="false" defer></script>
+    <script id="lunr-js" data-cfasync="false" src="../../resources/js/lunr.js?v=3.5.0.752273750126" data-turbo-eval="false" defer></script>
 
     <link rel="stylesheet" href="https://cdnjs.cloudflare.com/ajax/libs/font-awesome/4.7.0/css/font-awesome.min.css">
     <style>
diff --git a/ecosystem/assetmanagement/index.html b/ecosystem/assetmanagement/index.html
index 1900691..a91cd22 100644
--- a/ecosystem/assetmanagement/index.html
+++ b/ecosystem/assetmanagement/index.html
@@ -3,7 +3,7 @@
 <head>
     <meta charset="UTF-8">
     <meta name="viewport" content="width=device-width,initial-scale=1">
-    <meta name="turbo-cache-control" content="no-cache" data-turbo-track="reload" data-track-token="3.5.0.748223193170">
+    <meta name="turbo-cache-control" content="no-cache" data-turbo-track="reload" data-track-token="3.5.0.752273750126">
 
     <!-- See retype.com -->
     <meta name="generator" content="Retype 3.5.0">
@@ -31,11 +31,11 @@
     <script data-cfasync="false">(function () { var el = document.documentElement, m = localStorage.getItem("doc_theme"), wm = window.matchMedia; if (m === "dark" || (!m && wm && wm("(prefers-color-scheme: dark)").matches)) { el.classList.add("dark") } else { el.classList.remove("dark") } })();</script>
 
     <link href="../../static/favicon.ico" rel="icon">
-    <link href="../../resources/css/retype.css?v=3.5.0.748223193170" rel="stylesheet">
+    <link href="../../resources/css/retype.css?v=3.5.0.752273750126" rel="stylesheet">
 
-    <script data-cfasync="false" src="../../resources/js/config.js?v=3.5.0.748223193170" data-turbo-eval="false" defer></script>
+    <script data-cfasync="false" src="../../resources/js/config.js?v=3.5.0.752273750126" data-turbo-eval="false" defer></script>
     <script data-cfasync="false" src="../../resources/js/retype.js?v=3.5.0" data-turbo-eval="false" defer></script>
-    <script id="lunr-js" data-cfasync="false" src="../../resources/js/lunr.js?v=3.5.0.748223193170" data-turbo-eval="false" defer></script>
+    <script id="lunr-js" data-cfasync="false" src="../../resources/js/lunr.js?v=3.5.0.752273750126" data-turbo-eval="false" defer></script>
 
     <link rel="stylesheet" href="https://cdnjs.cloudflare.com/ajax/libs/font-awesome/4.7.0/css/font-awesome.min.css">
     <style>
diff --git a/ecosystem/fusiontemplates/index.html b/ecosystem/fusiontemplates/index.html
index 7484667..223fca9 100644
--- a/ecosystem/fusiontemplates/index.html
+++ b/ecosystem/fusiontemplates/index.html
@@ -3,7 +3,7 @@
 <head>
     <meta charset="UTF-8">
     <meta name="viewport" content="width=device-width,initial-scale=1">
-    <meta name="turbo-cache-control" content="no-cache" data-turbo-track="reload" data-track-token="3.5.0.748223193170">
+    <meta name="turbo-cache-control" content="no-cache" data-turbo-track="reload" data-track-token="3.5.0.752273750126">
 
     <!-- See retype.com -->
     <meta name="generator" content="Retype 3.5.0">
@@ -33,11 +33,11 @@
     <script data-cfasync="false">(function () { var el = document.documentElement, m = localStorage.getItem("doc_theme"), wm = window.matchMedia; if (m === "dark" || (!m && wm && wm("(prefers-color-scheme: dark)").matches)) { el.classList.add("dark") } else { el.classList.remove("dark") } })();</script>
 
     <link href="../../static/favicon.ico" rel="icon">
-    <link href="../../resources/css/retype.css?v=3.5.0.748223193170" rel="stylesheet">
+    <link href="../../resources/css/retype.css?v=3.5.0.752273750126" rel="stylesheet">
 
-    <script data-cfasync="false" src="../../resources/js/config.js?v=3.5.0.748223193170" data-turbo-eval="false" defer></script>
+    <script data-cfasync="false" src="../../resources/js/config.js?v=3.5.0.752273750126" data-turbo-eval="false" defer></script>
     <script data-cfasync="false" src="../../resources/js/retype.js?v=3.5.0" data-turbo-eval="false" defer></script>
-    <script id="lunr-js" data-cfasync="false" src="../../resources/js/lunr.js?v=3.5.0.748223193170" data-turbo-eval="false" defer></script>
+    <script id="lunr-js" data-cfasync="false" src="../../resources/js/lunr.js?v=3.5.0.752273750126" data-turbo-eval="false" defer></script>
 
     <link rel="stylesheet" href="https://cdnjs.cloudflare.com/ajax/libs/font-awesome/4.7.0/css/font-awesome.min.css">
     <style>
diff --git a/ecosystem/plugins/index.html b/ecosystem/plugins/index.html
index 3f18648..d0c04df 100644
--- a/ecosystem/plugins/index.html
+++ b/ecosystem/plugins/index.html
@@ -3,7 +3,7 @@
 <head>
     <meta charset="UTF-8">
     <meta name="viewport" content="width=device-width,initial-scale=1">
-    <meta name="turbo-cache-control" content="no-cache" data-turbo-track="reload" data-track-token="3.5.0.748223193170">
+    <meta name="turbo-cache-control" content="no-cache" data-turbo-track="reload" data-track-token="3.5.0.752273750126">
 
     <!-- See retype.com -->
     <meta name="generator" content="Retype 3.5.0">
@@ -33,11 +33,11 @@
     <script data-cfasync="false">(function () { var el = document.documentElement, m = localStorage.getItem("doc_theme"), wm = window.matchMedia; if (m === "dark" || (!m && wm && wm("(prefers-color-scheme: dark)").matches)) { el.classList.add("dark") } else { el.classList.remove("dark") } })();</script>
 
     <link href="../../static/favicon.ico" rel="icon">
-    <link href="../../resources/css/retype.css?v=3.5.0.748223193170" rel="stylesheet">
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diff --git a/ecosystem/tools/index.html b/ecosystem/tools/index.html
index c6f0e60..98518d5 100644
--- a/ecosystem/tools/index.html
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     <link href="../../static/favicon.ico" rel="icon">
-    <link href="../../resources/css/retype.css?v=3.5.0.748223193170" rel="stylesheet">
+    <link href="../../resources/css/retype.css?v=3.5.0.752273750126" rel="stylesheet">
 
-    <script data-cfasync="false" src="../../resources/js/config.js?v=3.5.0.748223193170" data-turbo-eval="false" defer></script>
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diff --git a/faq/index.html b/faq/index.html
index 38e5f70..d9bd1bd 100644
--- a/faq/index.html
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     <link href="../static/favicon.ico" rel="icon">
-    <link href="../resources/css/retype.css?v=3.5.0.748223193170" rel="stylesheet">
+    <link href="../resources/css/retype.css?v=3.5.0.752273750126" rel="stylesheet">
 
-    <script data-cfasync="false" src="../resources/js/config.js?v=3.5.0.748223193170" data-turbo-eval="false" defer></script>
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diff --git a/hardware/controlsurfaces/index.html b/hardware/controlsurfaces/index.html
index 3aa5e6e..2fe3137 100644
--- a/hardware/controlsurfaces/index.html
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     <link href="../../static/favicon.ico" rel="icon">
-    <link href="../../resources/css/retype.css?v=3.5.0.748223193170" rel="stylesheet">
+    <link href="../../resources/css/retype.css?v=3.5.0.752273750126" rel="stylesheet">
 
-    <script data-cfasync="false" src="../../resources/js/config.js?v=3.5.0.748223193170" data-turbo-eval="false" defer></script>
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     <link rel="stylesheet" href="https://cdnjs.cloudflare.com/ajax/libs/font-awesome/4.7.0/css/font-awesome.min.css">
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diff --git a/hardware/monitors/index.html b/hardware/monitors/index.html
index 6c583be..780ad03 100644
--- a/hardware/monitors/index.html
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     <link href="../../static/favicon.ico" rel="icon">
-    <link href="../../resources/css/retype.css?v=3.5.0.748223193170" rel="stylesheet">
+    <link href="../../resources/css/retype.css?v=3.5.0.752273750126" rel="stylesheet">
 
-    <script data-cfasync="false" src="../../resources/js/config.js?v=3.5.0.748223193170" data-turbo-eval="false" defer></script>
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     <link rel="stylesheet" href="https://cdnjs.cloudflare.com/ajax/libs/font-awesome/4.7.0/css/font-awesome.min.css">
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diff --git a/hardware/storage/index.html b/hardware/storage/index.html
index 8e460f5..896fb83 100644
--- a/hardware/storage/index.html
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     <link href="../../static/favicon.ico" rel="icon">
-    <link href="../../resources/css/retype.css?v=3.5.0.748223193170" rel="stylesheet">
+    <link href="../../resources/css/retype.css?v=3.5.0.752273750126" rel="stylesheet">
 
-    <script data-cfasync="false" src="../../resources/js/config.js?v=3.5.0.748223193170" data-turbo-eval="false" defer></script>
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diff --git a/index.html b/index.html
index aaa6fb4..c080bb6 100644
--- a/index.html
+++ b/index.html
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     <link href="static/favicon.ico" rel="icon">
-    <link href="resources/css/retype.css?v=3.5.0.748223193170" rel="stylesheet">
+    <link href="resources/css/retype.css?v=3.5.0.752273750126" rel="stylesheet">
 
-    <script data-cfasync="false" src="resources/js/config.js?v=3.5.0.748223193170" data-turbo-eval="false" defer></script>
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diff --git a/ipad/index.html b/ipad/index.html
index 31ecb6a..1bba816 100644
--- a/ipad/index.html
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     <link href="../static/favicon.ico" rel="icon">
-    <link href="../resources/css/retype.css?v=3.5.0.748223193170" rel="stylesheet">
+    <link href="../resources/css/retype.css?v=3.5.0.752273750126" rel="stylesheet">
 
-    <script data-cfasync="false" src="../resources/js/config.js?v=3.5.0.748223193170" data-turbo-eval="false" defer></script>
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     <link rel="stylesheet" href="https://cdnjs.cloudflare.com/ajax/libs/font-awesome/4.7.0/css/font-awesome.min.css">
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diff --git a/latenite-technology/index.html b/latenite-technology/index.html
index f6d3806..d9acf55 100644
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     <link href="../static/favicon.ico" rel="icon">
-    <link href="../resources/css/retype.css?v=3.5.0.748223193170" rel="stylesheet">
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-    <script data-cfasync="false" src="../resources/js/config.js?v=3.5.0.748223193170" data-turbo-eval="false" defer></script>
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     <link rel="stylesheet" href="https://cdnjs.cloudflare.com/ajax/libs/font-awesome/4.7.0/css/font-awesome.min.css">
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diff --git a/learn/articles/index.html b/learn/articles/index.html
index b446e5c..141e06a 100644
--- a/learn/articles/index.html
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-    <meta name="turbo-cache-control" content="no-cache" data-turbo-track="reload" data-track-token="3.5.0.748223193170">
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     <meta name="generator" content="Retype 3.5.0">
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     <link href="../../static/favicon.ico" rel="icon">
-    <link href="../../resources/css/retype.css?v=3.5.0.748223193170" rel="stylesheet">
+    <link href="../../resources/css/retype.css?v=3.5.0.752273750126" rel="stylesheet">
 
-    <script data-cfasync="false" src="../../resources/js/config.js?v=3.5.0.748223193170" data-turbo-eval="false" defer></script>
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diff --git a/learn/history/index.html b/learn/history/index.html
index c34f2e1..3953a65 100644
--- a/learn/history/index.html
+++ b/learn/history/index.html
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     <link href="../../static/favicon.ico" rel="icon">
-    <link href="../../resources/css/retype.css?v=3.5.0.748223193170" rel="stylesheet">
+    <link href="../../resources/css/retype.css?v=3.5.0.752273750126" rel="stylesheet">
 
-    <script data-cfasync="false" src="../../resources/js/config.js?v=3.5.0.748223193170" data-turbo-eval="false" defer></script>
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diff --git a/learn/training/index.html b/learn/training/index.html
index 5de0a85..b0f44aa 100644
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diff --git a/resources/js/search.json b/resources/js/search.json
index 8291d89..a34b8c6 100644
--- a/resources/js/search.json
+++ b/resources/js/search.json
@@ -1 +1 @@
-[[{"i":"#","p":["Resolve Cafe is a technical community for professional DaVinci Resolve editors."]},{"l":"Latest News","p":["Resolve Cafe is a technical community for professional DaVinci Resolve editors.","Learn more about RSS Feeds here."]},{"i":"make-resolve-cafe-your-home-page","l":":icon-bookmark: Make Resolve Cafe your Home Page","p":["Click Enter a URL. Then, type: https://resolve.cafe.","Click the General tab.","Click Yes.","Drag this tab to the Home button, then release.","If you have a current homepage: Next to the URL, click X.","In the menu bar on the top of your browser, click Tools.","In the top left corner of your screen, select Safari and then Preferences and then General.","In the top right corner of your computer's browser, click More icon and then Settings.","In the upper right corner of your browser, select the More icon and then Settings.","Next to Homepage enter: https://resolve.cafe.","Next to New windows open with and New tabs open with, select Homepage.","Select Internet Options.","Select your current homepage, then, enter: https://resolve.cafe.","Under \"Home page,\" enter: https://resolve.cafe, click OK and restart your browser.","Under Appearance, turn on Show home button.","Under Set your homepage, click the Down arrow and then A specific page or pages."]},{"l":"2023"},{"l":"July"},{"l":"21st July 2023","p":["DaVinci Resolve 18.5 final release is now available!","It's a massive update with over 100 new features including text based editing, AI dialogue transcription, new cut page editing toolset and new Fairlight mix automation.","You can download here.","Want to contribute or advertise? Learn more here!"]},{"l":"June"},{"l":"22nd June 2023","p":["Marker Toolbox v1.2.0 is out now! It has some awesome new features:","Adds Resolve EDL Export","Allows you to apply Markers to Clips from Final Cut Pro","Adds support for Frame.io's FIOJSON files","You can learn more here.","At Moodlab, we’re rethinking the colour pipeline. Click here to learn more!"]},{"l":"18th June 2023","p":["Russ Hughes has written a great blog post titled: I Ignored Davinci Resolve - I Was Wrong.","It explains why he jumped from Final Cut Pro to DaVinci Resolve for editing, from a sound designers perspective.","You can read here.","DaVinci Resolve Studio Scaling Fix: Fix Scaling issues in DaVinci Resolve Studio for FCPX and Premiere sequences imported via XML and FCPXML. Download Now!"]},{"l":"15th June 2023","p":["A few new features, and a bunch of bug fixes, especially for those on macOS Ventura.","BorisFX has a really interesting new case study on their blog - The Last Of Us: Wylie Co.’s Motion Tracking Journey with Mocha Pro.","CommandPost v1.4.18 is out now!","DaVinci Resolve 18.5 Beta 4 is now available as a free download.","DaVinci Resolve 18.5 Beta 4 is out now!","For DaVinci Resolve Studio users, the beta release includes support for transcribing both traditional and simplified Mandarin. Moreover, it enhances vertical video resolution during remote monitoring, providing superior quality vision while securely streaming footage to an offsite director or client.","Jonny Elwyn has some great summaries here:","Master Filmmakers on the Craft of Film Editing","Masterclass All-Access Pass Reviewed","MasterClass is currently having a 50% off sale for Fathers Day.","Our good friends at fxguide have a great new blog post - Apple M2 Studio Learns Nuke Machine Learning.","The author, Mike Seymour, is one of the smartest and best educators in the entire film industry, period.","The software update brings several scripting API enhancements for track and timeline management. This allows users to write scripts to automate frequent functions, such as placing and replacing visual effects on the DaVinci Resolve timeline. The result is an accelerated post-production process with fewer errors.","The update also introduces support for Blackmagic RAW 3.2, alongside numerous bug fixes and general performance and stability enhancements.","There's lots of great training for filmmakers and video editors.","Tight. Terse. Terrific. Bim. Bam. Boom.– Cut/daily reader Post Production insight delivered to your inbox. Sign up for free at Cut/daily.com","Today, the release of the public beta 4 of DaVinci Resolve 18.5 was announced, boasting additional improvements to the prior DaVinci public beta, including enhanced control over subtitle export. This update ensures that only activated subtitles are included in the render, subsequently displayed on the export. The update also guarantees greater system stability when displaying clip handles in the color page, thereby facilitating a smoother grading process.","You can download and learn more here.","You can learn more and download here.","You can read more here."]},{"l":"13th June 2023","p":["The amazing Philip Hodgetts from Intelligent Assistance has written an excellent blog post on Generative AI Devalues Experience here.","There's an interesting article over at arstechnica:","“Clearly predatory”: Western Digital sparks panic, anger for age-shaming HDDs","At Moodlab, we’re rethinking the colour pipeline. Click here to learn more!"]},{"l":"8th June 2023","p":["Michael Kammes has written a great article on Empowering Creatives: The Future of Creativity and Collaboration in the M&E Industry.","DaVinci Resolve Studio Scaling Fix: Fix Scaling issues in DaVinci Resolve Studio for FCPX and Premiere sequences imported via XML and FCPXML. Download Now!"]},{"l":"6th June 2023","p":["Below are some of the relevant highlights for Final Cut Pro editors.","DaVinci Resolve will run on Vision Pro out-of-the-box. No word yet on Final Cut Pro support.","First up, the new Mac Pro:","Here's a 17 big & little things at WWDC23.","Iain Anderson has also written Apple Vision Pro revealed at WWDC over at ProVideo Coalition.","It's USD$3499 and \"available early next year in the U.S\".","NeoFinder 8.4.1 is another free update for all customers with a NeoFinder 8.x license.","NeoFinder 8.4.1 is out now. This is a bugfix release that contains two fixes for the Smart Folders, and one fix when searching hierarchical keywords.","NeoFinder 8.x is a paid upgrade for NeoFinder 6.x, NeoFinder 7.x, and CDFinder customers.","Premiere Gal is giving away USD$10,000 worth of Video Gear!","Purchase a Ninja V, Ninja V+, Shogun Connect, Sumo 19SE or Shogun Studio 2 before the end of June 2023 to receive a FREE Assimilate Play Pro Studio license worth US$299 when registering your product. Existing registered owners quality for an exclusive price of USD$99.","There's the new 15-inch MacBook Air:","There's the new M2 Ultra.","There's the new macOS Sonoma:","There's the new Vision Pro.","Tight. Terse. Terrific. Bim. Bam. Boom.– Cut/daily reader Post Production insight delivered to your inbox. Sign up for free at Cut/daily.com","WWDC time!","You can learn more about the new MacPro here.","You can learn more about Vision Pro here.","You can learn more here.","You can watch the entire WWDC Keynote here."]},{"l":"5th June 2023","p":["It's a month old, but for those that might have missed it, there's an awesome YouTube video that showcases the Audio Design Desk v2.0 Beta.","Audio Design Desk is to audio software what Pro Tools was to the tape machine. It’s an entirely new breed of Digital Audio Workstation that artists can play like an instrument, revolutionizing the process of adding music and sound effects to picture and cutting down what can typically be a full day project to just a few minutes. It comes bundled with 75,000 sounds embedded with patent-pending Sonic Intelligence™, using AI-assisted content creation tools to enable filmmakers, sound designers, composers, and creators to produce cinema-quality compositions at the speed of thought, giving them a level of creative control that is unmatched by any other software.","You can learn more about Audio Design Desk here.","At Moodlab, we’re rethinking the colour pipeline. Click here to learn more!"]},{"l":"3rd June 2023","p":["In this video series, Igor Riđanović will be demonstrating proof-of-concept OpenAI GPT and DaVinci Resolve integrations, starting with a virtual Resolve assistant.","Imagine having all the information you need right at your fingertips within Resolve itself. No more switching between Facebook, Blackmagic Forum, or other platforms. Just ask your questions directly in Resolve.","Igor would love to hear your thoughts on this integration. Are there other GPT AI use cases you'd like to see in Resolve?","DaVinci Resolve Studio Scaling Fix: Fix Scaling issues in DaVinci Resolve Studio for FCPX and Premiere sequences imported via XML and FCPXML. Download Now!"]},{"l":"1st June 2023","p":["Alteon.io has announced that Brian Meaney will now be their new Head of Product. He brings more than two decades of experience from Apple and Magic Leap. Brian will direct product development and UX for their entire ecosystem.","You can learn more here.","Tight. Terse. Terrific. Bim. Bam. Boom.– Cut/daily reader Post Production insight delivered to your inbox. Sign up for free at Cut/daily.com"]},{"l":"May"},{"l":"31st May 2023","p":["Colourlab Ai is having a Spring Flash Sale! Up to 50% Off on Our Color Grading Software - Only 48 Hours Left!","Spring is in the air, and so are the savings!","Here's what's on offer:","Colourlab Ai Studio Annual License: Get a whopping 50% off on their Colourlab Ai Studio Annual License. This brings the cost of Colourlab Ai, Look Designer Plugin, and Grainlab Plugin down to just $249. That's less than the cost of a single plugin! Considering the combined value of all three applications is over $1000, this is a massive saving. Use the code springstudio50 to take advantage of this offer. Look Designer Perpetual Licenses: Colourlab Ai is offering a 30% discount on their Look Designer Perpetual Licenses. This means you can own Look Designer forever for just $349. Look Designer 3.0 for Davinci and Premiere runs on both Mac and PC and is the perfect companion for creating X01 files, Look Design, Look Testing, EL Zones, and Full Color Management. Use the code springlook30 to avail this offer.","Buy Colourlab Ai Studio here.","Buy Look Designer Perpetual here.","A new batch of nOb controllers is now available! You can order here.","At Moodlab, we’re rethinking the colour pipeline. Click here to learn more!"]},{"l":"30th May 2023","p":["Following on from the interest in FCP Cafe, Chris at LateNite has thrown together this site to be a new \"home page\" and community for professional editors using DaVinCi Resolve.","We want this site to be:","Open: This site will remain open-source on GitHub for anyone to suggest pull requests","Up-to-date & Relevant: We want this site to always be up-to-date and relevant","No bullshit: We want this site to be honest, truthful, useful and professional","Community Driven: This isn't our site, it's \"owned\" by the professional DaVinci Resolve Community","Modern: This site should work great on the latest browsers, including mobile","Fast & Clean: This site should load quickly, and be easy to navigate","No analytics or user tracking: No cookies here!","This is still very much a work-in-progress, and we'll be adding content gradually over the coming weeks and months.","DaVinci Resolve Studio Scaling Fix: Fix Scaling issues in DaVinci Resolve Studio for FCPX and Premiere sequences imported via XML and FCPXML. Download Now!"]},{"l":"29th May 2023","p":["Chris at LateNite has updated the pricing for BRAW Toolbox, Gyroflow Toolbox& Marker Toolbox.","BRAW Toolbox is now 79.99 in your local currency (i.e. AUD79.99, USD79.99, CAD79.99).","Marker Toolbox is now 19.99 in your local currency (i.e. AUD19.99, USD19.99, CAD19.99).","Gyroflow Toolbox is now 4.99 in your local currency (i.e. AUD4.99, USD4.99, CAD4.99).","Their upcoming apps will have the same pricing model:","Recall Toolbox is now 29.99 in your local currency (i.e. AUD29.99, USD29.99, CAD29.99).","Transfer Toolbox is now 4.99 in your local currency (i.e. AUD4.99, USD4.99, CAD4.99).","However, for example, if your country doesn't have an equivalent of 4.99 (i.e. Rp89,000 in Indonesia), it will default to a USD$4.99 equivalent.","Transfer Toolbox is currently waiting for approval on the Mac App Store, but you can download from TestFlight.","Recall Toolbox is currently on TestFlight, and will hopefully be submitted to the Mac App Store by the end of this week for review.","Tight. Terse. Terrific. Bim. Bam. Boom.– Cut/daily reader Post Production insight delivered to your inbox. Sign up for free at Cut/daily.com"]},{"l":"27th May 2023","p":["Hedge are on the lookout for passionate beta users to help shape the future of Hedge products (like Hedge, PostLab& EditReady). If you think you have what it takes and would like to join, sign up here.","At Moodlab, we’re rethinking the colour pipeline. Click here to learn more!","Want to contribute or advertise? Learn more here!"]}],[{"l":"LateNite Technology","p":["This website has been thrown together by Chris Hocking at LateNite.","Constantly looking for ways to innovate, LateNite is as passionate about production and post production as it is storytelling. Their pursuit of creative excellence has seen them work closely with global cinematic technology companies to craft post workflow solutions and critically celebrated software in-house."]},{"l":"In Development","p":["Here's a sneak peak of some of the things we have in development.","Exact shipping dates may vary, as all these ideas are still in active development, and subject to things like TestFlight & App Store approval, etc."]},{"l":"Timecode Toolbox","p":["ETA: July 2023","We're spinning out the Sony Timecode Repair Toolbox from CommandPost and making it a standalone app.","In addition to the current functionality, you'll also be able to modify the original camera files to add Final Cut Pro friendly timecode."]},{"l":"Metadata Toolbox","p":["ETA: August 2023","Metadata Toolbox is a Workflow Extension that allows you to drag in a project, select burn-in metadata options, then drag a Compound Clip back to the timeline with all the metadata as titles."]},{"l":"RAW Toolbox","p":["ETA: September 2023","Following in the footsteps of BRAW Toolbox, RAW Toolbox will initially add Nikon N-RAW support to Final Cut Pro."]},{"l":"Import Toolbox","p":["ETA: October 2023","Import Toolbox will be a Workflow Extension that allows you to import files with better metadata and preset controls (i.e. clip volume).","We will also be spinning out the Watch Folders from CommandPost and moving them into this app."]},{"l":"Assistant Toolbox","p":["ETA: November 2023","Assistant Toolbox will be a Workflow Extension that spins out Titles to Keywords and Auto Sequence from CommandPost.","It'll include various improvements and enhancements to make the job even easier for Assistant Editors working on long-form feature film projects."]},{"l":"Magic Toolbox","p":["ETA: December 2023","Magic Toolbox is our first Machine Learning experiment.","You'll be able to add titles to the timeline, to trigger Machine Learning actions such as:","SUBTITLES- Analyses the audio and adds subtitles","NARRATION- Turns text into speech in a narration tone","VOICE- Turns text into speech based on your description","GRADE- Adds Color Effects based on your description","MUSIC- Adds stock music or machine learning generated music based on your description","SFX- Adds sound effects from places like FreeSound.org","VIDEO- Adds machine learning generated video based on your description","Magic Toolbox will use existing services like ChatGPT and ElevenLabs- and it'll be BYO API Key."]},{"l":"TestFlight","p":["Here's some of our projects still in active development, awaiting Mac App Store approval:"]},{"l":"Recall Toolbox","p":["Recall Toolbox is a Final Cut Pro Workflow Extension that acts as a Shared Pasteboard.","Anything that you can copy and paste in Final Cut Pro, Recall Toolbox can store."]},{"l":"Build for Final Cut Pro","p":["There are third party tools like the amazing Copy 'Em ​(for Mac), but they're not quite as visual as Recall Toolbox, and they're not built from the ground up for Final Cut Pro users.","Recall Toolbox works as a Final Cut Pro Workflow Extension, so it's window position gets saved with your custom Workspaces.","Whilst CommandPost has had a Shared Pasteboard & Pasteboard Buffers for years, it's really optimised for Control Surfaces. You can access the Shared Pasteboard from the CommandPost menubar, and it is super powerful, but it's not as visual - you just get text, not a fully customisable thumbnail.","Recall Toolbox feels like a natural extension to Final Cut Pro, with a similar look and feel to Final Cut Pro's Effects Browser."]},{"l":"iCloud Sync","p":["Recall Toolbox automatically syncs to ALL your devices on the same iCloud account automagically!"]},{"l":"iCloud Sharing","p":["You can share folders with other iCloud users, and control permissions. For example, you could have a \"read only\" folder that contains client logos for a current job!"]},{"l":"Free Apps","p":["Here's some of our free tools used by professional editors worldwide:"]},{"l":"CommandPost","p":["CommandPost is a free and open source macOS application that bridges between control surfaces and software that doesn’t support them natively, such as Apple’s Final Cut Pro and Adobe’s After Effects.","It’s been downloaded over 163 thousand times, and there are over 2.6 thousands members in our Facebook Community.","It’s been translated into Arabic, Bengali, Catalan, Chinese (Simplified & Traditional), Danish, Dutch, French, German, Greek, Hindi, Hungarian, Italian, Japanese, Korean, Malayalam, Norwegian, Panjabi/Punjabi, Polish, Portuguese, Russian, Spanish, Swedish, Ukrainian & Vietnamese by our awesome community.","It’s used by filmmakers, developers, scientists and macOS power users all over the world to seriously speed up mundane tasks through powerful and customisable automation tools.","For example, you can apply individual effects within Final Cut Pro or After Effects with the single tap of a button.","Powered by Lua(the same scripting language used by Blackmagic Fusion, Adobe Lightroom and even parts of Apple iOS), it's insanely customisable and powerful.","It runs natively on Apple Silicon and is fully compatible with Hammerspoon.","You can listen to Chris explain CommandPost on Final Cut Pro Radio Episode #57 and Episode #43."]},{"l":"User Quotes","p":["“ Titles to Keywords is a huge timesaver when editing complex scenes. Couldn’t live without it anymore. And directors love that every delivery of any line from any take is just one click away! ” Knut Hake- Editor on Netflix's Blood Red Sky","“ CommandPost and FCP are so intertwined on my day to day that I see them as one app! ” Marcos Castiel BFE- Editor on Netflix's Turn of the Tide","“ Command Post started as a FCPX utility but it goes further than that. You can use it to map almost any function to supported hardware devices to work with any app like a BMD Speed Editor and Avid Media Composer! ” Marc Bach- Editor & Colourist","“ Chris's support is the best you will find anywhere on the planet. He was proactive and able to implement features for me on the spot. 5 STAR product 5 STAR support. ControllerMate is what I used to use. CommandPost is faster and easier. ” Ross Batten- Senior Sound Designer (ProTools)","“ Search Console is like Spotlight on steroids. It can quickly find and execute any obscure command, NLE and OS-wide, fire up keyboard makros (scripts), and especially, find and place Effects and Effect Templates, directly onto selected clips in my FCP timeline. It constantly saves me clicks. ” Florian Duffe- Editor","“ CommandPost is so many things for so many people. For me it is a Final Cut Pro automation system that unlocks hidden features and uniquely supports advanced workflows. CommandPost’s secret weapon? Deep connections with the postproduction community which mean that it constantly improves as the needs of editors and post professionals evolve. ” Alex ‘4D’ Gollner- Motion Template Creator","“ Chris, you have no idea how helpful your Titles to Keywords toolbox has been on our latest production. Without the toolbox these 2-3 hour long timelines (around 900 keywords) would have been nearly impossible to tag with the FCP built in way. It's very long scenes with around 50 lines of text for all characters. ” Sam Pluemacher- Assistant Editor on Netflix's Blood Red Sky","“ As someone who doesn’t like clicking to do things, CommandPost makes my work much more likeable! ” Oli Frost- Editor","“ CommandPost supports my Loupedeck, Stream Deck and Razer devices with advanced Final Cut Pro integrations. Eliminating the need for multiple apps and reducing complexity. ” Sam Pluemacher- Assistant Editor on Netflix's Blood Red Sky","“ CommandPost is the first thing you should install If you like to tinker. This genius app extends Final Cut Pro in all kinds of ways, enabling advanced workflows, automation, and even integration with external hardware such as MIDI controllers. Recommended. ” Iain Anderson- Author of Final Cut Pro Efficient Editing","[UNRESOLVED PARTIAL]"]},{"l":"App Store","p":["Here's some of our products currently for sale on the Mac App Store:"]},{"l":"BRAW Toolbox","p":["BRAW Toolbox allows you to import Blackmagic RAW files directly into Final Cut Pro without transcoding.","No more waiting. No more transcoding. No more massive ProRes files.","Save hours of time, and terabytes of storage!","The BRAW Toolbox Workflow Extension allows you to prepare all of your footage prior to import. You can easily and quickly change all the RAW parameters, and copy and paste settings from different BRAW clips. You can even save and restore Presets that contain specific parameters, saving time for example, if you always use the same Gamut & Gamma.","Once imported into Final Cut Pro, you can still modify the RAW parameters at any time.","You can even keyframe the ISO, Exposure, Color Temp, Tint and Custom Gamma Controls!","BRAW Toolbox comes with a Metadata View that allows you to view every piece of BRAW Metadata directly within the Final Cut Pro Inspector.","There are automatic Decode Quality options for both HD and UltraHD projects, and you can also work at a low Decode Quality, then apply a \"Global Setting\" to force Full Quality prior to exporting - meaning you never have to worry about creating proxies for performance. BRAW Toolbox gives you complete freedom and flexibility.","You can also use the Workflow Extension to send your project/timeline to DaVinci Resolve for grading - all using BRAW files directly from the camera!","BRAW Toolbox requires Final Cut Pro 10.6.5 or later."]},{"l":"User Reviews","p":["This developer did what Apple Couldn't/Wouldn't This app is a great solution to a common problem Final Cut Pro users have: getting Blackmagic Raw footage into the app. At first it might seem like a bizarre workaround, but you only have to go through the process of setting it up once, and then you can easily import your Blackmagic footage right into FCP. Honestly, from that point on it works so incredibly well that I really struggle to understand why Apple has made it so difficult. Except it's not difficult, not anymore. This is great software: a small developer solving a problem that a big one (Apple) can't. That's innovation, my friends.","moosefuel – Feb 3, 2023 (Apple App Store Review)","The tool we have dreamed of is here. For lovers of Final Cut Pro who have struggled with the endless BRAW proxy XML loop, this is a dream come true. BRAW natively inside Final Cut. Controls for RAW adjustments at your fingertips. Is it the full Resolve interface? No, doesnt need to be, Between BRAW ToolBox and FCP, most edits can be done natively without ever having the leave the Final Cut NLE. If you shoot any BRAW camera, this is the best of both worlds if you live in the FCP ecosystem. Thank you latenightfilms team for this, its a huge step forward and a wonderful plugin.","Chasing Photography – May 16, 2023 (Apple App Store Review)","Perfect! Just perfect.","Viaswage – Feb 18, 2023 (Apple App Store Review)","Great! Love this! thank you!","NarimanGafurov – Feb 6, 2023 (Apple App Store Review)","UMMMMMM THANK YOU, YOU'RE A GENIUS I've needed this for years!!!!!! You are a genius and this is incredible!!! Thank you so much!!! No clue how BM never made this.","gordonfromvan – Feb 4, 2023 (Apple App Store Review)","I've been waiting for this! I can finally use my two Blackmagic cameras and shoot in BRAW. As a Final Cut Pro editor, I'm really excited. The app is working great! I really appreciate the team at LateNite for all the hard work it took to get this up and running. Well worth the money to be able to handle BRAW seamlessly. Scott_Hartman – Feb 2, 2023 (Apple App Store Review)","Boom! Such an amazing plugin and works fantastic! Grant Digital Sky – Feb 2, 2023 (Apple App Store Review)","Absolutely Amazing. Solves a massive problem and works beautifully! Jmurphy8503 – Jan 31, 2023 (Apple App Store Review)","The impossible made possible. Amazing to work natively with BRAW in my favourite editor. Thank you! MadMitch1993 – Jan 30, 2023 (Apple App Store Review)"]},{"l":"Gyroflow Toolbox","p":["Gyroflow Toolbox allows you to import Gyroflow Projects into Final Cut Pro.","Gyroflow is a free and open source third-party application that can stabilise your video by using motion data from a gyroscope and optionally an accelerometer. Modern cameras record that data internally (GoPro, Sony, Insta360 etc), and Gyroflow stabilizes the captured footage precisely by using them. It can also use gyro data from an external source (eg. from Betaflight blackbox).","Gyroflow Toolbox allows you to take the stabilised data from Gyroflow and use it within Final Cut Pro as an effect, so you don't have to export a ProRes from Gyroflow!","You can even use this in conjunction with BRAW Toolbox (also on the App Store), to stabilise Blackmagic RAW files!","None of this would be possible without the incredible Gyroflow project and the incredibly help and support from their main developer, AdrianEddy."]},{"i":"user-reviews-1","l":"User Reviews","p":["Nice product! Thank you Chris!","NarimanGafurov – Feb 6, 2023 (Apple App Store Review)","The Best Way to Stabilize Pro Res RAW I record both internally and externally with an Atomos Ninja, on my FX3 with the end goal of delivering HDR. I record internal to capture Gyroscopic data that my FX3 records. This allows me to Use GryoFlow, and Thus GryoFlow Toolbox to stabilize Pro Res RAW footage. This tool has made it possible, and works awesomely. I highly recommend this tool it will help immensely.","Tydar94 – Jan 27, 2023 (Apple App Store Review)"]},{"l":"Marker Toolbox","p":["Marker Toolbox allows you to import Vimeo CSV, Wipster CSV, Dropbox Replay JSON & Email Comments into Apple's Final Cut Pro via a handy Workflow Extension.","You can also OPTIONALLY use OpenAI's ChatGPT to help translate email comments into markers using your own personal OpenAI API key!","If you use Vimeo Review pages or Wipster to share video edits with clients to consolidate feedback, you can simply export a CSV file from Vimeo or Wipster, and drag it into the Workflow Extension to convert the comments into Markers within Final Cut Pro. It's fast and easy!","Dropbox Replay works exactly the same way, except Marker Toolbox will also import any drawn annotations!","Similar to Frame.io's Workflow Extension, the markers come in as a Compound Clip, that you can then \"break apart\" so that the markers are attached to the clips in your Primary Storyline, meaning that your clients comments stay in the correct position as you make revisions to the edit. For each marker, there's also a title, so that you can easily visually see the comments right in your Viewer - this is great if you need to export an edit with all your client feedback \"burnt\" into the export.","Replies and the date the comment was added can be included in the Marker names. It also takes \"resolved\" comments in Vimeo, Wipster & Dropbox Replay, and marks them as \"completed\" in Final Cut Pro!","You can also easily copy and paste client feedback from emails into the Workflow Extension. In most cases, you can use the \"Process Comments Locally\" button to use a custom-built algorithm that converts each line of text into a comment. However, you can also the power of OpenAI's ChatGPT to help translate more complicated feedback into markers. You can customise the ChatGPT prompt, and also pick the ChatGPT Model. You supply your own OpenAI API key, giving you full control.","This can be a MASSIVE time saver, as you can simply copy and paste a long list of email comments, and ChatGPT will do the work to convert them into easy-to-read Final Cut Pro markers, that you can then easily navigate via the Timeline Index.","Marker Toolbox requires Final Cut Pro 10.6.5 or later."]},{"i":"user-reviews-2","l":"User Reviews","p":["I’ve been absolutely flatout while working in Thailand. Wipsters has been been great, helping me manage projects and reviewers across four countries. Stoked Marker Toolbox can send Wipster notes straight into #fcpx","Alister Robbie via Twitter","Excellent addition to FCP This is a great tool. I have my clients make notes on Vimeo, and Marker Toolbox lets me download a .csv of those comments and create markers on the FCP project/timeline at the proper locations, with notes visible and that will follow the clips as I move them. Once downloaded and installed it's easy. Downloading the .csv and running it through Marker Toolbox and adding the Markers to the project/timeline takes less than a minute, then you're ready to go. Really great find!","Robert heinlein's son – May 31, 2023 (Apple App Store Review)","Amazing simple I wanted an app like this since I started editing. Now for the first time I can process the comments I get via an e-mail on an edit from the start and not, as I usualy do, begin at the end of the edit and work backwards.","Blazy – Apr 6, 2023 (Apple App Store Review)"]}],[{"i":"new-to-davinci-resolve","l":"New to DaVinci Resolve?","p":["If you're brand new to DaVinci Resolve- this is the place for you!","Want to contribute? Learn more here!"]}],[{"l":"Cut on DaVinci Resolve","p":["This page is dedicated to listing all the amazing projects edited on DaVinci Resolve.","DaVinci Resolve has been used for the color grading and/or editing of feature films such as Alien: Covenant, Avatar, Best of Enemies, Deadpool 2, Jason Bourne, Kingsman: The Golden Circle, La La Land, Love & Mercy, Pirates of the Caribbean, Prometheus, Robin Hood, Spectre, Star Wars: The Last Jedi, and X-Men: Apocalypse.","DaVinci Resolve and Blackmagic Design hardware were used to create five of the eight 2019 Oscar nominated best picture films including Bohemian Rhapsody(most awards), The Favourite(most nominations), Roma(most nominations), Green Book(won Best Picture) and Vice. Additionally, DaVinci Resolve and Blackmagic Design hardware were used to create thirteen 2018 Oscar nominated films, as reported by Broadcasting & Cable, nine 2017 Oscar nominated films, according to The Broadcast Bridge, seven 2016 Oscar nominated films, based on information from INDIE Shooter, four 2014 Oscar nominated films, as stated by Broadcast Beat, and four 2010 Oscar nominated films (two for Best Picture), as mentioned on Businesswire.","20 films at the 2015 Sundance Film Festival leveraged DaVinci Resolve, source, followed by 35 in 2016, source, over 45 in 2017, source, over 55 in 2018, source, and over 35 in 2019, source.","Presence of films created with Resolve at other film festivals includes the 2018 Austin Film Festival(over 25 films), source, the 2014 Cannes Film Festival(three films), source 1, source 2, the 2015 Cannes Film Festival(21 films), source, the 2019 Tribeca Film Festival, source, and the 2016 and 2017 South by Southwest festivals, source 1, source 2.","DaVinci Resolve has also been used in the restoration of classic films, such as Les Misérables, Spartacus, Black Like Me, Jamaica Inn, and The Perfect Woman.","DaVinci Resolve software has been used in television shows including 2 Broke Girls, American Horror Story, Arrow, Ash vs Evil Dead, The Big Bang Theory, Criminal Minds, Daredevil, The Flash, Gotham, How To Get Away With Murder, The Last Man on Earth, Lethal Weapon, The Man in the High Castle, The Mentalist, The Muppets, NCIS: Los Angeles, Orphan Black, Portlandia, Sons of Anarchy, Supernatural, The Walking Dead, and Westworld.","The software has also been used in the creation of television shows which have received Emmy Awards, such as Game of Thrones and Modern Family. Source: HBO's 'Game of Thrones' Graded with DaVinci Resolve Studio by Chainsaw's Joe Finley, Modern Family Graded with DaVinci Resolve","More than 55 of the 2018 fall television and streaming series relied on Blackmagic Design software and hardware, including DaVinci Resolve.","DaVinci Resolve has also been used during the creation of other media, such as music videos, New Steve Vai VFX Heavy Music Video Completed Entirely with DaVinci Resolve 15 and URSA Mini Pro, Ntropic Completes Alright for Kendrick Lamar, advertisements, DaVinci Resolve Studio Used to Deliver a Dynamic Edit For Corona Commercial, Ford F‑150 and Big Block use DaVinci Resolve Studio on New 2018 Campaign, concert production, Blackmagic Studio Camera 4K Used on Panic! at the Disco and Weezer Concert Tour, Sir Elton John Toured \"All the Hits\" with Blackmagic, and online media URSA Mini 4.6K and DaVinci Resolve Studio Used on Stunning National Parks Short Film Series.","If there's something missing, please let us know."]},{"l":"Success Stories","p":["If you have something to add here, let us know!"]},{"i":"awards--nominations","l":"Awards & Nominations","p":["If you have something to add here, let us know!"]},{"l":"Filmmakers using DaVinci Resolve","p":["If you have something to add here, let us know!"]},{"l":"YouTubers using DaVinci Resolve","p":["If you have something to add here, let us know!"]},{"l":"Feature Films"},{"l":"Drama","p":["Alone With You (2022)","The Killing of Two Lovers (2020)","Billion Coward (2020)","This Is Not a Burial, It's a Resurrection (2020)","Quezon’s Game (2019)","The Oath (2018)","Bug KookJe Go Inter (2017)"]},{"l":"Documentary","p":["Power Play: Transforming Australia's biggest climate polluter (2023)","5 Doors - Collingwood Yards (2022)","Everest VR: Journey to the Top of the World (2020)"]},{"l":"Television"},{"l":"Television Series","p":["The Game (2023)","Quatsch Comedy Club (2020)","Stage Mums (2019)","Half-Life (2018)","Maturity (2018)"]},{"l":"Television Specials","p":["The S.P.A.A.C.E. Program (2017)"]},{"i":"broadcast-news--sports","l":"Broadcast News & Sports","p":["If you have something to add here, let us know!"]},{"l":"Short Films","p":["If you have something to add here, let us know!"]},{"l":"Online Series","p":["Once Upon a Time in Chinatown (2021)","Angkringan (2021)"]},{"l":"Music Videos","p":["Tones and I - Won’t Sleep (2021)","Tones and I - Dance Monkey (2020)"]},{"l":"Television Commercials","p":["Mountain Goat - You Can’t Tame A Goat (2021)"]},{"i":"corporatebrand-spots","l":"Corporate/Brand Spots","p":["If you have something to add here, let us know!","If there's something missing, please let us know."]}],[{"l":"Bug Tracker","p":["This page is dedicated to keeping track of the latest DaVinci Resolve bugs and issues.","We keep track of these bugs via our GitHub issues site.","GitHub is a safe and secure developers platform used by over 73 million users worldwide.","To submit a new bug report, simply sign up for a free GitHub account and post an issue here.","In general, whenever posting a new bug/issue to GitHub, we also submit feedback to the Blackmagic Design Forums."]},{"i":"davinci-resolve-185","l":"DaVinci Resolve 18.5","p":["Here's a list of the 30 most recently added DaVinci Resolve 18.5 bug reports:","The above list is pulled from our GitHub issues site."]},{"l":"Most Popular","p":["Here's a list of the 30 most popular DaVinci Resolve bug reports:","The above list is pulled from our GitHub issues site."]},{"l":"Recently Added","p":["Here's a list of the 30 most recently added DaVinci Resolve bug reports:","The above list is pulled from our GitHub issues site.","Want to contribute? Learn more here!"]}],[{"l":"Troubleshooting","p":["This page is dedicated to getting help and support for DaVinci Resolve.","You can also ask members of the Resolve Cafe community for help on our Discussions page.","Something missing? Make a suggestion!"]}],[{"l":"Frequently Asked Questions","p":["This page is dedicated to answering the most common questions about DaVinci Resolve.","You can use the Search Tool at the top right of this page to search the FAQ.","Something missing or have a question? Learn more here!"]},{"l":"P"},{"l":"Placeholder","p":["This is just a placeholder.","Something missing or have a question? Learn more here!"]}],[{"l":"Release Notes","p":["This page is designed to not just copy and paste DaVinci Resolve's offical release notes, but also keep track of changes/bugs/additions that weren't actually included in the official release notes.","You can find the official release notes here.","Want to contribute? Learn more here!"]}],[{"l":"iPad","p":["This section is dedicated to DaVinci Resolve for iPad.","Want to contribute? Learn more here!"]}],[{"l":"Articles","p":["This section of the site is dedicated to linking to great external articles, as well as providing a space to write Resolve Cafe specific articles.","Want to contribute? Learn more here!"]},{"l":"Useful Articles","p":["How to Deal with Levels: Full vs. Video","Fusion Color Management"]},{"i":"frameio-blog","l":"Frame.io Blog","p":["The Frame.io Blog has lots of great articles."]}],[{"l":"History","p":["DaVinci Resolve, renowned today for its prowess in color grading, visual effects, audio post-production, and video editing, was not always the versatile powerhouse we know. Its journey, from a specialized color correction tool to a comprehensive post-production solution, is a testament to continuous innovation and dedication to providing accessible, professional-grade tools for creators worldwide.","In the early 2000s, the Florida-based company da Vinci Systems developed the first iterations of what would become DaVinci Resolve. Known then simply as \"da Vinci Resolve,\" these initial versions were resolution-independent software tools designed for color correction and visual effects. The system, launched in 2004, was initially available in three configurations: Resolve DI for digital intermediate color correction, Resolve FX for visual effects, and Resolve RT for 2K resolution processing. These versions were designed to integrate exclusively with dedicated hardware controllers. Parallel processing was used to support performance during color grading, a task initially carried out using proprietary hardware cards. By 2008, these cards were replaced by CUDA-based NVIDIA GPUs in the 4K resolution Resolve R series​1​.","In 2009, the Australian technology company Blackmagic Design acquired da Vinci Systems, retaining and expanding the engineering team for Resolve while discontinuing support-based contracts for the tool. Blackmagic Design's CEO, Grant Petty, speculated that the price of Resolve could be significantly reduced, potentially below $100,000. This marked a significant turn in the software's journey, ushering in an era of more accessible pricing and wider distribution​​.","Blackmagic Design dramatically reshaped Resolve's pricing model in 2010. At the NAB 2010 show in Las Vegas, they announced three new pricing models for Resolve. A software-only macOS version was introduced at $995, a drastic reduction from the pre-built versions that were selling for between $200,000 and $800,000. The macOS version with an Advanced Control Surface was priced at $29,995, and licenses for the Linux version were set at $19,995. The most advanced configuration was available for under $150,000. This change in pricing marked the beginning of Resolve's democratization, making it accessible to a broader range of users. In September of the same year, version 7 was released under the new pricing model, introducing a redesigned user interface, Apple ProRes support, and support for RED Rocket digital video decoder boards. This was also the first release for macOS​​.","Blackmagic Design continued to evolve the software, introducing a free, reduced-functionality edition known as DaVinci Resolve 8 Lite in June 2011. This version also introduced OpenCL acceleration support and XML integration with non-linear editor (NLE) applications. Later that year, the software expanded its platform availability with the first Windows release​.","In the years that followed, DaVinci Resolve continued to enhance and expand its capabilities. Version 9 brought a redesigned user interface, additional metadata editing options, and an expanded range of supported cameras and file types. Version 10 added basic video editing features such as clip trimming, along with expanded information import capabilities and support for OpenFX plug-ins, JPEG 2000, and AVI. In August 2014, version 11 was released, introducing audio mixing, media organization features, and further video editing features. This update allowed DaVinci Resolve to function as a standalone non-linear editor for the first time, furthering its capabilities beyond color correction​.","Want to contribute? Learn more here!"]}],[{"l":"Training","p":["This site is dedicated to the best training and support for DaVinci Resolve as an editing tool."]},{"l":"Blackmagic Design","p":["Blackmagic have some of the best DaVinci Resolve training out there!","With curriculum designed for new users and established professionals alike, Blackmagic Design certified training teaches you the skills you need to be more creative, work faster, and get the job done! Our rapidly growing network of over 250 certified trainers and over 100 training centers, along with books and dozens of online resources can help you become a DaVinci Resolve certified editor, colorist or sound editor in no time!"]},{"l":"fxphd","p":["The amazing Warren Eagles has been doing DaVinci Resolve courses for many years now, and they're fantastic.","Warren is very knowledgable, and entertaining. These classes give you practical tips and tricks, for real-world jobs."]},{"l":"Ripple Training","p":["Ripple Training is an official Blackmagic Design Training Partner.","Learn to Edit, Grade, & Finish in DaVinci Resolve.","They have developed a series of tutorials that make up a learning pathway, guiding a novice DaVinci Resolve user to become a professional level editor and finisher using DaVinci Resolve 15 and 16. These tutorials allow you to import media, edit, and apply effects and grades, all within the same editor."]},{"l":"MONONODES","p":["Reverse Engineering the Grade."]},{"l":"filmentor","p":["Colour Grading & Filmmaking Tools."]},{"l":"Mixing Light","p":["Patrick Inhofer's Mixing Light Resolve Tutorials."]},{"l":"tac","p":["Color Education for Film From the Best in Hollywood.","Get lifetime access to industry-standard color grading courses taught by the biggest colorists, color scientists and imaging experts in Hollywood."]},{"l":"Lowepost","p":["Color Grading Training.","Learn the art and craft of professional color grading.","Something missing? Learn how to add here!"]}],[{"l":"Videos","p":["This page is dedicated to the best DaVinci Resolve video channels."]},{"l":"YouTube Channels","p":["Casey Faris- He teaches video editing, color grading, and visual effects in DaVinci Resolve, Blender, and more!","Cullen Kelly- Professional colorist, image scientist, and educator obsessed with the power of a well-crafted image. He's committed to helping his fellow filmmakers realize their creative vision in camera and in the grade.","Darren Mostyn- Senior Colourist and founder of Online Creative post facility in the UK - established in 1999.","DaVinci Master Key- Formerly Goat's Eye View.","Jake Wipp- Creates high quality DaVinci Resolve tutorials and DaVinci Resolve presets.","MotionVFX- Popular plugin/motion template creator.","MrAlexTech- Want to learn Davinci Resolve?! MrAlexTech is the place! Plus Photography, Videography and some General Tech too!","Patrick Stirling- Produces DaVinci Resolve tutorials for streamers and beginners.","VFXstudy- VFX related tutorials and videos, mostly around compositing with Blackmagic Fusion.","Want to contribute? Learn more here!"]}],[{"l":"Workflow","p":["This page will be dedicated to professional DaVinci Resolve Workflows.","Want to contribute? Learn more here!"]}],[{"l":"External Case Studies","p":["Here's a collection of case studies found outside Resolve Cafe."]},{"l":"Slice Community","p":["Blackmagic has some incredible case studies on their Slice Community.","Something missing? Contribute! Learn more here!"]}],[{"l":"Asset Management","p":["This page contains a collection of Asset Management tools for Final Cut Pro.","Want to contribute or add your Asset Management Tool? Learn more here!"]},{"l":"K"},{"l":"KeyFlow Pro","p":["An affordable, easy and scalable media manager for you and your team.","Store, sort, search, preview, annotate, share and more with KeyFlow Pro 2."]}],[{"l":"Fusion Templates","p":["This will eventually be a directory of the best Fusion Templates.","In the meantime, we highly recommend Motion VFX."]},{"l":"P"},{"l":"Placeholder","p":["This is just a placeholder.","Want to contribute? Learn more here!"]}],[{"l":"Plugins","p":["This page is dedicated to DaVinci Resolve Plugins."]},{"l":"D"},{"l":"Dehancer","p":["Dehancer is the OFX plugin suite for film-like color grading and film effects in DaVinci Resolve. Dozens of real photographic and motion picture films with truly analogue controls. Film Grain, Bloom and Halation effects to complete the look. Complete native support of ACES pipeline.","Based on 30-years of film shooting and darkroom experience combined with scientific approach, nonlinear image processing, and… a bit of alchemy, of course."]},{"l":"G"},{"l":"Gyroflow OpenFX Plugin","p":["Works with stabilization data exported with Gyroflow. Allows you to apply the stabilization right in DaVinci Resolve.","Want to contribute? Learn more here!"]}],[{"l":"Tools","p":["This page is dedicated to handy applications that can be used in conjunction with DaVinci Resolve."]},{"l":"A"},{"l":"Audio Design Desk","p":["Audio Design Desk is to audio software what Pro Tools was to the tape machine. It’s an entirely new breed of Digital Audio Workstation that artists can play like an instrument, revolutionizing the process of adding music and sound effects to picture and cutting down what can typically be a full day project to just a few minutes. It comes bundled with 75,000 sounds embedded with patent-pending Sonic Intelligence™, using AI-assisted content creation tools to enable filmmakers, sound designers, composers, and creators to produce cinema-quality compositions at the speed of thought, giving them a level of creative control that is unmatched by any other software."]},{"l":"C"},{"l":"Canister","p":["Canister takes the hassle out of LTO.","So easy... it's like LTO for Dummies.","Keenan J. Mock, LightIron"]},{"l":"Cinecred","p":["Create beautiful film credits without the pain.","Licensed under the GPLv3, everyone can use Cinecred free of charge forever. The source code is publicly available in a GitHub Repository. Contributions, bug reports, and suggestions are welcome!"]},{"l":"Use Your Favorite Spreadsheet Editor","p":["Cinecred can read the raw credits data from a Credits.xls(x) (Microsoft Excel), Credits.ods (OpenOffice/LibreOffice Calc), or Credits.csv file. Edit it with your preferred spreadsheet tool, integrating perfectly with the rest of your production workflow. Need to add a credit or fix a typo later on? Just change the spreadsheet!"]},{"l":"Live Visualization","p":["While editing the credits data and its styling, Cinecred continually updates an interactive visual preview and indicates any problems with the Credits file. Optional layout guides (press the red button in the screenshot) make both learning Cinecred and styling your credits dead easy."]},{"l":"Interactive Styling","p":["All the styling options Cinecred provides might seem overwhelming at first. But the interactive nature of Cinecred—including contextual input, live application of changes, and easy reverts—make it intuitive and fun to play around with different settings and thereby explore and learn Cinecred’s styling system. In addition, a comprehensive User Guide is readily available."]},{"l":"Get Started Immediately","p":["Cinecred initializes new projects with a template that covers many common use cases. Start entering your credits straightaway and learn how to further customize them as you go."]},{"l":"Flexible Design","p":["In addition to standard use cases, Cinecred’s flexible styling system enables a wide range of layouts and designs. Whatever you have in mind, Cinecred can likely assist you in implementing it."]},{"l":"Your Desired Runtime","p":["Have to add another name, but the score has already been recorded and synced to the earlier version? Just tell Cinecred the desired runtime of the whole credits or specific sections, and it will shrink vertical gaps to exactly match it—without resorting to shimmer-prone fractional scroll speeds. Test it yourself and press the red button in the screenshot!"]},{"l":"Play Back at Any Time","p":["Want to watch your credits in motion to verify your latest changes? Just like your favorite editing suite, Cinecred offers instant real-time playback at any time. No need to wait for your credits to render out. Also supported are the JKL shuttle keys."]},{"l":"Manifold Delivery Options","p":["Does your post-production workflow require ProRes, PNG sequences, or even TIFFs which you animate yourself? Do you want to send around PDFs of the credits for checks? No matter what the need, Cinecred probably has you covered. Expand the red dropdown in the screenshot to see all supported formats."]},{"l":"Cinecred Is Not Opinionated","p":["Cinecred was specifically designed to cater to every user’s needs as fully as possible, without adding bloat, making it hard to use, or requiring a steep learning curve."]},{"l":"Cleanterview","p":["Cleanterview helps you to clean up effectively and efficiently the audio track of your videos, ideal for interviews, for video-selfie, for any occasion when there is someone talking and… you want to hear it and make it sound better!"]},{"l":"CommandPost","p":["CommandPost is a free and open source macOS application that bridges between control surfaces and software that doesn’t support them natively, such as Apple’s Final Cut Pro and Adobe’s After Effects.","It’s been downloaded over 163 thousand times, and there are over 2.6 thousands members in our Facebook Community.","It’s been translated into Arabic, Bengali, Catalan, Chinese (Simplified & Traditional), Danish, Dutch, French, German, Greek, Hindi, Hungarian, Italian, Japanese, Korean, Malayalam, Norwegian, Panjabi/Punjabi, Polish, Portuguese, Russian, Spanish, Swedish, Ukrainian & Vietnamese by our awesome community.","It’s used by filmmakers, developers, scientists and macOS power users all over the world to seriously speed up mundane tasks through powerful and customisable automation tools.","For example, you can apply individual effects within Final Cut Pro or After Effects with the single tap of a button.","Powered by Lua(the same scripting language used by Blackmagic Fusion, Adobe Lightroom and even parts of Apple iOS), it's insanely customisable and powerful.","It runs natively on Apple Silicon and is fully compatible with Hammerspoon.","You can listen to Chris explain CommandPost on Final Cut Pro Radio Episode #57 and Episode #43."]},{"l":"User Reviews","p":["CommandPost and FCP are so intertwined on my day to day that I see them as one app. Marcos Castiel BFE","As someone who doesn’t like clicking to do things, CommandPost makes my work much more likeable. Oli Frost"]},{"l":"D"},{"l":"DaVinci Resolve Studio Scaling Fix","p":["Fix Scaling issues in DaVinci Resolve Studio for FCPX and Premiere sequences imported via XML and FCPXML."]},{"l":"E"},{"i":"editingtoolsio","l":"EditingTools.io","p":["EditingTools.io is a collection of web-based generators, scripts and converters designed for various post-production purposes. Optimized for workflows with Adobe Premiere Pro, Avid Media Composer, DaVinci Resolve and Apple Final Cut Pro X.","It's an AMAZING website that you should definitely check out."]},{"l":"EditReady","p":["Since 2008, EditReady has had your back when your NLE doesn’t support your camera’s file format. And now, we're turning it up a notch with EditReady Pro!","I've been using EditReady for years. It's super fast. Very clean, and logical app. Almost perfect.","Chris Hocking - 3rd June 2023"]},{"l":"evrDVR 2","p":["Fast, Simple, Powerful...","evrDVR 2 allows you to import camera EXIF metadata into DaVinci Resolve."]},{"l":"evrExpanse 3","p":["More powerful than ever!","How to import EXIF metadata into NLEs? How to transcode Master files and embed metadata? How to do these things in an easy and smart way?","New:","Added Rating Metadata support for Canon and Panasonic Cameras.","Transcode Plus©: Streamlined Transcoding and Metadata Export","Rotate Transcoded Files Based on Source Metadata","Lightning-fast metadata exports with Epstein class engine","Final Cut Pro XML import with media file and metadata","Assimilate SCRATCH integration with media and metadata","ASC MHL integration for creating MHL’s files"]},{"l":"F"},{"l":"FoolCat","p":["Beautiful, customizable, and easily shareable camera reports.","FoolCat does one thing, and it does it exceptionally well. It is an indispensable tool in my go-to toolbox.","Philip Grossman"]},{"l":"FxFactory","p":["Expand your abilities with a wide supply of effects, plug-ins & templates for Final Cut Pro & Motion. Explore your creativity using free watermarked trials. Fully functional testing gives you confidence to purchase products that fit your needs. Simply browse & install products, then manage your collection as it grows. When switching between systems, your configuration & purchase history is seamlessly available. Discover how products we deliver will improve your workflow. Watch hundreds of demonstration videos & content previews on our YouTube Channel.","Resources for Support& Developers"]},{"l":"N"},{"l":"NeoFinder","p":["NeoFinder(formally CDFinder) quickly catalogs and manages your entire media and disk library, and your backup archive.","The Holy Grail of Media Asset Management (according to ZDNet).","NeoFinder keeps track of your documents, photos, songs, movies, and folders wherever they are stored.","NeoFinder is your digital treasure chest! It even manages your Affinity Photo and Affinity Designer documents.","Catalog your digital data: SSD, hard disks (internal, external, USB, FireWire, Thunderbolt, HFS+, APFS, NTFS, ExFAT, FAT32), server volumes (AFP, SMB, FTP, Dropbox, Backblaze B2), Blu-rays, LTO volumes, USB sticks, DVD-ROMs, Audio-CDs, and get a full inventory of all files, folders, and important metadata, including thumbnails for your photos, songs, video files and other documents.","Find your files NOW! Whatever you need to find, NeoFinder knows where it is! If you are a desktop user, or work in a small or large network, you stay in control of your data at any time.","I've been using NeoFinder for over a decade now. We have hundreds of external hard drives and hundreds of LTOs all catalogued.","We store our NeoFinder database on Dropbox and share it between all our staff. It's rock solid and amazing.","Chris Hocking - 6th June 2023"]},{"l":"O"},{"i":"offshoot-formally-hedge","l":"OffShoot (formally Hedge)","p":["Offload media lightning fast, whether it's video, stills or audio. Make your life easy and let Hedge do the tedious jobs.","I've been using Hedge since it first came out. It's my preferred data wrangling tool. I've used it on feature films, television shows, television commercials, music videos, and everything in-between. It's awesome.","Chris Hocking - 3rd June 2023"]},{"l":"P"},{"l":"PostLab","p":["Collaborating with other editors was never this easy."]},{"l":"PostSync","p":["More than just sync, PostSync helps prepare your macOS workstation for the daily demands of your post-production workflow.","PostSync is a multi-use tool that is designed as a macOS startup utility; syncing templates and presets, clearing caches, connecting shares, launching apps, etc. But it has many uses beyond that…","PostSync can synchronize 30 different presets and templates (plus user fonts) between several edit workstations to keep all systems current. It can also help when transitioning to working remotely by copying these files to a thumb drive and transferring them to a second workstation. Or the same function can simply be used to create a backup of these files.","PostSync can also backup and restore/transfer application general preferences from Final Cut Pro, Premiere Pro, After Effects and DaVinci Resolve. It makes setting up a new workstation easier.","PostSync can help with nightly cleanup of render/cache files by clearing older files by a set date. Completely customizable for any folder on your Mac.","All this can be done either manually or completely automatic using a Calendar event or launched at login.","Your choice… PostSync is built to be easy to setup and very customizable."]},{"l":"PostWatch","p":["Alerts from Post-Production applications and macOS sent to the Pushover smartphone app.","“Is that file done yet?”","Working remotely, in the next room or out for a walk? Need to know as soon as that export or transcode is finished? Need to know about applications crashing, power going out with out knowing or drives failing or running out of space while you are away?","Now this and more is possible!","PostWatch uses the established subscription free service, for iOS and Android, Pushover to create a dedicated, clean and reliable experience for receiving alerts. What It does not do is clutter up your inbox with texts or emails that often get lost or forgotten.","PostWatch not only alerts you when 14 different Mac apps have completed exporting/encoding, it also monitors the Mac for issues; Such as accidental ejected disks, app crashes/freezes, power loss and more.","No plugins, special application settings or rendering to watch folders. (except setting a few system preferences) Export, render and transcode as you normally do and PostWatch does its magic in the background."]},{"l":"Preference Manager","p":["Preference files store information about user preferences, window layouts, toolbar placements and launch settings. Sometimes these can become corrupted, causing problems. Preference Manager allows you to trash corrupted preferences and keep backups of working preference files in order to quickly restore your settings."]},{"l":"Pro Maintenance Tools","p":["Pro Maintenance Tools keeps your editing system running smoothly so you can quickly get back on track in the event of a problem.","Use the diagnosis tools to determine the cause of the issue by analyzing crash logs or locating corrupt media files, then use the repair tools to fix the problem.","Pro Maintenance Tools supports Final Cut Studio, Final Cut Pro X, Avid Media Composer / Symphony and Adobe Premiere Pro for Mac."]},{"l":"Pro Media Tools","p":["Pro Media Tools is a suite of workflow tools designed to simplify media management and streamline workflows in Final Cut Studio, Final Cut Pro X, Avid Media Composer and Adobe Premiere for Mac. The suite contains tools for editing QuickTime movie metadata, watching render files, editing markers, and much more. The applications are capable of outputting a variety of file formats to suit different editing systems and workflows."]},{"l":"R"},{"l":"Reactor for Fusion","p":["Created by the We Suck Less Fusion community, i.e. the people right here, Reactor is a free and open source package manager for Fusion (Free) and Fusion Studio. Reactor streamlines the installation, distribution and management of 3rd party content for Fusion through the use of \"Atom\" packages that are synced with an online Git repository."]},{"l":"S"},{"l":"ScopeBox","p":["All the audio & video scopes you'd expect from hardware, and many many more. A custom toolset crafted for creative professionals - colorists, editors, DITs, and sound. Mix and match scopes, save layouts, and be confident that you're seeing every pixel and every frame of your signal."]},{"l":"Shutter Encoder","p":["Shutter Encoder is one of the best video converter software, it handles images and audio too!","It has been designed by video editors in order to be as accessible and efficient as possible.","Shutter Encoder makes use of FFmpeg to handle its encoding, allowing support for almost every codec you’ve ever heard of, and many more you haven’t.","Don’t just take our word for it though, Avid themselves recommend Shutter Encoder as part of your Media Composer and ProTools ingesting workflow!"]},{"l":"Smart Video Splitter","p":["Smart Video Splitter is the perfect app for those who create professional or semi-professional stories with videos on social networks like Instagram, Facebook, Whatsapp and Snapchat."]},{"l":"U"},{"i":"ultimedia-converter-2","l":"Ulti.Media Converter 2","p":["The Swiss army knife for transcoding, workflow and multimedia file management.","Want to contribute? Learn more here!"]}],[{"l":"Forums","p":["This page is dedicated to DaVinci Resolve podcasts."]},{"l":"Blackmagic","p":["Of course, there's the official Blackmagic forums, which are actually really great - fast & clean website."]},{"l":"LiftGammaGain","p":["This is where you'll find most professional DaVinci Resolve colourists online.","Want to contribute? Learn more here!"]}],[{"l":"Podcasts","p":["This page is dedicated to DaVinci Resolve podcasts."]},{"i":"color--coffee","l":"Color & Coffee","p":["Color & Coffee is a podcast focused on the craft of color grading hosted by colorist and finishing artist Jason Bowdach. Jason will host a variety of post-production professionals for intimate discussions on their craft, their passions, and of course, their favorite beverage of choice.","Want to contribute or add your podcast? Learn more here!"]}],[{"l":"Social Media","p":["This page is dedicated to DaVinci Resolve Social Media links."]},{"l":"Facebook","p":["The DaVinci Resolve User Group has 130.8K members."]},{"i":"postchatio","l":"postchat.io","p":["A place for all postproduction professionals, enthusiasts and anyone who wants to be part of Mastodon.","Run by the amazing Felipe Baez."]}],[{"l":"Control Surfaces","p":["This page is dedicated to Control Surfaces in DaVinci Resolve.","We will be adding reviews and information here in the future.","Want to contribute? Learn more here!"]}],[{"l":"Monitors","p":["This page is dedicated to monitors for Mac's.","We will be adding reviews and information here in the future."]},{"l":"LG UltraFine 5K Display","p":["This is what we use as our main GUI monitor for all machines at LateNite and they work great.","Want to contribute or add your hardware? Learn more here!"]}],[{"l":"Storage","p":["This page is dedicated to storage for Mac's.","We will be adding reviews and information here in the future."]},{"l":"LumaForge","p":["OWC Jellyfish workflow servers are a family of highly-specialized network attached storage devices that are specifically designed for editors and post-production teams looking to streamline workflow and maximize output.","It's been called, \"A giant hard drive your whole team can use.\" However you describe it, the OWC Jellyfish has become the gold standard for seamless collaboration among creatives.","Want to contribute or add your hardware? Learn more here!"]}],[{"i":"davinci-color-transform-language-dctl","l":"DaVinci Color Transform Language (DCTL)"},{"i":"introduction","l":"Introduction:","p":["This documentation provides a quick reference and showcase of the DaVinci Color Transform Language (DCTL) - including the syntax, API and capabilities.","The DCTL syntax is C-like with additional definitions. Users can define functions using DCTL code to create a video effect, save it to file, and run it in Resolve. Such an effect serves as a \"pixel shader\" program - i.e. it defines a process to generate one pixel of data at a time at each given frame's coordinates. DCTL code is GPU accelerated in DaVinci Resolve across different platforms and graphics sub-systems.","In Resolve, DCTL effects can be run as a color LUT, using the DCTL OFX plugin or the Transition Plugin. DCTL effects are commonly saved as a plain text .dctl files, but if needed, developers can further save an encrypted effect as a .dctle file for distribution. See Encryption under Types of DCTLs.","For simplicity, the document uses the term \"a DCTL\" to refer to a logical unit (a program or function or an effect) and the more generic \"DCTL\" or \"DCTL code\" to refer to the language and syntax."]},{"l":"Videos"},{"l":"Download DCTLs","p":["Paul Dore has a great collection of DCTLs here","GoPro Protune Transforms"]},{"l":"Types of DCTLs","p":["There are two main types of DCTLs:- A transform DCTL applies an effect to each frame of a single clip.- A transition DCTL applies an effect that blends frames from two clips over time.","A Transform DCTL performs a color transform or creates an effect (e.g increasing a frame's brightness - refer to the Gain.dctl example included). Users can apply the Transform DCTL in 4 ways:","A Transition DCTL creates a scene transition, such as a dissolve blending between 2 clips (refer to DissolveTransition.dctl sample). Transition DCTLs can only be used in the OpenFX DCTL Transition Plugin (which is located in [Resolve > Edit Page > OpenFX > Transition > ResolveFX Color > DCTL ]). The DCTL transition plugin is used in the same way as any other transition plugins (Resolve's Video Transitions, OpenFX transitions,...). After adding the plugin, users can select a DCTL file from the DCTL List and the corresponding transition effect will be applied."]},{"l":"Encryption","p":["In Resolve, users can encrypt a .dctl file with an expiry date to distribute an effect without revealing the content. The encrypted .dctle can be distributed and used normally in any of Resolve's systems until it expires.","To encrypt a DCTL: From the LUT browser, select the desired .dctl file, open context menu, choose \"Encrypt DCTL\" option. A helper dialog will appear for user to set name, expiration date and output folder for the encrypted DCTL. The encrypted DCTL will have a .dctle extension."]},{"l":"DCTL Syntax","p":["DCTL is similar to C in syntax, and uses base C types - int, float, char*, pointer etc. Some familiarity with C programming language terminology is helpful when reading this documentation.","Additional DCTL types include the following: TEXTURE- type for a texture reference. float2, float3 and float4 - vector types of 2 3 and 4 float values respectively. The utility functions make_float2(float,float), make_float3(float,float,float) and make_float4(float,float,float,float) can be used to contruct them.","These qualifiers are used DEVICE- qualifier to define a function. CONSTANT- qualifier to define a constant memory. CONSTANTREF- qualifier for a constant memory parameter passed to a function.","Structures can be defined using \"typedef struct\" syntax, Example:","Use CONSTANT to qualify constant memory variables.","To pass the constant memory as a function argument, use CONSTANTREF qualifier.","The DCTL programming environment also allows read-only access to multiple global constants. These are described in context in the sections below."]},{"l":"The Main Entry Function","p":["Each DCTL file must use a single main entry function called 'transform()' or 'transition()', with the function signatures shown below. NOTE: Use the function definition below exactly as-is - including parameter types and names.","The Transform entry function for a Transform DCTL should be one of:","Description: This function performs a pixel transformation at offset (p_X, p_Y) on a single image (0, 0, p_Width, p_Height) with the input parameters provided.","Parameters:* p_Width and p_Height - the image resolution.* p_X and p_Y - the pixel coordinates where the transform function does the color transformation.* The (p_R, p_G, p_B) - input pixel's RGB values (in the first signature).* The (p_TexR, p_TexG, p_TexB) in the second signature - texture references to the RGB planes. The function can request the RGB values for any pixel from the image by calling _ tex2D([textureVariable], [posX], [posY]), which returns a float value (posX and posY being the desired input pixel coordinates).","Returns: Both transform functions return a float3 (RGB) value for each pixel at the coordinates (p_X, p_Y) for the result image.","The Transition function for a Transition DCTL uses the following signature:","Description: This function performs a blend from one clip (the 'From' clip : the clip fading out) to another (the 'To' clip : the clip fading in) over time.","As the transition progresses, the DCTL logic selects the appropriate image from the 'From' and 'To' clips and calls this function for each blend request. The global read-only float variable 'TRANSITION_PROGRESS', ranging from 0 (transition about to start) to 1 (transition has ended), can be used from within the function to monitor the progress of the transition. See the \"Other DCTL Keywords\" section.","Parameters:* p_Width and p_Height - the output image resolution.* p_X and p_Y - output pixel coordinates where the blend results are stored.* (p_FromTexR, p_FromTexG, p_FromTexB) - RGB texture references for the 'From' clip's image at TRANSITION_PROGRESS.* (p_ToTexR, p_ToTexG, p_ToTexB) - RGB texture references for the 'From' clip's image at TRANSITION_PROGRESS. Similar to the second transform signature, the function can access RGB values for any pixel in the \"From\" and \"To\" textures using the _ tex2D([textureVariable], [posX], [posY]) function.","Returns: The transition function returns a float4 (RGBA) value for each pixel at the coordinates (p_X, p_Y) for the result image."]},{"l":"Including Headers","p":["You can add commonly used DCTL logic to be called in multiple effects in a header file. To include a header, add the entry:","The path and the location of the headers are relative to the location of DCTL file.","Once included, the functions in this header file can now be referenced and used after the inclusion point."]},{"l":"Defining and Using LUTs","p":["Look Up Tables (LUTs) can be referenced from external files, and applied using the DEFINE_LUT and APPLY_LUT functions.","Parameters:- [lutName] is the user-defined name of the LUT- [lutPath] is the path to the external LUT file. Both absolute paths and paths relative to the DCTL location can be used.","Parameters:- (r, g, b) are LUT coordinates- [lutName] is the user-defined LUT name - this must match a prior DEFINE_LUT or DEFINE_CUBE_LUT call (see below).","As of DaVinci Resolve 17, LUTs can be defined inline using the DEFINE_CUBE_LUT function.","Parameters:- The [LUT_Content] should be wrapped with curly brackets '' and needs to follow the CUBE LUT standard format.- These LUTs can be applied in the same way as a referenced LUT - using the APPLY_LUT function.","The following rules apply:- LUTs must be defined in the DCTL file before use.- Multiple LUTs can be defined and applied in a single DCTL.- Multiple CUBE LUTs can be defined in a DCTL file and can be placed before or after the DCTL's Main Entry function.- LUT files must be in .cube format, with 1D or 3D LUTs, with/without shaper LUTs.- 1D LUT/Shaper LUTs will be applied with LINEAR interpolation method.- 3D LUTs will be applied with TRILINEAR or TETRAHEDRAL interpolation, as set in Resolve with [Project Settings > Color Management > 3D Lookup Table Interpolation ]."]},{"l":"Other DCTL keywords","p":["RESOLVE_VER_MAJOR and RESOLVE_VER_MINOR keys hold version values for checking and guarding version specific DCTL logic.","Example: For Resolve 17.0, RESOLVE_VER_MAJOR= 17 and RESOLVE_VER_MINOR= 0.#if (( RESOLVE_VER_MAJOR>= 17) && ( RESOLVE_VER_MINOR>= 0)) CallResolve17SpecificLogic();#else CallAlternativeLogic();#endif","DEVICE_IS_CUDA, DEVICE_IS_OPENCL, DEVICE_IS_METAL keys are defined for users to check and execute code conditionally in CUDA, OpenCL and Metal environments respectively. Example:#ifdef DEVICE_IS_CUDA DoSomethingCUDASpecific();#endif","For Transition DCTLs, the TRANSITION_PROGRESS key holds the progress of the current transition state as a float value with range [0.0f, 1.0f]. During the transition, DaVinci Resolve updates the TRANSITION_PROGRESS value and calls the transition main entry function for each image. The DissolveTransition.dctl example illustrates how to use this key."]},{"l":"Using DCTLs as Effects With Custom UI","p":["Custom DCTL effects (of the Transform DCTL type) can be added as plugins from Edit Page and Color Page effects libraries. To access them, double click or drag this plugin entry:- Edit page > Effects Library > OpenFX > Filters > ResolveFX Color > DCTL.- Color page > OpenFX > ResolveFX Color > DCTL. Once added, click the DCTL List combo box and select the desired DCTL effect to apply the effect.","To add new DCTL effects to this list, place the appropriate DCTL file in the DaVinci Resolve LUT directory. To edit a loaded DCTL effect,- navigate to the DaVinci Resolve LUT directory in a file browser.- load the appropriate DCTL file in a text editor to make changes.- Save the file.- In DaVinci Resolve's inspector, press \"Reload DCTL\" button to see the reflected result instantly.","DaVinci Resolve supports 5 types of UI elements. With the DEFINE_UI_PARAMS function, you can define custom controls for your DCTL plugins and link them to variables in the DCTL file. Float Slider: DEFINE_UI_PARAMS([variable name], [label], DCTLUI_SLIDER_FLOAT, [default value], [min value], [max value], [step]) Int Slider: DEFINE_UI_PARAMS([variable name], [label], DCTLUI_SLIDER_INT, [default value], [min value], [max value], [step]) Value Box: DEFINE_UI_PARAMS([variable name], [label], DCTLUI_VALUE_BOX, [default value]) Check Box: DEFINE_UI_PARAMS([variable name], [label], DCTLUI_CHECK_BOX, [default value]) Combo Box: DEFINE_UI_PARAMS([variable name], [label], DCTLUI_COMBO_BOX, [default value], [enum list], [enum label list])","Each DCTL plugin can have up to 64 UI controls for each type.","Parameters:- The [variable name] is linked with the UI element. This variable can be used inside the transform function.- The [label] text appears alongside the control and describes the control to the user of the DCTL.- The third parameter - the ui element enum - allows DaVinci Resolve to construct the appropriate UI control.- The [default value], [min value], [max value] and [step] are int-based (except for the Float Slider, where they are float)- The [enum list] - defined in curly brackets \"\" is available for use in the Main Entry function.- The [enum label list] - defined as string inside curly brackets \"\" is used to indicate the enum value in the UI. It must contain the same number of items as [enum list].","Examples: DEFINE_UI_PARAMS(gainR, Red Gain, DCTLUI_SLIDER_FLOAT, 1.0, 0.0, 10.0, 0.1) DEFINE_UI_PARAMS(iters, Iteration, DCTLUI_SLIDER_INT, 1, 0, 10, 1) DEFINE_UI_PARAMS(gain, Master Gain, DCTLUI_VALUE_BOX, 2.0) DEFINE_UI_PARAMS(apply, Apply, DCTLUI_CHECK_BOX, 1) DEFINE_UI_PARAMS(opt, Channel Option, DCTLUI_COMBO_BOX, 1, { RED, GREEN, BLUE }, { Channel Red, Channel Green, Channel Blue })","Changes to custom UI parameters - via user controls, Undo actions or from DCTL logic - are reflected both in the Resolve UI and in the DCTL variable."]},{"l":"Supporting math functions"},{"l":"List of floating-point math functions available","p":["float _ fabs(float x) # Returns the absolute value of x float _ powf(float x, float y) # Computes x raised to the power of y float _ logf(float x) # Computes the value of the natural logarithm of x float _ log2f(float x) # Computes the value of the logarithm of x to base 2 float _ log10f(float x) # Computes the value of the logarithm of x to base 10 float _ expf(float x) # Computes e x, the base-e exponential of x float _exp2f(float x) # Computes 2 x, the base-2 exponential of x float _ exp10f(float x) # Computes 10** x, the base-10 exponential of x float _ copysignf(float x, float y) # Returns x with its sign changed to y's float _ fmaxf(float x, float y) # Returns x or y, whichever is larger float _ fminf(float x, float y) # Returns x or y, whichever is smaller float _ clampf(float x, float min, float max) # Clamps x to be within the interval [min, max] float _ saturatef(float x) # Clamps x to be within the interval [0.0f, 1.0f] float _ sqrtf(float x) # Computes the non-negative square root of x float _ ceilf(float x) # Returns the smallest integral value greater than or equal to x float _ floorf(float x) # Returns the largest integral value less than or equal to x float _ truncf(float x) # Returns the integral value nearest to but no larger in magnitude than x float _ round(float x) # Returns the integral value nearest to x rounding, with half-way cases rounded away from zero float _ fmod(float x, float y) # Computes the floating-point remainder of x/y float _ hypotf(float x, float y) # Computes the square root of the sum of squares of x and y float _ cosf(float x) # Computes the cosine of x (measured in radians) float _ sinf(float x) # Computes the sine of x (measured in radians) float _ cospif(float x) # Computes the cosine of (x * pi) (measured in radians) float _ sinpif(float x) # Computes the sine of (x * pi) (measured in radians) float _ tanf(float x) # Computes the tangent of x (measured in radians) float _ acosf(float x) # Computes the principle value of the arc cosine of x float _ asinf(float x) # Computes the principle value of the arc sine of x float _ atan2f(float y, float x) # Computes the principal value of the arc tangent of y/x, using the signs of both arguments to determine the quadrant of the return value float _ acoshf(float x) # Computes the principle value of the inverse hyperbolic cosine of x float _ asinhf(float x) # Computes the principle value of the inverse hyperbolic sine of x float _ atanhf(float x) # Computes the inverse hyperbolic tangent of x float _ coshf(float x) # Computes the hyperbolic cosine of x float _ sinhf(float x) # Computes the hyperbolic sine of x float _ tanhf(float x) # Computes the hyperbolic tangent of x float _ fdimf(float x, float y) # Returns the positive difference between x and y: x - y if x > y, +0 if x is less than or equal to y float _ fmaf(float x, float y, float z) # Computes (x * y) + z as a single operation float _ rsqrtf(float x) # Computes the reciprocal of square root of x float _ fdivide(float x, float y) # Returns x/y float _ frecip(float x) # Returns 1/x int isinf(float x) # Returns a non-zero value if and only if x is an infinite value int isnan(float x) # Returns a non-zero value if and only if x is a NaN value int signbit(float x) # Returns a non-zero value if and only if sign bit of x is set T _ mix(T x, T y, float a) # T is used to indicate that the function can take float, float2, float3, float4, as the type for the arguments.# Returns: (x + (y - x) * a). \"a\" must be a value in the range [0.0f, 1.0f]. If not, the return values are undefined. float _ frexp(float x, int exp) # Extracts mantissa and exponent from x. The mantissa m returned is a float with magnitude in the interval [1/2, 1) or 0, # and exp is updated with integer exponent value, whereas x = m * 2exp float _ldexp(float x, int exp) # Returns (x * 2exp)","Note that float values must have 'f' character at the end (e.g. 1.2f)."]},{"l":"List of integer math functions available","p":["int abs(int x) # Returns the absolute value of x int min(int x, int y) # Returns x or y, whichever is smaller int max(int x, int y) # Returns x or y, whichever is larger"]},{"l":"Sample DCTLs"},{"l":"ACES DCTL","p":["ACES DCTLs allows user to define:- a standard color encoding (SMPTE ST 2065-1),- Input Transforms to convert different image sources to ACES,- Output Transforms in order to view ACES images on different types of displays. and use them to define the project's color science, or in Resolve FX ACES Transform for individual clips.","There are 2 types of ACES DCTL:- parametric ACES transforms- non-parametric ACES transforms (supported since DaVinci Resolve 17)."]},{"l":"Adding a Custom ACES IDT or ODT File","p":["Navigate to the \"ACES Transforms\" folder in Resolve's main application support folder.","MacOS: \"~/Library/Application Support/Blackmagic Design/DaVinci Resolve/ACES Transforms\" double check folders again","Windows: \"%AppData%\\Blackmagic Design\\DaVinci Resolve\\Support\\ACES Transforms\"","Linux: \"~/.local/share/DaVinciResolve/ACES Transforms\"","Place your custom ACES DCTL files for Input Device Transforms (IDTs) in the IDT subfolder.","Place your custom ACES DCTL files for Output Device Transforms (ODTs) in the ODT subfolder.","Start Resolve.","At start up, Resolve loads all the ACES DCTLs inside the \"ACES Transforms/IDT\" and \"ACES Transforms/ODT\" folders."]},{"l":"Using a Custom ACES IDT or ODT File","p":["Applying ACES transforms from Project Settings:- Color Science: select \"ACEScc\" or \"ACEScct\"- ACES Version: select ACES version 1.1 or above.- ACES Input Device Transform: select the required ACES DCTL IDT.- ACES Output Device Transform: select the required ACES DCTL ODT.","Applying ACES Transform plugins to individual clips:- Double click or drag this plugin entry:- Edit page > Effects Library > OpenFX > Filters > ResolveFX Color > ACES Transform.- Color page > OpenFX > ResolveFX Color > ACES Transform.- Once added, select the required ACES DCTLs from the Input Transform or Output Transform combo box."]},{"l":"Defining an ACES DCTL","p":["The basic ACES DCTL format is as follows:","Depending on its location, an ACES DCTL is interpreted as an IDT or an ODT. So the DEFINE_ACES_PARAM expands its parameters into either- float3 AcesInvOutputTransform(float p_R, float p_G, float p_B); // if the DCTL is an IDT- float3 AcesOutputTransform(float p_R, float p_G, float p_B); // if the DCTL is an ODT.","These functions can be called from the transform main entry function.","ACES DCTLs are written as transform DCTLs in one of three ways - using:- a non-parametric approach and hand-rolling your own transform functions.- a parametric ACES transform definition with standard ACES EOTFs.- a parametric ACES transform definition with custom EOTF functions. Example files for all three scenarios are available in the ACES Transform folder in the DCTL Developer documentation."]},{"l":"Writing a Non-Parametric ACES Transform","p":["Example files: IDT_Custom_sRGB.dctl and ODT_Custom_sRGB.dctl.","To define a Non-Parametric ACES transform (e.g. an IDT for new vendor camera, or an ODT for custom output screen), use the argument \"IS_PARAMETRIC_ACES_TRANSFORM: 0\". Example: DEFINE_ACES_PARAM(IS_PARAMETRIC_ACES_TRANSFORM: 0)","Once defined as non-parametric, all other parameter definitions in DEFINE_ACES_PARAM are ignored.","The user then defines either:","a custom IDT to convert the image source to the AP0 Linear colorspace, or","a custom ODT to convert incoming data from the AP0 linear colorspace.","invokes it from the main transform function."]},{"l":"Writing a Parametric ACES Transform","p":["Example Files: IDT_P3D65_108.dctl and ODT_P3D65_108.dctl","Parametric ACES transforms are supported under ACES version 1.1 or above. To write a parametric ACES transform following this standard, you need to define the following fields:- Y_MIN: black luminance (cd/m 2) - float. - Y_MID: mid-point luminance (cd/m 2) - float.- Y_MAX: peak white luminance (cd/m^ 2) - float.- DISPLAY_PRI: Display primaries - array of 8 floats inside curly brackets \"\".- LIMITING_PRI: Limiting primaries - array of 8 floats inside curly brackets \"\".- EOTF: Display device EOTF - integer in range [0-5] (see below)- INVERSE_EOTF: Input device EOTF - integer in range [0-5] (see below)- SURROUND: Viewing environment - integer (either 0,1) representing a boolean flag- STRETCH_BLACK: Stretch black luminance to a PQ code value of 0 - integer (either 0,1) representing a boolean flag- D60_SIM: Is user D60 adapted - integer (either 0,1) representing a boolean flag- LEGAL_RANGE: Output to legal range - integer (either 0,1) representing a boolean flag","Optional fields:- SKIP_STANDARD_ACES_RRT: Users can choose to run or skip standard ACES RRT (in output transform) or InvRRT (in input transform), and use their own custom RRT implementation. Integer (either 0,1) representing a boolean flag. By default, this value is treated as 0 and the standard ACES RRT (or InvRRT) is always used.","The EOTF and INVERSE EOTF fields correspond to the following Academy standard EOTF transforms:- 0: ST-2084 (PQ)- 1: BT.1886 (Rec.709/2020 settings)- 2: sRGB (mon_curve w/ presets)- 3: gamma 2.6- 4: linear (no EOTF)- 5: HLG The EOTF parameter value is used for ODT DCTLs and the INVERSE_EOTF parameter value is used for IDT DCTLs.","Example: DEFINE_ACES_PARAM(Y_MIN: 0.0001, Y_MID: 7.2, Y_MAX: 108.0, DISPLAY_PRI: { 0.68000, 0.32000, 0.26500, 0.69000, 0.15000, 0.06000, 0.31270, 0.32900 }, LIMITING_PRI: { 0.68000, 0.32000, 0.26500, 0.69000, 0.15000, 0.06000, 0.31270, 0.32900 }, EOTF: 0 , INVERSE_EOTF: 0, SURROUND: 0, STRETCH_BLACK: 1, D60_SIM: 0, LEGAL_RANGE: 0, SKIP_STANDARD_ACES_RRT: 0)"]},{"l":"Writing a Parametric ACES Transform with Custom Functions","p":["Example Files: IDT_CustomEOTF.dctl and ODT_CustomRRT.dctl","To write custom functions for your Parametric ACES Transform,","Write the parametric definition as above.","Define two functions for EOTF and INVERSE_EOTF transforms.","In the parametric definition, replace the (int) parameter values for EOTF and INVERSE_EOTF with the function names.","Example:","The second parameter in the custom functions is an input struct encapsulating the same parameters that you have defined using DEFINE_ACES_PARAM. typedef struct AcesTransformUserSettingParams{ float yMin; // Black luminance (cd/m 2) float yMid; // Mid-point luminance (cd/m 2) float yMax; // Peak white luminance (cd/m^ 2) float displayPri[8]; // Display primaries float limitingPri[8]; // Limiting primaries int eotf; // Display device EOTF int surround; // Viewing environment int stretchBlack; // Stretch black luminance to a PQ code value of 0 int d60Sim; // Is user D60 adapted int legalRange; // Output to legal range int skipRRT; // Skip the standard ACES RRT transform} AcesTransformUserSettingParams;","The ACES DCTL format follows the DCTL coding standard with extra options for users to define ACES parametric and non-parametric transforms, custom EOTF functions and custom RRT/invRRT functions."]},{"l":"Invoking Parametric Transforms from the Main Transform Function","p":["To apply the ACES transform, call the generated AcesOutputTransform or AcesInvOutputTransform in the DCTL's main transform function:","For Output Transforms: DEVICE float3 transform(int p_Width, int p_Height, int p_X, int p_Y, float p_R, float p_G, float p_B){ const float3 result = AcesOutputTransform(p_R, p_G, p_B); return result;}","For Input Transforms: DEVICE float3 transform(int p_Width, int p_Height, int p_X, int p_Y, float p_R, float p_G, float p_B){ const float3 result = AcesInvOutputTransform(p_R, p_G, p_B); return result;}","If you have set \"SKIP_STANDARD_ACES_RRT: 1\", you will need to chain in the custom RRT or Inverse RRT as an additional step. Example:","Output Transform: DEVICE float3 customRRT(float p_R, float p_G, float p_B){// RRT implementation code}","Input Transform: DEVICE float3 customInvRRT(float p_R, float p_G, float p_B){// InvRRT implementation code}"]},{"l":"Example ACES DCTLs"},{"l":"CHANGELOG","p":["Resolve 17.0- Support ACES DCTL.- Introduce _ ceilf() and _ floorf() functions which implicitly cast the input value to floating-point value and return floating-point result. Older version DCTL that uses deprecated _ ceil() and _ floor() functions are required to explicitly cast the input type to floating-point.- Support inline CUBE LUTs."]}],[{"l":"DaVinci Resolve IO Encode Plugin SDK"},{"l":"Getting Started","p":["The DaVinci Resolve IO Encode Plugin SDK enables development of additional codecs and container formats that can be rendered directly from DaVinci Resolve. These plugins can be distributed directly to customers who can use these in supported versions of DaVinci Resolve Studio. Currently, only CPU based plugins are supported."]},{"l":"Plugin Format","p":["Plugins should be distributed in the following format:","Mac: 64-bit dynamic library","Linux: 64-bit shared object","Windows: 64-bit DLL"]},{"l":"Plugin Packaging","p":["The plugin binary must be packaged in a bundle folder structure (similar to a Mac binary bundle). A single bundle may contain the plugin libraries for one or more architectures. The expected directory hierarchy is as follows:","where:","PLUGIN is the name of the plugin (the exact name should be used in both the bundle and binary name)","ARCH_x is the name of the architecture","The supported architectures on each operating system are:","Mac: MacOS - for Apple Universal2 binaries (x86_64 + Arm64) or Arm64 build","Mac: MacOS-x86-64 - on Intel only machines, this folder will be checked first, and if not found or empty, the MacOS folder will be checked","Linux: Linux-x86-64","Windows: Win64"]},{"l":"Example Plugin","p":["The 'Examples' folder contains a sample plugin for the x264 encoder in the folder named 'x264_encoder_plugin'.","Compile the x264 plugin from source (downloadable from here)","Modify .mk.defs(for Mac/Linux) or plugin2015.vcxproj(for Windows) in x264_encoder_plugin to point to the location of x264 install path.","From the x264_encoder_plugin folder, build the plugin via make on Mac/Linux, or using Visual Studio on Windows.","After the plugin has been successfully built, the target plugin library will be placed in the build folder. Package the plugin binary as per the naming convention above. For example:","Mac: x264_encoder_plugin.dvcp.bundle/Contents/MacOS-x86-64/x264_encoder_plugin.dvcp","Linux: x264_encoder_plugin.dvcp.bundle/Contents/Linux-x86-64/x264_encoder_plugin.dvcp","Windows: x264_encoder_plugin.dvcp.bundle/Contents/Win64/x264_encoder_plugin.dvcp","To activate the plugin in Resolve, copy 'x264_encoder_plugin.dvcp.bundle' folder to Application Support folder, into the 'IOPlugins' subfolder. The exact location is as follows:","Mac: /Library/Application Support/Blackmagic Design/DaVinci Resolve/IOPlugins","Mac (AppStore): ~/Library/Containers/com.blackmagic-design.DaVinciResolveAppStore/Data/Library/Application Support/IOPlugins","Linux: /opt/resolve/IOPlugins","Windows: %ProgramData%\\Blackmagic Design\\DaVinci Resolve\\Support\\IOPlugins","Once the plugin folder is installed, start Resolve and create a timeline with clips. Go to the Deliver page. In the format list, the list of containers supported by the plugin should show up. If a plugin supported container format (or QuickTime) is chosen, codecs supported by the plugin should be visible in the codecs list. Upon selecting the plugin codec, the corresponding UI widgets will be shown in the render settings."]}],[{"l":"Fusion Fuse","p":["You can find the Fusion Fuse Manual via the Help > Documentation > Developer > Fusion Fuse menubar item in DaVinci Resolve.","Want to contribute? Learn more here!"]}],[{"l":"Fusion Templates"},{"l":"Fusion Transitions","p":["Fusion transitions are templates built using Fusion tools. This added functionality gives you the freedom to create custom looks and designs that are traditionally not available on the Edit and Cut pages. Creating these templates can be done within Resolve's Fusion page, and when saved as a macro, your custom templates can be accessed on the Edit or Cut pages ready for use.","For more information about creating macros refer to Chapter 59 of the manual.","When creating a Fusion transition it's important to know that the animation and duration will be driven by the transition curve and edit length on the Edit & Cut pages. Fusion transitions animated with normal fixed-time keyframes will not adapt to other edit durations, so it's recommended to use adaptable modifiers such as Anim Curves instead.","When building a transition, instead of clicking the keyframe diamond on controls you want to animate, add the Anim Curves modifier with the \"Modify With\" item on the control's right-click context menu. This will create simple linear animation over the duration of the transition, which you can then customize using the controls in the Modifiers tab of the Inspector. Various preset and customizable curves are available, with options for scaling the values and timing of the curve. See the Anim Curves Modifier section below for more details."]},{"l":"Building a Transition","p":["As an example, to create a simple cross dissolve, do the following:","Selecting the transition will show any available controls for customization in the Inspector. It is also possible to make deeper changes to the transition's tools by right-clicking on the transition, and selecting \"Open in Fusion Page\".","Choose \"Create Transition Preset\" from the transition's context menu to save all control and tool changes as a User preset transition, for later use in the Edit or Cut pages.","Tip: When saving the macro, use \"Save As Group...\" to create a macro that can be opened within the Fusion Nodes view, allowing changes to its internal tools."]},{"l":"Fusion Generators","p":["Similar to Fusion transitions, generators are templates created from a macro, but with no image inputs, and a single image output. Generators can be created from Fusion generator tools such as Background or Fast Noise, or 3D rendered scenes, particles etc, or any combination of Fusion and ResolveFX tools.","As with transitions, it is recommended that the Anim Curves modifier be used for any animation, instead of fixed keyframes. This enables any animation in the generator to adapt to the duration on the Edit and Cut pages. See the Anim Curve Modifier section below for details."]},{"l":"Fusion Titles","p":["Titles are a special case of Generator that create text. Either Text+ or Text3D tools may be used as desired, along with other Fusion and ResolveFX tools. Most title templates have the text tool's \"Styled Text\" control exposed when creating the macro, so that users may supply their own text in the Edit Inspector. Exposing the Font, Style, and Size controls may be desirable too, along with Color controls from the Shading tab and any other relevent controls.","Likewise, it is recommended that the Anim Curves modifier be used for any animation, instead of fixed keyframes. This enables any animation in the title template to adapt to the duration on the Edit and Cut pages. See the Anim Curve Modifier section below for details."]},{"l":"Fusion Effects","p":["Effects are a template with a single image input and a single output. Similar to an Adjustment Layer, they can apply any desirable effect to the clip they are applied to, but with exposed controls for customization, and with animation that adapts to the duration of the effect. Additionally, multiple Fusion Effects may be applied to a single clip, and re-ordered as desired. To edit the controls of a Fusion Effect, select the clip it is applied to, then click the Effects tab in the Edit page Inspector.","As with other templates, it is recommended that the Anim Curves modifier be used for any animation, instead of fixed keyframes. This enables any animation in the effect to adapt to the duration on the Edit and Cut pages. See the Anim Curve Modifier section below for details."]},{"l":"Bundled Assets","p":["As of 17.2, Resolve allows various asset files to be included and used with your template. This includes image files of some supported formats (PNG, JPG, EXR, TGA, BMP) for logos, watermarks, particles etc, 3D objects and cameras in an FBX file, and LUTs. These can be used with Fusion tools including Loader, FBX Mesh 3D, and File LUT. For ease of portability and user installation, the new \"Setting:\" path map has been provided, which is valid inside templates and other macros & tool groups that have been loaded from a .setting file, and points to the same folder that the .setting file is in.","For example, a Loader set to \"Setting:leaf.jpg\" could provide an image source for a particle system, so long as the leaf.jpg file was in the same folder as the template .setting file containing the Loader, or an FBX Mesh tool could use \"Setting:Models/object.fbx\" to get an object from a Models subfolder."]},{"l":"The Anim Curves Modifier","p":["Anim Curves Controls:","Back","Bounce","Circ","Clip High: Ensure the output value never exceeds 1.0","Clip Low: Ensure the output value never dips below 0.0","Cubic","Curve: allows the following curve shape choices:","Custom: Displays an editable curve control allowing full customization of the animation","Custom: Timing can be controlled manually by a spline or other modifier on the revealed Input control","Duration: Animation is timed to match the duration of the edit","Easing: Allows selection from a number of preset curve shapes, for ease-in, ease-out, or both:","Elastic","Expo","Invert: The curve is flipped upside-down, so that the values start high and end low","Linear: Simple linear animation","Mirror: The animation curve is mirrored so that after reaching the end, it returns to the starting value","None (linear or no easing)","Offset: Adds to the default 0..1 output value, to allow animation over a specific range of values","Quad","Quart","Quint","Scale: Multiplies the default 0..1 output value, to reduce or increase the effect of the control","Sine","Source: allows the following timing choices:","The Anim Curves modifier is designed to allow easy creation of animation for transition and effect templates, and will speed up and slow down automatically to match the edit duration. It can also take the Edit page's Transition Curve easing into account, giving greater control to editors. It offers many preset curve shapes and combinations, including fully customized, with controls for scaling and timing the animation as well.","Time Offset: Delays the animation, as a fraction of its total duration","Time Scale: Speeds up or slows down the animation","Tip: The resulting animation curve can be seen in the Spline view, and is updated live as you change the controls. In the Spline view's tool tree, find the tool and select the name of the control you're animating to see the curve.","To use this animation modifier, right-click on a control in the Inspector, then select Anim Curves from the list of modifiers (choose Modify With > Anim Curves).","Transition: Like Duration, but values are shaped by the Edit page's Transition Curve"]},{"l":"Template Icons","p":["As of 17.2, Resolve supports an included .png image file with the same name as your .setting file, and will use this as your template's icon in the Resolve user interface. The recommended size is 104 x 58, but will be resized to suit. For example, a LogoPop.setting will use a LogoPop.png icon in the same dir."]},{"l":"Template Paths","p":["Fusion templates are stored in subdirectories within the OS specific directory described below:","Your template should be saved in one of the following subdirectories, according to its purpose:- Transitions- Titles- Generators- Effects","Please note that the folders for custom Fusion templates can also be located using the option \"Show Folder\" available in the 3 dot menu in \"Effects Library\" on the Fusion page. Select the desired template category, choose the Show Folder menu option, and a system file manager window will be opened at the proper path.","It is also possible to import template files by opening the Fusion page Effects Library to the appropriate category, then dragging and dropping the template file onto the list of templates. A restart of Resolve may be required for it to show up in the Edit and Cut pages."]},{"l":"DRFX Bundles","p":["As of 17.2, multiple templates may now be bundled together in .drfx files, which are ordinary zip files with a renamed extension (plain .zip files are supported too, with different naming in the UI). These may be organised into subfolders within the zip, if desired, and can also include icons for each template, and any associated assets, for ease of distribution and installation of one or more templates in a single file."]}],[{"l":"Cube LUT Format Specification","p":["A Cube file is a text file with extension \".cube\". It contains 2 parts: the header and the content. The header defines the properties of the LUT, while the content holds lookup table transformation data. The content section starts on a new line directly after last header definition.","The Cube LUT format supports 1D and 3D lookup tables, with an optional shaper LUT preceding it."]},{"l":"1D LUT","p":["A 1D lookup table allows output values to be specified corresponding to equally spaced input values in a given range. In the header of the LUT, the size and range of the LUT can be specified as follows:","LUT_1D_SIZE N LUT_1D_INPUT_RANGE MIN_VAL MAX_VAL","where: N - number of entries, up to a maximum of 65536 MIN_VAL - floating point input value corresponding to the first entry in the lookup table MAX_VAL - floating point input value corresponding to the last entry in the lookup table","The lookup data follows the header and contains as many entries as specified in the size entry in the header. Each line contains 3 space separated floating point values corresponding to the R, G and B output values respectively.","The first line of data corresponds to the minimum input value specified in the header, and the last line corresponds to the maximum input value. In between lines corresponds to monotonically increasing scaled values of the input. For example, if a LUT has size of 6 with minimum value 0.0 and maximum value 1.0, then the 6 lines of the table would correspond to input values 0.0, 0.2, 0.4, 0.6, 0.8 and 1.0 respectively.","For any input values that are not explicitly mapped in the table, the result is linearly interpolated between the nearest available values (i.e nearest entry higher than the input and nearest entry lower than the input) in the table."]},{"l":"3D LUT","p":["A 3D lookup table is conceptually similar to a 1D LUT except that it allows for a lookup to be performed along each of the 3 color axes. This gives the user the ability to model a transformation where a change in one color channel may cause a change in the other two color channels as well.","Similar to a 1D LUT, the header contains information about the size of the lookup table as well as the range of input values.","LUT_3D_SIZE N LUT_3D_INPUT_RANGE MIN_VAL MAX_VAL","where: N- number of entries per channel (NOTE: this results in a lookup table that has N * N * N entries) MIN_VAL- floating point input value corresponding to the first entry in the lookup table MAX_VAL- floating point input value corresponding to the last entry in the lookup table","The lookup data follows the header and contains N * N * N entries for a size N specified in the header. Each line contains 3 space separated floating point values corresponding to the R, G and B output values respectively.","The first line of data corresponds to the minimum input value specified in the header for all 3 channels, and the last line corresponds to the maximum input value for all 3 channels. In between lines corresponds to monotonically increasing scaled values of the input, with R values changing most rapidly. For example, if a LUT has size of 6 with minimum value 0.0 and maximum value 1.0, then the entries would correspond to all combinations of the 6 possible values for each input channel: 0.0, 0.2, 0.4, 0.6, 0.8 and 1.0 respectively.","The first 6 values would correspond to increasing values of R (from minimum to maximum), while G and B are 0.0. The next 6 values would correspond to increasing values of R (again starting from the minimum value) while G is 0.1 and B is 0.0. Once all values of G are covered, B in increased to the next possible value and the whole sequence is repeated. This continues until all combinations are covered.","In a 3D LUT, the 3 color components of the input value are used to find the nearest indexed values along each axis of the 3D cube. The 3-component output value is calculated by interpolating within the volume defined by the nearest corresponding positions along each axis in the LUT. Resolve supports 2 types of interpolation for 3D LUTs - trilinear interpolation and tetrahedral interpolation."]},{"l":"Shaper LUT","p":["A LUT samples each of the axes in a uniform manner. However, there may be cases where more precision is needed in a specific region of the input range as opposed to the rest of it. In such cases, a shaper LUT can be used to re-map the input range as a pre-processing step in order to make better use of the LUT samples. Such an operation can be done using a 1D LUT and is called a shaper LUT. Shaper LUTs can be applied before either a 1D LUT or a 3D LUT. It is defined in the same way as a 1D LUT, and is defined first before the actual LUT."]},{"l":"Optional Properties","p":["Comments and descriptions can be inserted at any point. The line needs to start with the # character. Such lines are ignored by the parser.","A LUT can be given a descriptive title using the TITLE keyword as follows:","TITLE Description","In Resolve, LUTs are applied in data range (0.0 to 1.0). The input data is in data range, and the LUT is expected to output in data range. However, there may be LUTs that are designed to operate on and/or output video range data (64 - 940 in 10-bit scale). To handle these cases, there are two properties which can be used to notify Resolve that the input/output is in video range. Based on this, Resolve will handle the input/output values so that it works correctly in a data range processing pipeline. Depending on the LUT, one or both of these properties can be specified by having the keywords below on a new line.","LUT_IN_VIDEO_RANGE","LUT_OUT_VIDEO_RANGE"]},{"l":"Examples","p":["Please look for these example files in DaVinci Resolve's installation folder.","On MacOS, they are located at:","1D LUT: /Library/Application Support/Blackmagic Design/DaVinci Resolve/LUT/VFX IO/Linear to Cineon Log.cube","3D LUT: /Library/Application Support/Blackmagic Design/DaVinci Resolve/LUT/Blackmagic Design/Blackmagic 4.6K Film to Rec709.cube","Shaper LUT: /Library/Application Support/Blackmagic Design/DaVinci Resolve/LUT/ACES/LMT ACES v0.1.1.cube","On Linux, they are located at:","1D LUT: /opt/resolve/LUT/VFX IO/Linear to Cineon Log.cube","3D LUT: /opt/resolve/LUT/Blackmagic 4.6K Film to Rec709.cube","Shaper LUT: /opt/resolve/LUT/ACES/LMT ACES v0.1.1.cube","On Windows, they are located at:","1D LUT: %PROGAMDATA%\\Blackmagic Design\\DaVinci Resolve\\LUT\\VFX IO\\Linear to Cineon Log.cube","3D LUT: %PROGAMDATA%\\Blackmagic Design\\DaVinci Resolve\\LUT\\Blackmagic Design\\Blackmagic 4.6K Film to Rec709.cube","Shaper LUT: %PROGAMDATA%\\Blackmagic Design\\DaVinci Resolve\\LUT\\ACES\\LMT ACES v0.1.1.cube"]}],[{"l":"OpenFX"},{"l":"Introduction","p":["OpenFX, also known as The Open Effects Association (OFX), is an open standard for visual effects plug-ins, and the interface between effects plug-ins and digital compositing systems. Established to facilitate the development of creative and efficient effects in post-production processes, it represents a significant advancement in the visual effects and video editing industry.","Prior to OpenFX, plug-in developers had to create multiple versions of each plug-in for different video editing software, which was time-consuming and inefficient. OpenFX addressed this issue by providing a single, unified standard that software developers could use to create plug-ins compatible with all video editing systems that support the OpenFX standard.","The OpenFX standard includes a robust API (Application Programming Interface), which defines how to write an effect plug-in and how host software should interact with these plug-ins. This API allows plug-ins to be written once and used across a range of different host applications.","OpenFX covers a broad scope of applications, including image processing, 2D and 3D effects, color correction, and more. Its strength lies in its versatility and platform neutrality, promoting a more integrated and efficient workflow in video editing and post-production processes. By creating an environment that allows seamless interplay between various software, OpenFX opens up possibilities for greater creativity and innovation in visual effects.","Blackmagic's DaVinci Resolve is a popular professional software for video editing, color correction, visual effects, and audio post-production. A significant feature of DaVinci Resolve is its strong support for OpenFX, allowing users to leverage an extensive variety of plug-ins to extend the capabilities of the software beyond its native functionality.","DaVinci Resolve's support for the OpenFX standard means that users can access a vast array of third-party effects plug-ins that conform to this standard. This means that, in addition to the robust set of tools available natively within DaVinci Resolve for color grading, visual effects, motion graphics, and audio post-production, users also have the flexibility to augment and customize their workflows with the specialized functionality that various OpenFX plug-ins provide.","The OpenFX plug-ins can be easily applied to clips on the timeline in DaVinci Resolve's Edit and Color pages, providing editors and colorists with the ability to perform more complex adjustments and effects directly within the software. This creates an integrated workflow that eliminates the need for round-tripping to other software for specific tasks, thereby increasing efficiency.","Moreover, DaVinci Resolve's support for OpenFX reflects Blackmagic's commitment to interoperability and customization, providing professionals with the flexibility they need to realize their creative visions. This level of compatibility helps ensure that DaVinci Resolve can adapt to a wide range of post-production workflows, catering to both individual creatives and larger collaborative teams."]},{"l":"Examples","p":["The Gyroflow OpenFX plugin is a great example of a very slick open-source OpenFX plugin that works great in DaVinci Resolve.","It's written in Rust and uses OpenFX bindings for Rust."]},{"l":"Sample Code","p":["[PluginName]::setupAndProcess() is called by [PluginName]::render(). It is used to setup all the parameters before invoking the image processor. Depending on the selected mode, the appropriate virtual methods ( processImagesCUDA, processImagesOpenCL, processImagesMetal and multiThreadProcessImages) will be invoked.","[PluginName].cpp- Contains the plugin factory class definition, plugin definition and the image processing algorithm","[PluginName].h- Contains the plugin factory class declaration","[PluginName].sln and GainPlugin.vcxproj- Visual Studio solution and project files","[PluginName].xcodeproj- Xcode project file","[PluginName]Factory::describe() is used to describe the plugin. For example, the supported bit depth and whether OpenCL, CUDA and Metal render capability is supported. User need to setup a appropriate OFX context based on expected effect behaviours (number of input clips it takes, and how it can interact with those input clips).","[PluginName]Factory::describeInContext() is used to describe the requirements of the clips and the parameters for the plugin.","After compilation, it will generate a directory named [PluginName].ofx.bundle. In order for Resolve to register this plugin, this directory needs to be copied to /Library/OFX/Plugins on the Mac OSX platform. On the Linux platform, this directory needs to be copied to /usr/OFX/Plugins.","CudaKernel.cu- Contains the CUDA kernel and the function to call the CUDA kernel","DissolveTransitionPlugin- Sample OpenFX plugin to demonstrate how to create a transition.","Finally, OFX::Plugin::getPluginIDs() is required to register the plugin.","For CUDA implementation, the plugin can operate on the cudaStream provided by the host and call p_Desc.setSupportsCudaStream(true) in [PluginName]Factory::describe(). If the plugin uses the default cudaStream or a stream created internally, it should set p_Desc.setSupportsCudaStream(false) and also perform synchronisation so that the GPU output buffers are ready when the plugin returns from the render call.","For the [PluginName]Factory class, there are three virtual methods ( describe, describeInContext and createInstance) that must be overridden.","GainPlugin- Sample OpenFX plugin using the CUDA, OpenCL and Metal render support.","GainPlugin::changedClip() is called when a clip has just changed.","GainPlugin::changedParam() is called when a parameter has changed its value.","GainPlugin::isIdentity() is used to indicate if processing is necessary with the given parameter set and rendering arguments.","In GainPluginFactory::describe(), p_Desc.setNoSpatialAwareness(true) is used to indicate that the plugin output does not depend on location or neighbours of a given pixel. Therefore, this plugin could be executed during LUT generation.","In the /Library/Application Support/Blackmagic Design/DaVinci Resolve/Developer/OpenFX folder on macOS, you can find the following subdirectories:","In the constructor, the handle to the input clips, output clips and required parameters are setup.","In the first part of [PluginName].cpp, there is a list of constants providing the details of the plugin. These are used to provide the information to the user when this plugin is selected.","In the next part, it creates a subclass of OFX::ImageProcessor. It has four virtual methods ( processImagesCUDA, processImagesOpenCL, processImagesMetal and multiThreadProcessImages) that can be overridden with your own implementation of processing algorithm on the GPU and CPU.","In the Plugin directory, the following project files are provided:","Makefile- Makefile for command line compilation","MetalKernel.mm- Contains the Metal kernel and the function to call the Metal kernel","Next, it creates a sublcass of OFX::ImageEffect:","OFX::eContextFilter requires single compulsory input, is used for a traditional 'filter effect' that transforms a single input (Refer to GainPlugin).","OFX::eContextTransition requires 2 compulsory input clips and a compulsory 'Transition' double parameter, is used to create transition effect between clips (Refer to DissolveTransitionPlugin).","On the Windows platform, the directory named GainPlugin.ofx.bundle is generated in the Debug/Release directory. This directory needs to be copied to C:\\Program Files\\Common Files\\OFX\\Plugins.","OpenCLKernel.cpp- Contains the OpenCL kernel and the function to call the OpenCL kernel","OpenFX-1.4- Contains the header files from the OpenFX package.","Other than the project files, there are four other files containing the source code for the plugin:","RandomFrameAccessPlugin- Sample OpenFX plugin using the CUDA, OpenCL and Metal render support with random frames access.","Support- Contains the header and source files from the OpenFX C++ wrapper package.","TemporalBlurPlugin- Sample OpenFX plugin using the CUDA, OpenCL and Metal render support with multiple frames access.","TemporalPlugin::getFramesNeeded() is called to set the clip's frame range that user wants to access.","Then, there are four virtual methods that are overridden. GainPlugin::render() must be overridden and is the plugin's render function.","This sample OpenFX plugin is capable of processing the images using the GPU (with CUDA or OpenCL or Metal) or the CPU. Other than the CUDA, OpenCL and Metal kernel implementation in CudaKernel.cu, OpenCLKernel.cpp and MetalKernel respectively, the rest of the plugin implementation details are in [PluginName].cpp."]}],[{"l":"Scripting","p":["This page is dedicated to Lua & Python scripting in DaVinci Resolve.","Whilst a lot of this page is currently just a \"copy and paste\" job from the existing documentation, the intention is to expand upon and enhance it - filling in all the gaps."]},{"l":"Community","p":["There's a really great community over at We Suck Less that discuss scripting in DaVinci Resolve.","You can also get help at Blackmagic's Developer Forum."]},{"l":"Updated as of 17 May 2023","p":["In this package, you will find a brief introduction to the Scripting API for DaVinci Resolve Studio. Apart from this README.txt file, this package contains folders containing the basic import modules for scripting access ( DaVinciResolve.py) and some representative examples.","From v16.2.0 onwards, the nodeIndex parameters accepted by SetLUT() and SetCDL() are 1-based instead of 0-based, i.e. 1 <= nodeIndex <= total number of nodes."]},{"l":"Overview","p":["As with Blackmagic Design Fusion scripts, user scripts written in Lua and Python programming languages are supported. By default, scripts can be invoked from the Console window in the Fusion page, or via command line. This permission can be changed in Resolve Preferences, to be only from Console, or to be invoked from the local network. Please be aware of the security implications when allowing scripting access from outside of the Resolve application."]},{"l":"Prerequisites","p":["DaVinci Resolve scripting requires one of the following to be installed (for all users):","Lua 5.1","Python 2.7 64-bit","Python >= 3.6 64-bit"]},{"l":"Using a script","p":["DaVinci Resolve needs to be running for a script to be invoked.","For a Resolve script to be executed from an external folder, the script needs to know of the API location. You may need to set the these environment variables to allow for your Python installation to pick up the appropriate dependencies as shown below:"]},{"l":"macOS"},{"l":"Windows"},{"l":"Linux","p":["As with Fusion scripts, Resolve scripts can also be invoked via the menu and the Console.","On startup, DaVinci Resolve scans the subfolders in the directories shown below and enumerates the scripts found in the Workspace application menu under Scripts. Place your script under Utility to be listed in all pages, under Comp or Tool to be available in the Fusion page or under folders for individual pages (Edit, Color or Deliver). Scripts under Deliver are additionally listed under render jobs. Placing your script here and invoking it from the menu is the easiest way to use scripts."]},{"i":"macos-1","l":"macOS","p":["All users: /Library/Application Support/Blackmagic Design/DaVinci Resolve/Fusion/Scripts","Specific user: /Users/UserName/Library/Application Support/Blackmagic Design/DaVinci Resolve/Fusion/Scripts"]},{"i":"windows-1","l":"Windows","p":["All users: %PROGRAMDATA%\\Blackmagic Design\\DaVinci Resolve\\Fusion\\Scripts","Specific user: %APPDATA%\\Roaming\\Blackmagic Design\\DaVinci Resolve\\Support\\Fusion\\Scripts"]},{"i":"linux-1","l":"Linux","p":["All users: /opt/resolve/Fusion/Scripts(or /home/resolve/Fusion/Scripts/ depending on installation)","Specific user: $HOME/.local/share/DaVinciResolve/Fusion/Scripts","The interactive Console window allows for an easy way to execute simple scripting commands, to query or modify properties, and to test scripts. The console accepts commands in Python 2.7, Python 3.6 and Lua and evaluates and executes them immediately. For more information on how to use the Console, please refer to the DaVinci Resolve User Manual.","This example Python script creates a simple project:","The resolve object is the fundamental starting point for scripting via Resolve. As a native object, it can be inspected for further scriptable properties - using table iteration and \"getmetatable\" in Lua and dir, help etc in Python (among other methods). A notable scriptable object above is fusion - it allows access to all existing Fusion scripting functionality."]},{"l":"Running DaVinci Resolve in headless mode","p":["DaVinci Resolve can be launched in a headless mode without the user interface using the -nogui command line option. When DaVinci Resolve is launched using this option, the user interface is disabled. However, the various scripting APIs will continue to work as expected."]},{"l":"Basic Resolve API","p":["Some commonly used API functions are described below (*). As with the resolve object, each object is inspectable for properties and functions."]},{"l":"List and Dict Data Structures","p":["Beside primitive data types, Resolve's Python API mainly uses list and dict data structures. Lists are denoted by [ ... ] and dicts are denoted by { ... } above. As Lua does not support list and dict data structures, the Lua API implements \"list\" as a table with indices, e.g. { [1] = listValue1, [2] = listValue2, ... }. Similarly the Lua API implements \"dict\" as a table with the dictionary key as first element, e.g. { [dictKey1] = dictValue1, [dictKey2] = dictValue2, ... }."]},{"l":"Looking up Project and Clip properties","p":["This section covers additional notes for the functions Project:GetSetting, Project:SetSetting, Timeline:GetSetting, Timeline:SetSetting, MediaPoolItem:GetClipProperty and MediaPoolItem:SetClipProperty. These functions are used to get and set properties otherwise available to the user through the Project Settings and the Clip Attributes dialogs.","The functions follow a key-value pair format, where each property is identified by a key (the settingName or propertyName parameter) and possesses a value (typically a text value). Keys and values are designed to be easily correlated with parameter names and values in the Resolve UI. Explicitly enumerated values for some parameters are listed below.","Some properties may be read only - these include intrinsic clip properties like date created or sample rate, and properties that can be disabled in specific application contexts (e.g. custom colorspaces in an ACES workflow, or output sizing parameters when behavior is set to match timeline)"]},{"l":"Getting values","p":["Invoke Project:GetSetting, Timeline:GetSetting or MediaPoolItem:GetClipProperty with the appropriate property key. To get a snapshot of all queryable properties (keys and values), you can call Project:GetSetting, Timeline:GetSetting or MediaPoolItem:GetClipProperty without parameters (or with a NoneType or a blank property key). Using specific keys to query individual properties will be faster. Note that getting a property using an invalid key will return a trivial result."]},{"l":"Setting values","p":["Invoke Project:SetSetting, Timeline:SetSetting or MediaPoolItem:SetClipProperty with the appropriate property key and a valid value. When setting a parameter, please check the return value to ensure the success of the operation. You can troubleshoot the validity of keys and values by setting the desired result from the UI and checking property snapshots before and after the change.","The following Project properties have specifically enumerated values:","superScale- the property value is an enumerated integer between 0 and 3 with these meanings: 0=Auto, 1=no scaling, and 2, 3 and 4 represent the Super Scale multipliers 2x, 3x and 4x.","Affects: x = Project:GetSetting('superScale') and Project:SetSetting('superScale', x)","timelineFrameRate- the property value is one of the frame rates available to the user in project settings under \"Timeline frame rate\" option. Drop Frame can be configured for supported frame rates by appending the frame rate with \"DF\", e.g. \"29.97 DF\" will enable drop frame and \"29.97\" will disable drop frame","Affects: x = Project:GetSetting('timelineFrameRate') and Project:SetSetting('timelineFrameRate', x)","The following Clip properties have specifically enumerated values:","superScale- the property value is an enumerated integer between 1 and 3 with these meanings: 1=no scaling, and 2, 3 and 4 represent the Super Scale multipliers 2x, 3x and 4x.","Affects: x = MediaPoolItem:GetClipProperty('Super Scale') and MediaPoolItem:SetClipProperty('Super Scale', x)"]},{"l":"Looking up Render Settings","p":["[1 -> MAX] (int) - will set input bit rate","[Least, Low, Medium, High, Best] (String) - will set input quality level","0 (int) - will set quality to automatic","AlphaMode: 0 - Premultiplied, 1 - Straight. Can only be set if ExportAlpha is true.","AudioBitDepth: int","AudioCodec: string (example: aac)","AudioSampleRate: int","ColorSpaceTag: string (example: Same as Project, AstroDesign)","CustomName: string","EncodingProfile: string (example: Main10). Can only be set for H.264 and H.265.","ExportAlpha: Bool","ExportAudio: Bool","ExportVideo: Bool","FormatHeight: int","FormatWidth: int","FrameRate: float (examples: 23.976, 24)","GammaTag: string (example: Same as Project, ACEScct)","MarkIn: int","MarkOut: int","MultiPassEncode: Bool. Can only be set for H.264.","NetworkOptimization: Bool. Only supported by QuickTime and MP4 formats.","PixelAspectRatio: string (for SD resolution: 16_9 or 4_3) (other resolutions: square or cinemascope)","SelectAllFrames: Bool (when set True, the settings MarkIn and MarkOut are ignored)","TargetDir: string","The parameter setting is a dictionary containing the following keys:","This section covers the supported settings for the method SetRenderSettings({settings})","UniqueFilenameStyle: 0 - Prefix, 1 - Suffix.","VideoQuality possible values for current codec (if applicable):"]},{"l":"Looking up timeline export properties","p":["exportSubtype can be one of the following enums:","exportType can be one of the following constants:","Note: Replace resolve. when using the constants above, if a different Resolve class instance name is used.","Please note that exportSubType is a required parameter for resolve.EXPORT_AAF and resolve.EXPORT_EDL. For rest of the exportType, exportSubtype is ignored. When exportType is resolve.EXPORT_AAF, valid exportSubtype values are resolve.EXPORT_AAF_NEW and resolve.EXPORT_AAF_EXISTING. When exportType is resolve.EXPORT_EDL, valid exportSubtype values are resolve.EXPORT_CDL, resolve.EXPORT_SDL, resolve.EXPORT_MISSING_CLIPS and resolve.EXPORT_NONE.","resolve.EXPORT_AAF","resolve.EXPORT_AAF_EXISTING","resolve.EXPORT_AAF_NEW","resolve.EXPORT_CDL","resolve.EXPORT_DOLBY_VISION_VER_2_9","resolve.EXPORT_DOLBY_VISION_VER_4_0","resolve.EXPORT_DOLBY_VISION_VER_5_1","resolve.EXPORT_DRT","resolve.EXPORT_EDL","resolve.EXPORT_FCP_7_XML","resolve.EXPORT_FCPXML_1_10","resolve.EXPORT_FCPXML_1_8","resolve.EXPORT_FCPXML_1_9","resolve.EXPORT_HDR_10_PROFILE_A","resolve.EXPORT_HDR_10_PROFILE_B","resolve.EXPORT_MISSING_CLIPS","resolve.EXPORT_NONE","resolve.EXPORT_OTIO","resolve.EXPORT_SDL","resolve.EXPORT_TEXT_CSV","resolve.EXPORT_TEXT_TAB","This section covers the parameters for the argument Export(fileName, exportType, exportSubtype)."]},{"l":"Unsupported exportType types","p":["Starting with DaVinci Resolve 18.1, the following export types are not supported:","resolve.EXPORT_FCPXML_1_3","resolve.EXPORT_FCPXML_1_4","resolve.EXPORT_FCPXML_1_5","resolve.EXPORT_FCPXML_1_6","resolve.EXPORT_FCPXML_1_7"]},{"l":"Looking up Timeline item properties","p":["This section covers additional notes for the function TimelineItem:SetProperty and TimelineItem:GetProperty. These functions are used to get and set properties mentioned.","The supported keys with their accepted values are:","The arguments can be passed as a key and value pair or they can be grouped together into a dictionary (for python) or table (for lua) and passed as a single argument.","Getting the values for the keys that uses constants will return the number which is in the constant"]},{"l":"Deprecated Resolve API Functions","p":["The following API functions are deprecated."]},{"l":"Unsupported Resolve API Functions","p":["The following API (functions and parameters) are no longer supported. Use job IDs instead of indices."]}],[{"l":"Workflow Integrations"},{"l":"Overview","p":["DaVinci Resolve Studio now supports Workflow Integration Plugins to be loaded and communicate with Resolve. Resolve can run one or more Workflow Integration Plugins at the same time. Users can write their own Workflow Integration Plugin (an Electron app) which could be loaded into DaVinci Resolve Studio. To interact with Resolve, Resolve's JavaScript APIs can be used from the plugin.","Alternatively, a Python or Lua script can be invoked, with the option of a user interface built with Resolve's built-in Qt-based UIManager, or with an external GUI manager. See the \"Sample Workflow Integration Script\" section below for details."]},{"l":"Sample Workflow Integration Plugin","p":["A sample Workflow Integration Plugin is available in the Examples/SamplePlugin directory. In order for Resolve to register this plugin, this directory needs to be copied to Workflow Integration Plugins root directory (mentioned in below section). Once a plugin is registered, plugin can be loaded from UI sub-menu under Workspace > Workflow Integrations. This will load the plugin and show the plugin HTML page in a separate window.","Sample plugin helps to understand how a plugin should be structured and how it works with Resolve. Please refer to the directory/file structure, manifest file info, plugin loading, JavaScript API usage examples, etc. This sample plugin and scripts demonstrates few basic scriptable JavaScript API usages to interact with Resolve."]},{"l":"Loading Workflow Integration Plugin","p":["On startup, DaVinci Resolve Studio scans the Workflow Integration Plugins root directory and enumerates all plugin modules. For each valid plugin module, it creates a UI sub-menu entry under Workspace > Workflow Integrations menu. DaVinci Resolve Studio reads the basic details of the plugin from its manifest.xml file during load time. Once plugin is loaded, user can click on the Workflow Integrations sub-menu to load the corresponding plugin."]},{"l":"Workflow Integration Plugin directory structure"},{"l":"Workflow Integration Plugins root directory","p":["User should place their Workflow Integration Plugin under the following directory:"]},{"l":"macOS","p":["/Library/Application Support/Blackmagic Design/DaVinci Resolve/Workflow Integration Plugins/"]},{"l":"Windows","p":["%PROGRAMDATA%\\Blackmagic Design\\DaVinci Resolve\\Support\\Workflow Integration Plugins\\"]},{"l":"Supported platforms"},{"l":"Plugins","p":["Windows, macOS (not supported on Linux currently)"]},{"l":"Scripts","p":["Windows, Mac OS X, Linux"]},{"l":"Using scriptable JavaScript API","p":["Scriptable JavaScript API execution happens under HTML environment like any typical website. Once HTML page is loaded it can execute scriptable JavaScript API as needed (like clicking on a button, etc.)","This example JavaScript snippet creates a simple project in DaVinci Resolve Studio:","The resolve object is the fundamental starting point for scripting via Resolve. As a native object, it can be inspected for further scriptable properties and functions in JavaScript."]},{"l":"WorkflowIntegration module API","p":["To interact with Resolve you need to use WorkflowIntegration.node Node.js module file in your plugin app. Below are the WorkflowIntegration(module) JavaScript API functions to communicate with Resolve."]},{"l":"Supported callbacks","p":["RenderStart","RenderStop","Please note that there is no console based support for JavaScript API."]},{"l":"Sample Workflow Integration Script","p":["A sample Workflow Integration Python script is also available in the Examples directory. In order for Resolve to register this script, it needs to be copied to the Workflow Integration Plugins root directory (mentioned in the above section). Once a script is registered, it can be also loaded from the Workspace menu, under Workflow Integrations. This will invoke the script and show the sample UIManager window.","Workflow Integration scripts work similarly to other scripts in Resolve, and use the same scripting API. This example script provides a basic introduction into creating a popup Workflow application using a UIManager window, with simple layout of text fields and buttons, and event handlers to dispatch functions for integration with the user's facility. Alternatively, third-party UI managers such PyQt may be used instead, or no GUI at all.","When launched by Resolve, plugin scripts are automatically provided with resolve and project variables for immediate and easy access to Resolve's scripting API. Additional third-party modules may be imported for access to asset-management systems as desired."]},{"l":"UIManager Introduction","p":["There are two main objects needed to manage a window, the UIManager that handles layout, and the UIDispatcher that manages interaction events, accessed as follows:","Windows are created with the the UIDispatcher, passing a dictionary of attributes like ID and Text, with GUI elements in nested layouts all created with the UIManager."]},{"l":"UIDispatcher Functions","p":["The UIDispatcher object has a few important functions to manage processing of events. The most important are:","Common usage is to create your window and set up any event handlers, including a Close handler for the window that calls ExitLoop(), then Show() your window and call RunLoop() to wait for user interaction:","AddWindow() will also accept a single child without needing a list, or a single dictionary containing both proprties and child elements, for ease of use.","As well as constructing new child elements and layouts, the UIManager also offers a few useful functions:"]},{"l":"UIManager Elements","p":["The element's ID is used to find, manage, and dispatch events for that element. GUI elements also support a set of common attributes including Enabled, Hidden, Visible, Font, WindowTitle, BackgroundColor, Geometry, ToolTip, StatusTip, StyleSheet, WindowOpacity, MinimumSize, MaximumSize, and FixedSize. Some other common GUI elements and their main attributes include:","Some elements also have property arrays, indexed by item or column (zero-based), e.g. newItem.Text[2] = 'Third column text'","Some elements like Label and Button will automatically recognise and render basic HTML in their Text attributes, and TextEdit is capable of displaying and returning HTML too. Element attributes can be specified when creating the element, or can be read or changed later:","Most elements have functions that can be called from them as well:","Some elements have extra functions of their own:","Elements can be accessed by the window's FindWindow(id) function, or by assigning them to a variable for later usage, which is more efficient. The GetItems() function will return a dictionary of all child elements for ease of access."]},{"l":"UIManager Layout","p":["Additionally, elements can be nested to define layout, using the HGroup and VGroup elements. As with Window and other elements, tou can pass a single dictionary or list with all properties and children, or separate them into a dict of properties and list of children, for convenience:","HGap and VGap elements can included for finer spacing control. Note also the Weight attribute, which can be applied to most elements to control how they adjust their relative sizes. A Weight of 0 will use the element's minimum size."]},{"l":"Event Handlers","p":["Window objects will call user-defined event handler functions in response to various interaction events. Event handlers are managed using a window member called On. This has sub-members for each GUI element with an ID, and those have members for each available event. To set up an event handler, define a function for it, then assign the function to the window's On.ID.Event member as follows:","Alternatively, if your object's ID is stored in a string variable called buttonID, you could use:","Many objects have specific events that can be handled:","Event handler functions are called with a dictionary of related attributes such as who, what, when, sender, and modifiers. Common events and some additional attributes they receive include:","Event handlers can be enabled or disabled for a given element by turning them on or off in the Events attribute:","Some common events like Clicked or Close are enabled by default."]},{"l":"Basic Resolve API","p":["Please refer to the Basic Resolve API section in /Developer/Scripting/README.txt file for the list of the functions that Resolve offers for scripted control. For plugin scripts, the resolve and project variables are automatically set up for you, and may be used to access any part of Resolve's API."]},{"l":"Further Information","p":["This document provides a basic introduction only, and does not list all available UIManager elements and attributes. As UIManager is based on Qt, you can refer to the Qt documentation here for more information on element types and their attributes. There are also many third-party examples and discussions available on user forums for DaVinci Resolve and Fusion Studio."]}],[{"l":"Credits","p":["Resolve Cafe was thrown together by Chris Hocking at LateNite Films.","The Resolve Cafe icon was designed by the amazing Matthew Skiles.","The origin story comes back to this tweet, where Alex Gollner tweeted that \"fcp.co is no longer the Final Cut Pro watercoooler place\", and Chris replied with \"Screw it… I just registered finalcutpro.tech. Let’s do this thing!\".","Chris decided that FCP Cafe was a better name/domain, and as a result, that site was born.","Julien Chichignoud then said to Chris that DaVinci Resolve is \"definitely where the industry is going\" - and here we are.","Dan Svoboda also seemed to think it was a good idea."]},{"l":"LateNite Films","p":["LateNite is an independent production studio committed to investing in emerging creatives with strong, unique voices, helping tell their stories in a creatively supportive and collaborative environment. Our work uses humour to explore outsider stories that are unmistakably human and straddle the line between light and dark."]},{"l":"Chris Hocking","p":["Chris has been working in the entertainment industry for over two decades. Previously the Post Production Supervisor at Melbourne's award winning editing house The Butchery, and finishing house The Refinery, Chris has an incredibly strong and varied technical and business background, ensuring that each production makes use of the best and most relevant technology and workflows. He is the creator of the open source macOS application, CommandPost, which has been downloaded over 165K times - as well as a suite of Final Cut Pro tools on the macOS App Store. His producing credits include the SBS2 series The Wizards of Aus, the Fairy Tale unit on Foxtel mini series Lambs of God, and the ABC ME project The Legend of Burnout Barry. Chris is a member of SPA, ASE and is an Adobe Certified Expert."]}],[{"l":"Privacy Policy","p":["Last Updated: Tuesday 13th June 2023","Resolve Cafe does not use cookies on its website.","We do not collect any personal identifiable information from you when you visit our Website.","We don't embed any videos - we only show a thumbnail which links to the video - to prevent third party cookies/trackers.","We use GitHub Pages to host and manage this website.","We use CloudFlare for DNS hosting, and VentraIP for domain hosting.","You can read CloudFlare's privacy policy here.","We use GitHub Issues to manage our Bug Tracker& Wish List.","We use GitHub Discussions to manage the comments and discussions on the site.","The comments feature at the bottom of every page is powered by giscus, which also has no tracking or database.","You can read GitHub's Privacy Statement here.","The source code and change log for this website can be found on GitHub.","Any code (such as GitHub Actions) are licensed under a MIT License."]},{"l":"Security","p":["The security of your Personal Information is important to us, but remember that no method of transmission over the Internet, or method of electronic storage, is 100% secure. While we strive to use commercially acceptable means to protect your Personal Information, we cannot guarantee its absolute security."]},{"l":"Links to other sites","p":["Resolve Cafe contains links to other sites that are not operated by us. If you click on a third party link, you will be directed to that third party's site. We strongly advise you to review the Privacy Policy of every site you visit.","We have no control over, and assume no responsibility for the content, privacy policies or practices of any third-party sites or services."]},{"l":"Changes to This Privacy Policy","p":["We may update our Privacy Policy from time to time. Thus, you are advised to review this page periodically for any changes. We will notify you of any changes by posting the new Privacy Policy on this page. These changes are effective immediately after they are posted on this page.","You can check the change history of this privacy policy here."]},{"i":"questions","l":"Questions?","p":["Please contact us with any questions: support@latenitefilms.com"]}],[{"l":"Wish List","p":["This page is dedicated to keeping track of DaVinci Resolve feature requests, via our GitHub issues site.","To submit a new feature request, simply sign up for a free GitHub account and post an issue here.","GitHub is a safe and secure developers platform used by over 73 million users worldwide.","We also keep track of the most popular feature requests, based on the amount of reactions the issues get.","In general, whenever posting a feature request to GitHub, we also submit feedback to the Blackmagic Design Forums."]},{"l":"Most Popular","p":["Here's a list of the 30 most popular DaVinci Resolve feature requests:","The above list is pulled from our GitHub issues site."]},{"l":"Recently Added","p":["Here's a list of the 30 most recently added DaVinci Resolve feature requests:","The above list is pulled from our GitHub issues site.","Want to contribute? Learn more here!"]}],[{"l":"Contribute","p":["Resolve Cafe is entirely open source and hosted on GitHub.","GitHub is a safe and secure developers platform used by over 73 million users worldwide.","You can make changes to the site by submitting pull requests on GitHub.","We welcome and encourage users submitting their own case studies, articles, products and news items.","You can see all the current contributors here. Everything is tracked and archived on GitHub.","The entire site is written in Markdown, so it's very easy to modify and update without necessarily knowing any HTML or code.","The website is build on Retype, which has a lot of power and flexibility, so you can easily add all kinds of components just using Markdown.","However, if you're not confident using GitHub, you can also email us content here: support@latenitefilms.com"]},{"l":"Our Mission","p":["We want this site to be:","Open: This site will remain open-source on GitHub for anyone to suggest pull requests","Up-to-date & Relevant: We want this site to always be up-to-date and relevant","No bullshit: We want this site to be honest, truthful, useful and professional","Community Driven: This isn't our site, it's \"owned\" by the professional DaVinci Resolve Community","Modern: This site should work great on the latest browsers, including mobile","Fast & Clean: This site should load quickly, and be easy to navigate","No analytics or user tracking: No cookies here!"]},{"i":"advertising--sponsored-content","l":"Advertising & Sponsored Content","p":["We're open to promoting DaVinci Resolve products and services on the front page within the Latest News in a clean and useful way.","For example, here's a sponsored post that could appear on the home page within the Latest News:","DaVinci Resolve Studio Scaling Fix: Fix Scaling issues in DaVinci Resolve Studio for FCPX and Premiere sequences imported via XML and FCPXML. Download Now!","Sponsored posts can just be plain text, with a single link. We don't allow images, videos, or other embedded elements.","If you would like to advertise on Resolve Cafe, please contact us to discuss: support@latenitefilms.com"]},{"i":"whats-a-pull-request","l":"What's a Pull Request?","p":["Imagine you're working with a group of friends on a big school project, and you're all adding different parts to it. Now, you're all using the same master copy of the project, but you're all working separately. When you're ready to add your part to the master copy, you don't just want to plop it in there. You want your friends to check it over, make sure it fits with everything else, and then add it in when they agree it's ready. This way, you ensure that everyone's work meshes well together and the project doesn't become a mess.","A GitHub pull request is basically the same idea. When you're working on a shared codebase, or \"project,\" you often work on your own copy, or \"branch\". When you think your changes are ready to be added to the shared codebase, you make a \"pull request\". This is a proposal that says \"I think these changes I made should be added to our shared project\".","Your teammates then can look over your changes, suggest edits, and finally, if they agree that your changes are good, they \"merge\" them into the shared project. This way, everyone keeps the code clean and organized, and you have a record of who added what and when.","So, in simple terms, a pull request is a way of proposing changes to a shared project and allowing others to review and approve those changes before they're added."]},{"l":"Navigating GitHub","p":["To create the fastest website possible, Resolve Cafe is what's called a \"static site\". It just a collection of HTML files in a folder - nothing fancy.","However, to make sure the website is super easy to update and improve, we use GitHub Actions to \"do stuff\" to our markdown files whenever we submit a pull request.","For example, each time you make a pull request, our fancy GitHub Action does the following:","Looks at all the individual Asset Management in this folder, and generates an alphabetical list of them for the Asset Management page.","Looks at all the individual FAQ in this folder, and generates an alphabetical list of them for the FAQ page.","Looks at all the individual Fusion Templates in this folder, and generates an alphabetical list of them for the Fusion Templates page.","Looks at all the individual News items in this folder, and generates an alphabetical list of them for the Latest News page.","Looks at all the individual Plugins in this folder, and generates an alphabetical list of them for the Plugins page.","Looks at all the individual Sponsors in this folder, and uses them on the Latest News page.","Looks at all the individual Tools in this folder, and generates an alphabetical list of them for the Tools page.","Looks at all the Latest News items and generates an RSS feed","This means, if you want to add a Tool, Fusion Template, or News Item, you can just add a new markdown file in that folder, and once the pull request is approved, everything will be updated automagically."]},{"l":"How to Edit Pages","p":["If you're not already registered with GitHub, create a free account.","There's an Edit this page on GitHub link at the bottom of every page.","Edit this file","You can edit the contents of this page by clicking the link at the bottom of this page.","To make changes simply click the little pencil Edit this file button.","You can then make changes in the text editor using the Markdown syntax. Copying and pasting existing syntax is the best way to get started.","You can learn more about basic formatting here.","Once done click Commit changes. You can enter a message and description for the commit. Press Commit changes again.","You will now be presented with a Open a pull request page.","You can add a title and detailed description to the pull request. Once you're done click Create pull request.","This will send your changes to the Resolve Cafe team to review and approve.","If changes are required, they'll add comments within the pull request.","If you have questions, you can ask them on the Discussions board.","You can also email us here: support@latenitefilms.com"]},{"l":"GitHub Web-based Editor","p":["You can use the github.dev web-based editor to edit files and commit your changes.","Simply replace the .com with .dev on any GitHub URL.","For example to edit this page you can use:","You can learn more here."]},{"l":"External Links","p":["All external links should open in a new tab/window.","The trick is to add {target=_blank} at the end of the link.","Here's an example of how to do this in Markdown:"]},{"l":"Embedded Videos","p":["To keep that site as fast as possible, and free from tracking/cookies, we've decided not to allow embedded videos.","Instead, we'll be posting the Video Thumbnail as a clickable link to the video.","Here's an example of how this looks in Markdown:","You can use this website for download YouTube Thumbnails."]},{"l":"Images","p":["All images should be stored within the /docs/static/ folder on GitHub.","You can find it here."]},{"l":"GitHub Desktop","p":["You can also use GitHub Desktop to essentially \"clone\" the entire Resolve Cafe website to your local machine.","You can then make changes locally, and once done, submit a pull request back to the main GitHub repository.","You can download GitHub Desktop here.","You can then use a text editor like BBEdit to edit your Markdown files on your Mac."]},{"l":"Powered by Retype","p":["Resolve Cafe is powered by Retype and hosted on GitHub Pages.","We've VERY thankful for all the support Retype has given us!","The comments feature at the bottom of every page is powered by giscus."]},{"l":"Contributor Covenant Code of Conduct"},{"l":"Our Pledge","p":["We as members, contributors, and leaders pledge to make participation in our community a harassment-free experience for everyone, regardless of age, body size, visible or invisible disability, ethnicity, sex characteristics, gender identity and expression, level of experience, education, socio-economic status, nationality, personal appearance, race, caste, color, religion, or sexual identity and orientation.","We pledge to act and interact in ways that contribute to an open, welcoming, diverse, inclusive, and healthy community."]},{"l":"Our Standards","p":["Examples of behavior that contributes to a positive environment for our community include:","Demonstrating empathy and kindness toward other people","Being respectful of differing opinions, viewpoints, and experiences","Giving and gracefully accepting constructive feedback","Accepting responsibility and apologizing to those affected by our mistakes, and learning from the experience","Focusing on what is best not just for us as individuals, but for the overall community","Examples of unacceptable behavior include:","The use of sexualized language or imagery, and sexual attention or advances of any kind","Trolling, insulting or derogatory comments, and personal or political attacks","Public or private harassment","Publishing others' private information, such as a physical or email address, without their explicit permission","Other conduct which could reasonably be considered inappropriate in a professional setting"]},{"l":"Enforcement Responsibilities","p":["Community leaders are responsible for clarifying and enforcing our standards of acceptable behavior and will take appropriate and fair corrective action in response to any behavior that they deem inappropriate, threatening, offensive, or harmful.","Community leaders have the right and responsibility to remove, edit, or reject comments, commits, code, wiki edits, issues, and other contributions that are not aligned to this Code of Conduct, and will communicate reasons for moderation decisions when appropriate."]},{"l":"Scope","p":["This Code of Conduct applies within all community spaces, and also applies when an individual is officially representing the community in public spaces. Examples of representing our community include using an official e-mail address, posting via an official social media account, or acting as an appointed representative at an online or offline event."]},{"l":"Enforcement","p":["Instances of abusive, harassing, or otherwise unacceptable behavior may be reported to the community leaders responsible for enforcement at[INSERT CONTACT METHOD]. All complaints will be reviewed and investigated promptly and fairly.","All community leaders are obligated to respect the privacy and security of the reporter of any incident."]},{"l":"Enforcement Guidelines","p":["Community leaders will follow these Community Impact Guidelines in determining the consequences for any action they deem in violation of this Code of Conduct:"]},{"l":"1. Correction","p":["Community Impact: Use of inappropriate language or other behavior deemed unprofessional or unwelcome in the community.","Consequence: A private, written warning from community leaders, providing clarity around the nature of the violation and an explanation of why the behavior was inappropriate. A public apology may be requested."]},{"l":"2. Warning","p":["Community Impact: A violation through a single incident or series of actions.","Consequence: A warning with consequences for continued behavior. No interaction with the people involved, including unsolicited interaction with those enforcing the Code of Conduct, for a specified period of time. This includes avoiding interactions in community spaces as well as external channels like social media. Violating these terms may lead to a temporary or permanent ban."]},{"l":"3. Temporary Ban","p":["Community Impact: A serious violation of community standards, including sustained inappropriate behavior.","Consequence: A temporary ban from any sort of interaction or public communication with the community for a specified period of time. No public or private interaction with the people involved, including unsolicited interaction with those enforcing the Code of Conduct, is allowed during this period. Violating these terms may lead to a permanent ban."]},{"l":"4. Permanent Ban","p":["Community Impact: Demonstrating a pattern of violation of community standards, including sustained inappropriate behavior, harassment of an individual, or aggression toward or disparagement of classes of individuals.","Consequence: A permanent ban from any sort of public interaction within the community."]},{"l":"Attribution","p":["This Code of Conduct is adapted from the Contributor Covenant, version 2.1, available at https://www.contributor-covenant.org/version/2/1/code_of_conduct.html.","Community Impact Guidelines were inspired by Mozilla's code of conduct enforcement ladder.","For answers to common questions about this code of conduct, see the FAQ at https://www.contributor-covenant.org/faq. Translations are available at https://www.contributor-covenant.org/translations."]}]]
\ No newline at end of file
+[[{"i":"#","p":["Resolve Cafe is a technical community for professional DaVinci Resolve editors."]},{"l":"Latest News","p":["Resolve Cafe is a technical community for professional DaVinci Resolve editors.","Learn more about RSS Feeds here."]},{"i":"make-resolve-cafe-your-home-page","l":":icon-bookmark: Make Resolve Cafe your Home Page","p":["Click Enter a URL. Then, type: https://resolve.cafe.","Click the General tab.","Click Yes.","Drag this tab to the Home button, then release.","If you have a current homepage: Next to the URL, click X.","In the menu bar on the top of your browser, click Tools.","In the top left corner of your screen, select Safari and then Preferences and then General.","In the top right corner of your computer's browser, click More icon and then Settings.","In the upper right corner of your browser, select the More icon and then Settings.","Next to Homepage enter: https://resolve.cafe.","Next to New windows open with and New tabs open with, select Homepage.","Select Internet Options.","Select your current homepage, then, enter: https://resolve.cafe.","Under \"Home page,\" enter: https://resolve.cafe, click OK and restart your browser.","Under Appearance, turn on Show home button.","Under Set your homepage, click the Down arrow and then A specific page or pages."]},{"l":"2023"},{"l":"July"},{"l":"21st July 2023","p":["DaVinci Resolve 18.5 final release is now available!","It's a massive update with over 100 new features including text based editing, AI dialogue transcription, new cut page editing toolset and new Fairlight mix automation.","You can download here.","Want to contribute or advertise? Learn more here!"]},{"l":"June"},{"l":"22nd June 2023","p":["Marker Toolbox v1.2.0 is out now! It has some awesome new features:","Adds Resolve EDL Export","Allows you to apply Markers to Clips from Final Cut Pro","Adds support for Frame.io's FIOJSON files","You can learn more here.","At Moodlab, we’re rethinking the colour pipeline. Click here to learn more!"]},{"l":"18th June 2023","p":["Russ Hughes has written a great blog post titled: I Ignored Davinci Resolve - I Was Wrong.","It explains why he jumped from Final Cut Pro to DaVinci Resolve for editing, from a sound designers perspective.","You can read here.","DaVinci Resolve Studio Scaling Fix: Fix Scaling issues in DaVinci Resolve Studio for FCPX and Premiere sequences imported via XML and FCPXML. Download Now!"]},{"l":"15th June 2023","p":["A few new features, and a bunch of bug fixes, especially for those on macOS Ventura.","BorisFX has a really interesting new case study on their blog - The Last Of Us: Wylie Co.’s Motion Tracking Journey with Mocha Pro.","CommandPost v1.4.18 is out now!","DaVinci Resolve 18.5 Beta 4 is now available as a free download.","DaVinci Resolve 18.5 Beta 4 is out now!","For DaVinci Resolve Studio users, the beta release includes support for transcribing both traditional and simplified Mandarin. Moreover, it enhances vertical video resolution during remote monitoring, providing superior quality vision while securely streaming footage to an offsite director or client.","Jonny Elwyn has some great summaries here:","Master Filmmakers on the Craft of Film Editing","Masterclass All-Access Pass Reviewed","MasterClass is currently having a 50% off sale for Fathers Day.","Our good friends at fxguide have a great new blog post - Apple M2 Studio Learns Nuke Machine Learning.","The author, Mike Seymour, is one of the smartest and best educators in the entire film industry, period.","The software update brings several scripting API enhancements for track and timeline management. This allows users to write scripts to automate frequent functions, such as placing and replacing visual effects on the DaVinci Resolve timeline. The result is an accelerated post-production process with fewer errors.","The update also introduces support for Blackmagic RAW 3.2, alongside numerous bug fixes and general performance and stability enhancements.","There's lots of great training for filmmakers and video editors.","Tight. Terse. Terrific. Bim. Bam. Boom.– Cut/daily reader Post Production insight delivered to your inbox. Sign up for free at Cut/daily.com","Today, the release of the public beta 4 of DaVinci Resolve 18.5 was announced, boasting additional improvements to the prior DaVinci public beta, including enhanced control over subtitle export. This update ensures that only activated subtitles are included in the render, subsequently displayed on the export. The update also guarantees greater system stability when displaying clip handles in the color page, thereby facilitating a smoother grading process.","You can download and learn more here.","You can learn more and download here.","You can read more here."]},{"l":"13th June 2023","p":["The amazing Philip Hodgetts from Intelligent Assistance has written an excellent blog post on Generative AI Devalues Experience here.","There's an interesting article over at arstechnica:","“Clearly predatory”: Western Digital sparks panic, anger for age-shaming HDDs","At Moodlab, we’re rethinking the colour pipeline. Click here to learn more!"]},{"l":"8th June 2023","p":["Michael Kammes has written a great article on Empowering Creatives: The Future of Creativity and Collaboration in the M&E Industry.","DaVinci Resolve Studio Scaling Fix: Fix Scaling issues in DaVinci Resolve Studio for FCPX and Premiere sequences imported via XML and FCPXML. Download Now!"]},{"l":"6th June 2023","p":["Below are some of the relevant highlights for Final Cut Pro editors.","DaVinci Resolve will run on Vision Pro out-of-the-box. No word yet on Final Cut Pro support.","First up, the new Mac Pro:","Here's a 17 big & little things at WWDC23.","Iain Anderson has also written Apple Vision Pro revealed at WWDC over at ProVideo Coalition.","It's USD$3499 and \"available early next year in the U.S\".","NeoFinder 8.4.1 is another free update for all customers with a NeoFinder 8.x license.","NeoFinder 8.4.1 is out now. This is a bugfix release that contains two fixes for the Smart Folders, and one fix when searching hierarchical keywords.","NeoFinder 8.x is a paid upgrade for NeoFinder 6.x, NeoFinder 7.x, and CDFinder customers.","Premiere Gal is giving away USD$10,000 worth of Video Gear!","Purchase a Ninja V, Ninja V+, Shogun Connect, Sumo 19SE or Shogun Studio 2 before the end of June 2023 to receive a FREE Assimilate Play Pro Studio license worth US$299 when registering your product. Existing registered owners quality for an exclusive price of USD$99.","There's the new 15-inch MacBook Air:","There's the new M2 Ultra.","There's the new macOS Sonoma:","There's the new Vision Pro.","Tight. Terse. Terrific. Bim. Bam. Boom.– Cut/daily reader Post Production insight delivered to your inbox. Sign up for free at Cut/daily.com","WWDC time!","You can learn more about the new MacPro here.","You can learn more about Vision Pro here.","You can learn more here.","You can watch the entire WWDC Keynote here."]},{"l":"5th June 2023","p":["It's a month old, but for those that might have missed it, there's an awesome YouTube video that showcases the Audio Design Desk v2.0 Beta.","Audio Design Desk is to audio software what Pro Tools was to the tape machine. It’s an entirely new breed of Digital Audio Workstation that artists can play like an instrument, revolutionizing the process of adding music and sound effects to picture and cutting down what can typically be a full day project to just a few minutes. It comes bundled with 75,000 sounds embedded with patent-pending Sonic Intelligence™, using AI-assisted content creation tools to enable filmmakers, sound designers, composers, and creators to produce cinema-quality compositions at the speed of thought, giving them a level of creative control that is unmatched by any other software.","You can learn more about Audio Design Desk here.","At Moodlab, we’re rethinking the colour pipeline. Click here to learn more!"]},{"l":"3rd June 2023","p":["In this video series, Igor Riđanović will be demonstrating proof-of-concept OpenAI GPT and DaVinci Resolve integrations, starting with a virtual Resolve assistant.","Imagine having all the information you need right at your fingertips within Resolve itself. No more switching between Facebook, Blackmagic Forum, or other platforms. Just ask your questions directly in Resolve.","Igor would love to hear your thoughts on this integration. Are there other GPT AI use cases you'd like to see in Resolve?","DaVinci Resolve Studio Scaling Fix: Fix Scaling issues in DaVinci Resolve Studio for FCPX and Premiere sequences imported via XML and FCPXML. Download Now!"]},{"l":"1st June 2023","p":["Alteon.io has announced that Brian Meaney will now be their new Head of Product. He brings more than two decades of experience from Apple and Magic Leap. Brian will direct product development and UX for their entire ecosystem.","You can learn more here.","Tight. Terse. Terrific. Bim. Bam. Boom.– Cut/daily reader Post Production insight delivered to your inbox. Sign up for free at Cut/daily.com"]},{"l":"May"},{"l":"31st May 2023","p":["Colourlab Ai is having a Spring Flash Sale! Up to 50% Off on Our Color Grading Software - Only 48 Hours Left!","Spring is in the air, and so are the savings!","Here's what's on offer:","Colourlab Ai Studio Annual License: Get a whopping 50% off on their Colourlab Ai Studio Annual License. This brings the cost of Colourlab Ai, Look Designer Plugin, and Grainlab Plugin down to just $249. That's less than the cost of a single plugin! Considering the combined value of all three applications is over $1000, this is a massive saving. Use the code springstudio50 to take advantage of this offer. Look Designer Perpetual Licenses: Colourlab Ai is offering a 30% discount on their Look Designer Perpetual Licenses. This means you can own Look Designer forever for just $349. Look Designer 3.0 for Davinci and Premiere runs on both Mac and PC and is the perfect companion for creating X01 files, Look Design, Look Testing, EL Zones, and Full Color Management. Use the code springlook30 to avail this offer.","Buy Colourlab Ai Studio here.","Buy Look Designer Perpetual here.","A new batch of nOb controllers is now available! You can order here.","At Moodlab, we’re rethinking the colour pipeline. Click here to learn more!"]},{"l":"30th May 2023","p":["Following on from the interest in FCP Cafe, Chris at LateNite has thrown together this site to be a new \"home page\" and community for professional editors using DaVinCi Resolve.","We want this site to be:","Open: This site will remain open-source on GitHub for anyone to suggest pull requests","Up-to-date & Relevant: We want this site to always be up-to-date and relevant","No bullshit: We want this site to be honest, truthful, useful and professional","Community Driven: This isn't our site, it's \"owned\" by the professional DaVinci Resolve Community","Modern: This site should work great on the latest browsers, including mobile","Fast & Clean: This site should load quickly, and be easy to navigate","No analytics or user tracking: No cookies here!","This is still very much a work-in-progress, and we'll be adding content gradually over the coming weeks and months.","DaVinci Resolve Studio Scaling Fix: Fix Scaling issues in DaVinci Resolve Studio for FCPX and Premiere sequences imported via XML and FCPXML. Download Now!"]},{"l":"29th May 2023","p":["Chris at LateNite has updated the pricing for BRAW Toolbox, Gyroflow Toolbox& Marker Toolbox.","BRAW Toolbox is now 79.99 in your local currency (i.e. AUD79.99, USD79.99, CAD79.99).","Marker Toolbox is now 19.99 in your local currency (i.e. AUD19.99, USD19.99, CAD19.99).","Gyroflow Toolbox is now 4.99 in your local currency (i.e. AUD4.99, USD4.99, CAD4.99).","Their upcoming apps will have the same pricing model:","Recall Toolbox is now 29.99 in your local currency (i.e. AUD29.99, USD29.99, CAD29.99).","Transfer Toolbox is now 4.99 in your local currency (i.e. AUD4.99, USD4.99, CAD4.99).","However, for example, if your country doesn't have an equivalent of 4.99 (i.e. Rp89,000 in Indonesia), it will default to a USD$4.99 equivalent.","Transfer Toolbox is currently waiting for approval on the Mac App Store, but you can download from TestFlight.","Recall Toolbox is currently on TestFlight, and will hopefully be submitted to the Mac App Store by the end of this week for review.","Tight. Terse. Terrific. Bim. Bam. Boom.– Cut/daily reader Post Production insight delivered to your inbox. Sign up for free at Cut/daily.com"]},{"l":"27th May 2023","p":["Hedge are on the lookout for passionate beta users to help shape the future of Hedge products (like Hedge, PostLab& EditReady). If you think you have what it takes and would like to join, sign up here.","At Moodlab, we’re rethinking the colour pipeline. Click here to learn more!","Want to contribute or advertise? Learn more here!"]}],[{"l":"LateNite Technology","p":["This website has been thrown together by Chris Hocking at LateNite.","Constantly looking for ways to innovate, LateNite is as passionate about production and post production as it is storytelling. Their pursuit of creative excellence has seen them work closely with global cinematic technology companies to craft post workflow solutions and critically celebrated software in-house."]},{"l":"In Development","p":["Here's a sneak peak of some of the things we have in development.","Exact shipping dates may vary, as all these ideas are still in active development, and subject to things like TestFlight & App Store approval, etc."]},{"l":"Timecode Toolbox","p":["ETA: July 2023","We're spinning out the Sony Timecode Repair Toolbox from CommandPost and making it a standalone app.","In addition to the current functionality, you'll also be able to modify the original camera files to add Final Cut Pro friendly timecode."]},{"l":"Metadata Toolbox","p":["ETA: August 2023","Metadata Toolbox is a Workflow Extension that allows you to drag in a project, select burn-in metadata options, then drag a Compound Clip back to the timeline with all the metadata as titles."]},{"l":"RAW Toolbox","p":["ETA: September 2023","Following in the footsteps of BRAW Toolbox, RAW Toolbox will initially add Nikon N-RAW support to Final Cut Pro."]},{"l":"Import Toolbox","p":["ETA: October 2023","Import Toolbox will be a Workflow Extension that allows you to import files with better metadata and preset controls (i.e. clip volume).","We will also be spinning out the Watch Folders from CommandPost and moving them into this app."]},{"l":"Assistant Toolbox","p":["ETA: November 2023","Assistant Toolbox will be a Workflow Extension that spins out Titles to Keywords and Auto Sequence from CommandPost.","It'll include various improvements and enhancements to make the job even easier for Assistant Editors working on long-form feature film projects."]},{"l":"Magic Toolbox","p":["ETA: December 2023","Magic Toolbox is our first Machine Learning experiment.","You'll be able to add titles to the timeline, to trigger Machine Learning actions such as:","SUBTITLES- Analyses the audio and adds subtitles","NARRATION- Turns text into speech in a narration tone","VOICE- Turns text into speech based on your description","GRADE- Adds Color Effects based on your description","MUSIC- Adds stock music or machine learning generated music based on your description","SFX- Adds sound effects from places like FreeSound.org","VIDEO- Adds machine learning generated video based on your description","Magic Toolbox will use existing services like ChatGPT and ElevenLabs- and it'll be BYO API Key."]},{"l":"TestFlight","p":["Here's some of our projects still in active development, awaiting Mac App Store approval:"]},{"l":"Recall Toolbox","p":["Recall Toolbox is a Final Cut Pro Workflow Extension that acts as a Shared Pasteboard.","Anything that you can copy and paste in Final Cut Pro, Recall Toolbox can store."]},{"l":"Build for Final Cut Pro","p":["There are third party tools like the amazing Copy 'Em ​(for Mac), but they're not quite as visual as Recall Toolbox, and they're not built from the ground up for Final Cut Pro users.","Recall Toolbox works as a Final Cut Pro Workflow Extension, so it's window position gets saved with your custom Workspaces.","Whilst CommandPost has had a Shared Pasteboard & Pasteboard Buffers for years, it's really optimised for Control Surfaces. You can access the Shared Pasteboard from the CommandPost menubar, and it is super powerful, but it's not as visual - you just get text, not a fully customisable thumbnail.","Recall Toolbox feels like a natural extension to Final Cut Pro, with a similar look and feel to Final Cut Pro's Effects Browser."]},{"l":"iCloud Sync","p":["Recall Toolbox automatically syncs to ALL your devices on the same iCloud account automagically!"]},{"l":"iCloud Sharing","p":["You can share folders with other iCloud users, and control permissions. For example, you could have a \"read only\" folder that contains client logos for a current job!"]},{"l":"Free Apps","p":["Here's some of our free tools used by professional editors worldwide:"]},{"l":"CommandPost","p":["CommandPost is a free and open source macOS application that bridges between control surfaces and software that doesn’t support them natively, such as Apple’s Final Cut Pro and Adobe’s After Effects.","It’s been downloaded over 163 thousand times, and there are over 2.6 thousands members in our Facebook Community.","It’s been translated into Arabic, Bengali, Catalan, Chinese (Simplified & Traditional), Danish, Dutch, French, German, Greek, Hindi, Hungarian, Italian, Japanese, Korean, Malayalam, Norwegian, Panjabi/Punjabi, Polish, Portuguese, Russian, Spanish, Swedish, Ukrainian & Vietnamese by our awesome community.","It’s used by filmmakers, developers, scientists and macOS power users all over the world to seriously speed up mundane tasks through powerful and customisable automation tools.","For example, you can apply individual effects within Final Cut Pro or After Effects with the single tap of a button.","Powered by Lua(the same scripting language used by Blackmagic Fusion, Adobe Lightroom and even parts of Apple iOS), it's insanely customisable and powerful.","It runs natively on Apple Silicon and is fully compatible with Hammerspoon.","You can listen to Chris explain CommandPost on Final Cut Pro Radio Episode #57 and Episode #43."]},{"l":"User Quotes","p":["“ Titles to Keywords is a huge timesaver when editing complex scenes. Couldn’t live without it anymore. And directors love that every delivery of any line from any take is just one click away! ” Knut Hake- Editor on Netflix's Blood Red Sky","“ CommandPost and FCP are so intertwined on my day to day that I see them as one app! ” Marcos Castiel BFE- Editor on Netflix's Turn of the Tide","“ Command Post started as a FCPX utility but it goes further than that. You can use it to map almost any function to supported hardware devices to work with any app like a BMD Speed Editor and Avid Media Composer! ” Marc Bach- Editor & Colourist","“ Chris's support is the best you will find anywhere on the planet. He was proactive and able to implement features for me on the spot. 5 STAR product 5 STAR support. ControllerMate is what I used to use. CommandPost is faster and easier. ” Ross Batten- Senior Sound Designer (ProTools)","“ Search Console is like Spotlight on steroids. It can quickly find and execute any obscure command, NLE and OS-wide, fire up keyboard makros (scripts), and especially, find and place Effects and Effect Templates, directly onto selected clips in my FCP timeline. It constantly saves me clicks. ” Florian Duffe- Editor","“ CommandPost is so many things for so many people. For me it is a Final Cut Pro automation system that unlocks hidden features and uniquely supports advanced workflows. CommandPost’s secret weapon? Deep connections with the postproduction community which mean that it constantly improves as the needs of editors and post professionals evolve. ” Alex ‘4D’ Gollner- Motion Template Creator","“ Chris, you have no idea how helpful your Titles to Keywords toolbox has been on our latest production. Without the toolbox these 2-3 hour long timelines (around 900 keywords) would have been nearly impossible to tag with the FCP built in way. It's very long scenes with around 50 lines of text for all characters. ” Sam Pluemacher- Assistant Editor on Netflix's Blood Red Sky","“ As someone who doesn’t like clicking to do things, CommandPost makes my work much more likeable! ” Oli Frost- Editor","“ CommandPost supports my Loupedeck, Stream Deck and Razer devices with advanced Final Cut Pro integrations. Eliminating the need for multiple apps and reducing complexity. ” Sam Pluemacher- Assistant Editor on Netflix's Blood Red Sky","“ CommandPost is the first thing you should install If you like to tinker. This genius app extends Final Cut Pro in all kinds of ways, enabling advanced workflows, automation, and even integration with external hardware such as MIDI controllers. Recommended. ” Iain Anderson- Author of Final Cut Pro Efficient Editing","[UNRESOLVED PARTIAL]"]},{"l":"App Store","p":["Here's some of our products currently for sale on the Mac App Store:"]},{"l":"BRAW Toolbox","p":["BRAW Toolbox allows you to import Blackmagic RAW files directly into Final Cut Pro without transcoding.","No more waiting. No more transcoding. No more massive ProRes files.","Save hours of time, and terabytes of storage!","The BRAW Toolbox Workflow Extension allows you to prepare all of your footage prior to import. You can easily and quickly change all the RAW parameters, and copy and paste settings from different BRAW clips. You can even save and restore Presets that contain specific parameters, saving time for example, if you always use the same Gamut & Gamma.","Once imported into Final Cut Pro, you can still modify the RAW parameters at any time.","You can even keyframe the ISO, Exposure, Color Temp, Tint and Custom Gamma Controls!","BRAW Toolbox comes with a Metadata View that allows you to view every piece of BRAW Metadata directly within the Final Cut Pro Inspector.","There are automatic Decode Quality options for both HD and UltraHD projects, and you can also work at a low Decode Quality, then apply a \"Global Setting\" to force Full Quality prior to exporting - meaning you never have to worry about creating proxies for performance. BRAW Toolbox gives you complete freedom and flexibility.","You can also use the Workflow Extension to send your project/timeline to DaVinci Resolve for grading - all using BRAW files directly from the camera!","BRAW Toolbox requires Final Cut Pro 10.6.5 or later."]},{"l":"User Reviews","p":["This developer did what Apple Couldn't/Wouldn't This app is a great solution to a common problem Final Cut Pro users have: getting Blackmagic Raw footage into the app. At first it might seem like a bizarre workaround, but you only have to go through the process of setting it up once, and then you can easily import your Blackmagic footage right into FCP. Honestly, from that point on it works so incredibly well that I really struggle to understand why Apple has made it so difficult. Except it's not difficult, not anymore. This is great software: a small developer solving a problem that a big one (Apple) can't. That's innovation, my friends.","moosefuel – Feb 3, 2023 (Apple App Store Review)","The tool we have dreamed of is here. For lovers of Final Cut Pro who have struggled with the endless BRAW proxy XML loop, this is a dream come true. BRAW natively inside Final Cut. Controls for RAW adjustments at your fingertips. Is it the full Resolve interface? No, doesnt need to be, Between BRAW ToolBox and FCP, most edits can be done natively without ever having the leave the Final Cut NLE. If you shoot any BRAW camera, this is the best of both worlds if you live in the FCP ecosystem. Thank you latenightfilms team for this, its a huge step forward and a wonderful plugin.","Chasing Photography – May 16, 2023 (Apple App Store Review)","Perfect! Just perfect.","Viaswage – Feb 18, 2023 (Apple App Store Review)","Great! Love this! thank you!","NarimanGafurov – Feb 6, 2023 (Apple App Store Review)","UMMMMMM THANK YOU, YOU'RE A GENIUS I've needed this for years!!!!!! You are a genius and this is incredible!!! Thank you so much!!! No clue how BM never made this.","gordonfromvan – Feb 4, 2023 (Apple App Store Review)","I've been waiting for this! I can finally use my two Blackmagic cameras and shoot in BRAW. As a Final Cut Pro editor, I'm really excited. The app is working great! I really appreciate the team at LateNite for all the hard work it took to get this up and running. Well worth the money to be able to handle BRAW seamlessly. Scott_Hartman – Feb 2, 2023 (Apple App Store Review)","Boom! Such an amazing plugin and works fantastic! Grant Digital Sky – Feb 2, 2023 (Apple App Store Review)","Absolutely Amazing. Solves a massive problem and works beautifully! Jmurphy8503 – Jan 31, 2023 (Apple App Store Review)","The impossible made possible. Amazing to work natively with BRAW in my favourite editor. Thank you! MadMitch1993 – Jan 30, 2023 (Apple App Store Review)"]},{"l":"Gyroflow Toolbox","p":["Gyroflow Toolbox allows you to import Gyroflow Projects into Final Cut Pro.","Gyroflow is a free and open source third-party application that can stabilise your video by using motion data from a gyroscope and optionally an accelerometer. Modern cameras record that data internally (GoPro, Sony, Insta360 etc), and Gyroflow stabilizes the captured footage precisely by using them. It can also use gyro data from an external source (eg. from Betaflight blackbox).","Gyroflow Toolbox allows you to take the stabilised data from Gyroflow and use it within Final Cut Pro as an effect, so you don't have to export a ProRes from Gyroflow!","You can even use this in conjunction with BRAW Toolbox (also on the App Store), to stabilise Blackmagic RAW files!","None of this would be possible without the incredible Gyroflow project and the incredibly help and support from their main developer, AdrianEddy."]},{"i":"user-reviews-1","l":"User Reviews","p":["Nice product! Thank you Chris!","NarimanGafurov – Feb 6, 2023 (Apple App Store Review)","The Best Way to Stabilize Pro Res RAW I record both internally and externally with an Atomos Ninja, on my FX3 with the end goal of delivering HDR. I record internal to capture Gyroscopic data that my FX3 records. This allows me to Use GryoFlow, and Thus GryoFlow Toolbox to stabilize Pro Res RAW footage. This tool has made it possible, and works awesomely. I highly recommend this tool it will help immensely.","Tydar94 – Jan 27, 2023 (Apple App Store Review)"]},{"l":"Marker Toolbox","p":["Marker Toolbox allows you to import Vimeo CSV, Wipster CSV, Dropbox Replay JSON & Email Comments into Apple's Final Cut Pro via a handy Workflow Extension.","You can also OPTIONALLY use OpenAI's ChatGPT to help translate email comments into markers using your own personal OpenAI API key!","If you use Vimeo Review pages or Wipster to share video edits with clients to consolidate feedback, you can simply export a CSV file from Vimeo or Wipster, and drag it into the Workflow Extension to convert the comments into Markers within Final Cut Pro. It's fast and easy!","Dropbox Replay works exactly the same way, except Marker Toolbox will also import any drawn annotations!","Similar to Frame.io's Workflow Extension, the markers come in as a Compound Clip, that you can then \"break apart\" so that the markers are attached to the clips in your Primary Storyline, meaning that your clients comments stay in the correct position as you make revisions to the edit. For each marker, there's also a title, so that you can easily visually see the comments right in your Viewer - this is great if you need to export an edit with all your client feedback \"burnt\" into the export.","Replies and the date the comment was added can be included in the Marker names. It also takes \"resolved\" comments in Vimeo, Wipster & Dropbox Replay, and marks them as \"completed\" in Final Cut Pro!","You can also easily copy and paste client feedback from emails into the Workflow Extension. In most cases, you can use the \"Process Comments Locally\" button to use a custom-built algorithm that converts each line of text into a comment. However, you can also the power of OpenAI's ChatGPT to help translate more complicated feedback into markers. You can customise the ChatGPT prompt, and also pick the ChatGPT Model. You supply your own OpenAI API key, giving you full control.","This can be a MASSIVE time saver, as you can simply copy and paste a long list of email comments, and ChatGPT will do the work to convert them into easy-to-read Final Cut Pro markers, that you can then easily navigate via the Timeline Index.","Marker Toolbox requires Final Cut Pro 10.6.5 or later."]},{"i":"user-reviews-2","l":"User Reviews","p":["I’ve been absolutely flatout while working in Thailand. Wipsters has been been great, helping me manage projects and reviewers across four countries. Stoked Marker Toolbox can send Wipster notes straight into #fcpx","Alister Robbie via Twitter","Excellent addition to FCP This is a great tool. I have my clients make notes on Vimeo, and Marker Toolbox lets me download a .csv of those comments and create markers on the FCP project/timeline at the proper locations, with notes visible and that will follow the clips as I move them. Once downloaded and installed it's easy. Downloading the .csv and running it through Marker Toolbox and adding the Markers to the project/timeline takes less than a minute, then you're ready to go. Really great find!","Robert heinlein's son – May 31, 2023 (Apple App Store Review)","Amazing simple I wanted an app like this since I started editing. Now for the first time I can process the comments I get via an e-mail on an edit from the start and not, as I usualy do, begin at the end of the edit and work backwards.","Blazy – Apr 6, 2023 (Apple App Store Review)"]}],[{"i":"new-to-davinci-resolve","l":"New to DaVinci Resolve?","p":["If you're brand new to DaVinci Resolve- this is the place for you!","Want to contribute? Learn more here!"]}],[{"l":"Cut on DaVinci Resolve","p":["This page is dedicated to listing all the amazing projects edited on DaVinci Resolve.","DaVinci Resolve has been used for the color grading and/or editing of feature films such as Alien: Covenant, Avatar, Best of Enemies, Deadpool 2, Jason Bourne, Kingsman: The Golden Circle, La La Land, Love & Mercy, Pirates of the Caribbean, Prometheus, Robin Hood, Spectre, Star Wars: The Last Jedi, and X-Men: Apocalypse.","DaVinci Resolve and Blackmagic Design hardware were used to create five of the eight 2019 Oscar nominated best picture films including Bohemian Rhapsody(most awards), The Favourite(most nominations), Roma(most nominations), Green Book(won Best Picture) and Vice. Additionally, DaVinci Resolve and Blackmagic Design hardware were used to create thirteen 2018 Oscar nominated films, as reported by Broadcasting & Cable, nine 2017 Oscar nominated films, according to The Broadcast Bridge, seven 2016 Oscar nominated films, based on information from INDIE Shooter, four 2014 Oscar nominated films, as stated by Broadcast Beat, and four 2010 Oscar nominated films (two for Best Picture), as mentioned on Businesswire.","20 films at the 2015 Sundance Film Festival leveraged DaVinci Resolve, source, followed by 35 in 2016, source, over 45 in 2017, source, over 55 in 2018, source, and over 35 in 2019, source.","Presence of films created with Resolve at other film festivals includes the 2018 Austin Film Festival(over 25 films), source, the 2014 Cannes Film Festival(three films), source 1, source 2, the 2015 Cannes Film Festival(21 films), source, the 2019 Tribeca Film Festival, source, and the 2016 and 2017 South by Southwest festivals, source 1, source 2.","DaVinci Resolve has also been used in the restoration of classic films, such as Les Misérables, Spartacus, Black Like Me, Jamaica Inn, and The Perfect Woman.","DaVinci Resolve software has been used in television shows including 2 Broke Girls, American Horror Story, Arrow, Ash vs Evil Dead, The Big Bang Theory, Criminal Minds, Daredevil, The Flash, Gotham, How To Get Away With Murder, The Last Man on Earth, Lethal Weapon, The Man in the High Castle, The Mentalist, The Muppets, NCIS: Los Angeles, Orphan Black, Portlandia, Sons of Anarchy, Supernatural, The Walking Dead, and Westworld.","The software has also been used in the creation of television shows which have received Emmy Awards, such as Game of Thrones and Modern Family. Source: HBO's 'Game of Thrones' Graded with DaVinci Resolve Studio by Chainsaw's Joe Finley, Modern Family Graded with DaVinci Resolve","More than 55 of the 2018 fall television and streaming series relied on Blackmagic Design software and hardware, including DaVinci Resolve.","DaVinci Resolve has also been used during the creation of other media, such as music videos, New Steve Vai VFX Heavy Music Video Completed Entirely with DaVinci Resolve 15 and URSA Mini Pro, Ntropic Completes Alright for Kendrick Lamar, advertisements, DaVinci Resolve Studio Used to Deliver a Dynamic Edit For Corona Commercial, Ford F‑150 and Big Block use DaVinci Resolve Studio on New 2018 Campaign, concert production, Blackmagic Studio Camera 4K Used on Panic! at the Disco and Weezer Concert Tour, Sir Elton John Toured \"All the Hits\" with Blackmagic, and online media URSA Mini 4.6K and DaVinci Resolve Studio Used on Stunning National Parks Short Film Series.","If there's something missing, please let us know."]},{"l":"Success Stories","p":["If you have something to add here, let us know!"]},{"i":"awards--nominations","l":"Awards & Nominations","p":["If you have something to add here, let us know!"]},{"l":"Filmmakers using DaVinci Resolve","p":["If you have something to add here, let us know!"]},{"l":"YouTubers using DaVinci Resolve","p":["If you have something to add here, let us know!"]},{"l":"Feature Films"},{"l":"Drama","p":["Alone With You (2022)","The Killing of Two Lovers (2020)","Billion Coward (2020)","This Is Not a Burial, It's a Resurrection (2020)","Quezon’s Game (2019)","The Oath (2018)","Bug KookJe Go Inter (2017)"]},{"l":"Documentary","p":["Power Play: Transforming Australia's biggest climate polluter (2023)","5 Doors - Collingwood Yards (2022)","Everest VR: Journey to the Top of the World (2020)"]},{"l":"Television"},{"l":"Television Series","p":["The Game (2023)","Quatsch Comedy Club (2020)","Stage Mums (2019)","Half-Life (2018)","Maturity (2018)"]},{"l":"Television Specials","p":["The S.P.A.A.C.E. Program (2017)"]},{"i":"broadcast-news--sports","l":"Broadcast News & Sports","p":["If you have something to add here, let us know!"]},{"l":"Short Films","p":["If you have something to add here, let us know!"]},{"l":"Online Series","p":["Once Upon a Time in Chinatown (2021)","Angkringan (2021)"]},{"l":"Music Videos","p":["Tones and I - Won’t Sleep (2021)","Tones and I - Dance Monkey (2020)"]},{"l":"Television Commercials","p":["Mountain Goat - You Can’t Tame A Goat (2021)"]},{"i":"corporatebrand-spots","l":"Corporate/Brand Spots","p":["If you have something to add here, let us know!","If there's something missing, please let us know."]}],[{"l":"Bug Tracker","p":["This page is dedicated to keeping track of the latest DaVinci Resolve bugs and issues.","We keep track of these bugs via our GitHub issues site.","GitHub is a safe and secure developers platform used by over 73 million users worldwide.","To submit a new bug report, simply sign up for a free GitHub account and post an issue here.","In general, whenever posting a new bug/issue to GitHub, we also submit feedback to the Blackmagic Design Forums."]},{"i":"davinci-resolve-185","l":"DaVinci Resolve 18.5","p":["Here's a list of the 30 most recently added DaVinci Resolve 18.5 bug reports:","The above list is pulled from our GitHub issues site."]},{"l":"Most Popular","p":["Here's a list of the 30 most popular DaVinci Resolve bug reports:","The above list is pulled from our GitHub issues site."]},{"l":"Recently Added","p":["Here's a list of the 30 most recently added DaVinci Resolve bug reports:","The above list is pulled from our GitHub issues site.","Want to contribute? Learn more here!"]}],[{"l":"Troubleshooting","p":["This page is dedicated to getting help and support for DaVinci Resolve.","You can also ask members of the Resolve Cafe community for help on our Discussions page.","Something missing? Make a suggestion!"]}],[{"l":"Frequently Asked Questions","p":["This page is dedicated to answering the most common questions about DaVinci Resolve.","You can use the Search Tool at the top right of this page to search the FAQ.","Something missing or have a question? Learn more here!"]},{"l":"P"},{"l":"Placeholder","p":["This is just a placeholder.","Something missing or have a question? Learn more here!"]}],[{"l":"Release Notes","p":["This page is designed to not just copy and paste DaVinci Resolve's offical release notes, but also keep track of changes/bugs/additions that weren't actually included in the official release notes.","You can find the official release notes here.","Want to contribute? Learn more here!"]}],[{"l":"iPad","p":["This section is dedicated to DaVinci Resolve for iPad.","Want to contribute? Learn more here!"]}],[{"l":"Articles","p":["This section of the site is dedicated to linking to great external articles, as well as providing a space to write Resolve Cafe specific articles.","Want to contribute? Learn more here!"]},{"l":"Useful Articles","p":["How to Deal with Levels: Full vs. Video","Fusion Color Management"]},{"i":"frameio-blog","l":"Frame.io Blog","p":["The Frame.io Blog has lots of great articles."]}],[{"l":"History","p":["DaVinci Resolve, renowned today for its prowess in color grading, visual effects, audio post-production, and video editing, was not always the versatile powerhouse we know. Its journey, from a specialized color correction tool to a comprehensive post-production solution, is a testament to continuous innovation and dedication to providing accessible, professional-grade tools for creators worldwide.","In the early 2000s, the Florida-based company da Vinci Systems developed the first iterations of what would become DaVinci Resolve. Known then simply as \"da Vinci Resolve,\" these initial versions were resolution-independent software tools designed for color correction and visual effects. The system, launched in 2004, was initially available in three configurations: Resolve DI for digital intermediate color correction, Resolve FX for visual effects, and Resolve RT for 2K resolution processing. These versions were designed to integrate exclusively with dedicated hardware controllers. Parallel processing was used to support performance during color grading, a task initially carried out using proprietary hardware cards. By 2008, these cards were replaced by CUDA-based NVIDIA GPUs in the 4K resolution Resolve R series​1​.","In 2009, the Australian technology company Blackmagic Design acquired da Vinci Systems, retaining and expanding the engineering team for Resolve while discontinuing support-based contracts for the tool. Blackmagic Design's CEO, Grant Petty, speculated that the price of Resolve could be significantly reduced, potentially below $100,000. This marked a significant turn in the software's journey, ushering in an era of more accessible pricing and wider distribution​​.","Blackmagic Design dramatically reshaped Resolve's pricing model in 2010. At the NAB 2010 show in Las Vegas, they announced three new pricing models for Resolve. A software-only macOS version was introduced at $995, a drastic reduction from the pre-built versions that were selling for between $200,000 and $800,000. The macOS version with an Advanced Control Surface was priced at $29,995, and licenses for the Linux version were set at $19,995. The most advanced configuration was available for under $150,000. This change in pricing marked the beginning of Resolve's democratization, making it accessible to a broader range of users. In September of the same year, version 7 was released under the new pricing model, introducing a redesigned user interface, Apple ProRes support, and support for RED Rocket digital video decoder boards. This was also the first release for macOS​​.","Blackmagic Design continued to evolve the software, introducing a free, reduced-functionality edition known as DaVinci Resolve 8 Lite in June 2011. This version also introduced OpenCL acceleration support and XML integration with non-linear editor (NLE) applications. Later that year, the software expanded its platform availability with the first Windows release​.","In the years that followed, DaVinci Resolve continued to enhance and expand its capabilities. Version 9 brought a redesigned user interface, additional metadata editing options, and an expanded range of supported cameras and file types. Version 10 added basic video editing features such as clip trimming, along with expanded information import capabilities and support for OpenFX plug-ins, JPEG 2000, and AVI. In August 2014, version 11 was released, introducing audio mixing, media organization features, and further video editing features. This update allowed DaVinci Resolve to function as a standalone non-linear editor for the first time, furthering its capabilities beyond color correction​.","Want to contribute? Learn more here!"]}],[{"l":"Training","p":["This site is dedicated to the best training and support for DaVinci Resolve as an editing tool."]},{"l":"Blackmagic Design","p":["Blackmagic have some of the best DaVinci Resolve training out there!","With curriculum designed for new users and established professionals alike, Blackmagic Design certified training teaches you the skills you need to be more creative, work faster, and get the job done! Our rapidly growing network of over 250 certified trainers and over 100 training centers, along with books and dozens of online resources can help you become a DaVinci Resolve certified editor, colorist or sound editor in no time!"]},{"l":"fxphd","p":["The amazing Warren Eagles has been doing DaVinci Resolve courses for many years now, and they're fantastic.","Warren is very knowledgable, and entertaining. These classes give you practical tips and tricks, for real-world jobs."]},{"l":"Ripple Training","p":["Ripple Training is an official Blackmagic Design Training Partner.","Learn to Edit, Grade, & Finish in DaVinci Resolve.","They have developed a series of tutorials that make up a learning pathway, guiding a novice DaVinci Resolve user to become a professional level editor and finisher using DaVinci Resolve 15 and 16. These tutorials allow you to import media, edit, and apply effects and grades, all within the same editor."]},{"l":"MONONODES","p":["Reverse Engineering the Grade."]},{"l":"filmentor","p":["Colour Grading & Filmmaking Tools."]},{"l":"Mixing Light","p":["Patrick Inhofer's Mixing Light Resolve Tutorials."]},{"l":"tac","p":["Color Education for Film From the Best in Hollywood.","Get lifetime access to industry-standard color grading courses taught by the biggest colorists, color scientists and imaging experts in Hollywood."]},{"l":"Lowepost","p":["Color Grading Training.","Learn the art and craft of professional color grading.","Something missing? Learn how to add here!"]}],[{"l":"Videos","p":["This page is dedicated to the best DaVinci Resolve video channels."]},{"l":"YouTube Channels","p":["Casey Faris- He teaches video editing, color grading, and visual effects in DaVinci Resolve, Blender, and more!","Cullen Kelly- Professional colorist, image scientist, and educator obsessed with the power of a well-crafted image. He's committed to helping his fellow filmmakers realize their creative vision in camera and in the grade.","Darren Mostyn- Senior Colourist and founder of Online Creative post facility in the UK - established in 1999.","DaVinci Master Key- Formerly Goat's Eye View.","Jake Wipp- Creates high quality DaVinci Resolve tutorials and DaVinci Resolve presets.","MotionVFX- Popular plugin/motion template creator.","MrAlexTech- Want to learn Davinci Resolve?! MrAlexTech is the place! Plus Photography, Videography and some General Tech too!","Patrick Stirling- Produces DaVinci Resolve tutorials for streamers and beginners.","VFXstudy- VFX related tutorials and videos, mostly around compositing with Blackmagic Fusion.","Want to contribute? Learn more here!"]}],[{"l":"Workflow","p":["This page will be dedicated to professional DaVinci Resolve Workflows.","Want to contribute? Learn more here!"]}],[{"l":"External Case Studies","p":["Here's a collection of case studies found outside Resolve Cafe."]},{"l":"Slice Community","p":["Blackmagic has some incredible case studies on their Slice Community.","Something missing? Contribute! Learn more here!"]}],[{"l":"Asset Management","p":["This page contains a collection of Asset Management tools for Final Cut Pro.","Want to contribute or add your Asset Management Tool? Learn more here!"]},{"l":"K"},{"l":"KeyFlow Pro","p":["An affordable, easy and scalable media manager for you and your team.","Store, sort, search, preview, annotate, share and more with KeyFlow Pro 2."]}],[{"l":"Fusion Templates","p":["This will eventually be a directory of the best Fusion Templates.","In the meantime, we highly recommend Motion VFX."]},{"l":"P"},{"l":"Placeholder","p":["This is just a placeholder.","Want to contribute? Learn more here!"]}],[{"l":"Plugins","p":["This page is dedicated to DaVinci Resolve Plugins."]},{"l":"D"},{"l":"Dehancer","p":["Dehancer is the OFX plugin suite for film-like color grading and film effects in DaVinci Resolve. Dozens of real photographic and motion picture films with truly analogue controls. Film Grain, Bloom and Halation effects to complete the look. Complete native support of ACES pipeline.","Based on 30-years of film shooting and darkroom experience combined with scientific approach, nonlinear image processing, and… a bit of alchemy, of course."]},{"l":"G"},{"l":"Gyroflow OpenFX Plugin","p":["Works with stabilization data exported with Gyroflow. Allows you to apply the stabilization right in DaVinci Resolve.","Want to contribute? Learn more here!"]}],[{"l":"Tools","p":["This page is dedicated to handy applications that can be used in conjunction with DaVinci Resolve."]},{"l":"A"},{"l":"Audio Design Desk","p":["Audio Design Desk is to audio software what Pro Tools was to the tape machine. It’s an entirely new breed of Digital Audio Workstation that artists can play like an instrument, revolutionizing the process of adding music and sound effects to picture and cutting down what can typically be a full day project to just a few minutes. It comes bundled with 75,000 sounds embedded with patent-pending Sonic Intelligence™, using AI-assisted content creation tools to enable filmmakers, sound designers, composers, and creators to produce cinema-quality compositions at the speed of thought, giving them a level of creative control that is unmatched by any other software."]},{"l":"C"},{"l":"Canister","p":["Canister takes the hassle out of LTO.","So easy... it's like LTO for Dummies.","Keenan J. Mock, LightIron"]},{"l":"Cinecred","p":["Create beautiful film credits without the pain.","Licensed under the GPLv3, everyone can use Cinecred free of charge forever. The source code is publicly available in a GitHub Repository. Contributions, bug reports, and suggestions are welcome!"]},{"l":"Use Your Favorite Spreadsheet Editor","p":["Cinecred can read the raw credits data from a Credits.xls(x) (Microsoft Excel), Credits.ods (OpenOffice/LibreOffice Calc), or Credits.csv file. Edit it with your preferred spreadsheet tool, integrating perfectly with the rest of your production workflow. Need to add a credit or fix a typo later on? Just change the spreadsheet!"]},{"l":"Live Visualization","p":["While editing the credits data and its styling, Cinecred continually updates an interactive visual preview and indicates any problems with the Credits file. Optional layout guides (press the red button in the screenshot) make both learning Cinecred and styling your credits dead easy."]},{"l":"Interactive Styling","p":["All the styling options Cinecred provides might seem overwhelming at first. But the interactive nature of Cinecred—including contextual input, live application of changes, and easy reverts—make it intuitive and fun to play around with different settings and thereby explore and learn Cinecred’s styling system. In addition, a comprehensive User Guide is readily available."]},{"l":"Get Started Immediately","p":["Cinecred initializes new projects with a template that covers many common use cases. Start entering your credits straightaway and learn how to further customize them as you go."]},{"l":"Flexible Design","p":["In addition to standard use cases, Cinecred’s flexible styling system enables a wide range of layouts and designs. Whatever you have in mind, Cinecred can likely assist you in implementing it."]},{"l":"Your Desired Runtime","p":["Have to add another name, but the score has already been recorded and synced to the earlier version? Just tell Cinecred the desired runtime of the whole credits or specific sections, and it will shrink vertical gaps to exactly match it—without resorting to shimmer-prone fractional scroll speeds. Test it yourself and press the red button in the screenshot!"]},{"l":"Play Back at Any Time","p":["Want to watch your credits in motion to verify your latest changes? Just like your favorite editing suite, Cinecred offers instant real-time playback at any time. No need to wait for your credits to render out. Also supported are the JKL shuttle keys."]},{"l":"Manifold Delivery Options","p":["Does your post-production workflow require ProRes, PNG sequences, or even TIFFs which you animate yourself? Do you want to send around PDFs of the credits for checks? No matter what the need, Cinecred probably has you covered. Expand the red dropdown in the screenshot to see all supported formats."]},{"l":"Cinecred Is Not Opinionated","p":["Cinecred was specifically designed to cater to every user’s needs as fully as possible, without adding bloat, making it hard to use, or requiring a steep learning curve."]},{"l":"Cleanterview","p":["Cleanterview helps you to clean up effectively and efficiently the audio track of your videos, ideal for interviews, for video-selfie, for any occasion when there is someone talking and… you want to hear it and make it sound better!"]},{"l":"CommandPost","p":["CommandPost is a free and open source macOS application that bridges between control surfaces and software that doesn’t support them natively, such as Apple’s Final Cut Pro and Adobe’s After Effects.","It’s been downloaded over 163 thousand times, and there are over 2.6 thousands members in our Facebook Community.","It’s been translated into Arabic, Bengali, Catalan, Chinese (Simplified & Traditional), Danish, Dutch, French, German, Greek, Hindi, Hungarian, Italian, Japanese, Korean, Malayalam, Norwegian, Panjabi/Punjabi, Polish, Portuguese, Russian, Spanish, Swedish, Ukrainian & Vietnamese by our awesome community.","It’s used by filmmakers, developers, scientists and macOS power users all over the world to seriously speed up mundane tasks through powerful and customisable automation tools.","For example, you can apply individual effects within Final Cut Pro or After Effects with the single tap of a button.","Powered by Lua(the same scripting language used by Blackmagic Fusion, Adobe Lightroom and even parts of Apple iOS), it's insanely customisable and powerful.","It runs natively on Apple Silicon and is fully compatible with Hammerspoon.","You can listen to Chris explain CommandPost on Final Cut Pro Radio Episode #57 and Episode #43."]},{"l":"User Reviews","p":["CommandPost and FCP are so intertwined on my day to day that I see them as one app. Marcos Castiel BFE","As someone who doesn’t like clicking to do things, CommandPost makes my work much more likeable. Oli Frost"]},{"l":"D"},{"l":"DaVinci Resolve Studio Scaling Fix","p":["Fix Scaling issues in DaVinci Resolve Studio for FCPX and Premiere sequences imported via XML and FCPXML."]},{"l":"E"},{"i":"editingtoolsio","l":"EditingTools.io","p":["EditingTools.io is a collection of web-based generators, scripts and converters designed for various post-production purposes. Optimized for workflows with Adobe Premiere Pro, Avid Media Composer, DaVinci Resolve and Apple Final Cut Pro X.","It's an AMAZING website that you should definitely check out."]},{"l":"EditReady","p":["Since 2008, EditReady has had your back when your NLE doesn’t support your camera’s file format. And now, we're turning it up a notch with EditReady Pro!","I've been using EditReady for years. It's super fast. Very clean, and logical app. Almost perfect.","Chris Hocking - 3rd June 2023"]},{"l":"evrDVR 2","p":["Fast, Simple, Powerful...","evrDVR 2 allows you to import camera EXIF metadata into DaVinci Resolve."]},{"l":"evrExpanse 3","p":["More powerful than ever!","How to import EXIF metadata into NLEs? How to transcode Master files and embed metadata? How to do these things in an easy and smart way?","New:","Added Rating Metadata support for Canon and Panasonic Cameras.","Transcode Plus©: Streamlined Transcoding and Metadata Export","Rotate Transcoded Files Based on Source Metadata","Lightning-fast metadata exports with Epstein class engine","Final Cut Pro XML import with media file and metadata","Assimilate SCRATCH integration with media and metadata","ASC MHL integration for creating MHL’s files"]},{"l":"F"},{"l":"FoolCat","p":["Beautiful, customizable, and easily shareable camera reports.","FoolCat does one thing, and it does it exceptionally well. It is an indispensable tool in my go-to toolbox.","Philip Grossman"]},{"l":"FxFactory","p":["Expand your abilities with a wide supply of effects, plug-ins & templates for Final Cut Pro & Motion. Explore your creativity using free watermarked trials. Fully functional testing gives you confidence to purchase products that fit your needs. Simply browse & install products, then manage your collection as it grows. When switching between systems, your configuration & purchase history is seamlessly available. Discover how products we deliver will improve your workflow. Watch hundreds of demonstration videos & content previews on our YouTube Channel.","Resources for Support& Developers"]},{"l":"N"},{"l":"NeoFinder","p":["NeoFinder(formally CDFinder) quickly catalogs and manages your entire media and disk library, and your backup archive.","The Holy Grail of Media Asset Management (according to ZDNet).","NeoFinder keeps track of your documents, photos, songs, movies, and folders wherever they are stored.","NeoFinder is your digital treasure chest! It even manages your Affinity Photo and Affinity Designer documents.","Catalog your digital data: SSD, hard disks (internal, external, USB, FireWire, Thunderbolt, HFS+, APFS, NTFS, ExFAT, FAT32), server volumes (AFP, SMB, FTP, Dropbox, Backblaze B2), Blu-rays, LTO volumes, USB sticks, DVD-ROMs, Audio-CDs, and get a full inventory of all files, folders, and important metadata, including thumbnails for your photos, songs, video files and other documents.","Find your files NOW! Whatever you need to find, NeoFinder knows where it is! If you are a desktop user, or work in a small or large network, you stay in control of your data at any time.","I've been using NeoFinder for over a decade now. We have hundreds of external hard drives and hundreds of LTOs all catalogued.","We store our NeoFinder database on Dropbox and share it between all our staff. It's rock solid and amazing.","Chris Hocking - 6th June 2023"]},{"l":"O"},{"i":"offshoot-formally-hedge","l":"OffShoot (formally Hedge)","p":["Offload media lightning fast, whether it's video, stills or audio. Make your life easy and let Hedge do the tedious jobs.","I've been using Hedge since it first came out. It's my preferred data wrangling tool. I've used it on feature films, television shows, television commercials, music videos, and everything in-between. It's awesome.","Chris Hocking - 3rd June 2023"]},{"l":"P"},{"l":"PostLab","p":["Collaborating with other editors was never this easy."]},{"l":"PostSync","p":["More than just sync, PostSync helps prepare your macOS workstation for the daily demands of your post-production workflow.","PostSync is a multi-use tool that is designed as a macOS startup utility; syncing templates and presets, clearing caches, connecting shares, launching apps, etc. But it has many uses beyond that…","PostSync can synchronize 30 different presets and templates (plus user fonts) between several edit workstations to keep all systems current. It can also help when transitioning to working remotely by copying these files to a thumb drive and transferring them to a second workstation. Or the same function can simply be used to create a backup of these files.","PostSync can also backup and restore/transfer application general preferences from Final Cut Pro, Premiere Pro, After Effects and DaVinci Resolve. It makes setting up a new workstation easier.","PostSync can help with nightly cleanup of render/cache files by clearing older files by a set date. Completely customizable for any folder on your Mac.","All this can be done either manually or completely automatic using a Calendar event or launched at login.","Your choice… PostSync is built to be easy to setup and very customizable."]},{"l":"PostWatch","p":["Alerts from Post-Production applications and macOS sent to the Pushover smartphone app.","“Is that file done yet?”","Working remotely, in the next room or out for a walk? Need to know as soon as that export or transcode is finished? Need to know about applications crashing, power going out with out knowing or drives failing or running out of space while you are away?","Now this and more is possible!","PostWatch uses the established subscription free service, for iOS and Android, Pushover to create a dedicated, clean and reliable experience for receiving alerts. What It does not do is clutter up your inbox with texts or emails that often get lost or forgotten.","PostWatch not only alerts you when 14 different Mac apps have completed exporting/encoding, it also monitors the Mac for issues; Such as accidental ejected disks, app crashes/freezes, power loss and more.","No plugins, special application settings or rendering to watch folders. (except setting a few system preferences) Export, render and transcode as you normally do and PostWatch does its magic in the background."]},{"l":"Preference Manager","p":["Preference files store information about user preferences, window layouts, toolbar placements and launch settings. Sometimes these can become corrupted, causing problems. Preference Manager allows you to trash corrupted preferences and keep backups of working preference files in order to quickly restore your settings."]},{"l":"Pro Maintenance Tools","p":["Pro Maintenance Tools keeps your editing system running smoothly so you can quickly get back on track in the event of a problem.","Use the diagnosis tools to determine the cause of the issue by analyzing crash logs or locating corrupt media files, then use the repair tools to fix the problem.","Pro Maintenance Tools supports Final Cut Studio, Final Cut Pro X, Avid Media Composer / Symphony and Adobe Premiere Pro for Mac."]},{"l":"Pro Media Tools","p":["Pro Media Tools is a suite of workflow tools designed to simplify media management and streamline workflows in Final Cut Studio, Final Cut Pro X, Avid Media Composer and Adobe Premiere for Mac. The suite contains tools for editing QuickTime movie metadata, watching render files, editing markers, and much more. The applications are capable of outputting a variety of file formats to suit different editing systems and workflows."]},{"l":"R"},{"l":"Reactor for Fusion","p":["Created by the We Suck Less Fusion community, i.e. the people right here, Reactor is a free and open source package manager for Fusion (Free) and Fusion Studio. Reactor streamlines the installation, distribution and management of 3rd party content for Fusion through the use of \"Atom\" packages that are synced with an online Git repository."]},{"l":"S"},{"l":"ScopeBox","p":["All the audio & video scopes you'd expect from hardware, and many many more. A custom toolset crafted for creative professionals - colorists, editors, DITs, and sound. Mix and match scopes, save layouts, and be confident that you're seeing every pixel and every frame of your signal."]},{"l":"Shutter Encoder","p":["Shutter Encoder is one of the best video converter software, it handles images and audio too!","It has been designed by video editors in order to be as accessible and efficient as possible.","Shutter Encoder makes use of FFmpeg to handle its encoding, allowing support for almost every codec you’ve ever heard of, and many more you haven’t.","Don’t just take our word for it though, Avid themselves recommend Shutter Encoder as part of your Media Composer and ProTools ingesting workflow!"]},{"l":"Smart Video Splitter","p":["Smart Video Splitter is the perfect app for those who create professional or semi-professional stories with videos on social networks like Instagram, Facebook, Whatsapp and Snapchat."]},{"l":"U"},{"i":"ultimedia-converter-2","l":"Ulti.Media Converter 2","p":["The Swiss army knife for transcoding, workflow and multimedia file management.","Want to contribute? Learn more here!"]}],[{"l":"Forums","p":["This page is dedicated to DaVinci Resolve podcasts."]},{"l":"Blackmagic","p":["Of course, there's the official Blackmagic forums, which are actually really great - fast & clean website."]},{"l":"LiftGammaGain","p":["This is where you'll find most professional DaVinci Resolve colourists online.","Want to contribute? Learn more here!"]}],[{"l":"Podcasts","p":["This page is dedicated to DaVinci Resolve podcasts."]},{"i":"color--coffee","l":"Color & Coffee","p":["Color & Coffee is a podcast focused on the craft of color grading hosted by colorist and finishing artist Jason Bowdach. Jason will host a variety of post-production professionals for intimate discussions on their craft, their passions, and of course, their favorite beverage of choice.","Want to contribute or add your podcast? Learn more here!"]}],[{"l":"Social Media","p":["This page is dedicated to DaVinci Resolve Social Media links."]},{"l":"Facebook","p":["The DaVinci Resolve User Group has 130.8K members."]},{"i":"postchatio","l":"postchat.io","p":["A place for all postproduction professionals, enthusiasts and anyone who wants to be part of Mastodon.","Run by the amazing Felipe Baez."]}],[{"l":"Control Surfaces","p":["This page is dedicated to Control Surfaces in DaVinci Resolve.","We will be adding reviews and information here in the future.","Want to contribute? Learn more here!"]}],[{"l":"Monitors","p":["This page is dedicated to monitors for Mac's.","We will be adding reviews and information here in the future."]},{"l":"LG UltraFine 5K Display","p":["This is what we use as our main GUI monitor for all machines at LateNite and they work great.","Want to contribute or add your hardware? Learn more here!"]}],[{"l":"Storage","p":["This page is dedicated to storage for Mac's.","We will be adding reviews and information here in the future."]},{"l":"LumaForge","p":["OWC Jellyfish workflow servers are a family of highly-specialized network attached storage devices that are specifically designed for editors and post-production teams looking to streamline workflow and maximize output.","It's been called, \"A giant hard drive your whole team can use.\" However you describe it, the OWC Jellyfish has become the gold standard for seamless collaboration among creatives.","Want to contribute or add your hardware? Learn more here!"]}],[{"i":"davinci-color-transform-language-dctl","l":"DaVinci Color Transform Language (DCTL)"},{"i":"introduction","l":"Introduction:","p":["This documentation provides a quick reference and showcase of the DaVinci Color Transform Language (DCTL) - including the syntax, API and capabilities.","The DCTL syntax is C-like with additional definitions. Users can define functions using DCTL code to create a video effect, save it to file, and run it in Resolve. Such an effect serves as a \"pixel shader\" program - i.e. it defines a process to generate one pixel of data at a time at each given frame's coordinates. DCTL code is GPU accelerated in DaVinci Resolve across different platforms and graphics sub-systems.","In Resolve, DCTL effects can be run as a color LUT, using the DCTL OFX plugin or the Transition Plugin. DCTL effects are commonly saved as a plain text .dctl files, but if needed, developers can further save an encrypted effect as a .dctle file for distribution. See Encryption under Types of DCTLs.","For simplicity, the document uses the term \"a DCTL\" to refer to a logical unit (a program or function or an effect) and the more generic \"DCTL\" or \"DCTL code\" to refer to the language and syntax."]},{"l":"Videos"},{"l":"Download DCTLs","p":["Paul Dore has a great collection of DCTLs here","GoPro Protune Transforms"]},{"l":"Types of DCTLs","p":["There are two main types of DCTLs:- A transform DCTL applies an effect to each frame of a single clip.- A transition DCTL applies an effect that blends frames from two clips over time.","A Transform DCTL performs a color transform or creates an effect (e.g increasing a frame's brightness - refer to the Gain.dctl example included). Users can apply the Transform DCTL in 4 ways:","A Transition DCTL creates a scene transition, such as a dissolve blending between 2 clips (refer to DissolveTransition.dctl sample). Transition DCTLs can only be used in the OpenFX DCTL Transition Plugin (which is located in [Resolve > Edit Page > OpenFX > Transition > ResolveFX Color > DCTL ]). The DCTL transition plugin is used in the same way as any other transition plugins (Resolve's Video Transitions, OpenFX transitions,...). After adding the plugin, users can select a DCTL file from the DCTL List and the corresponding transition effect will be applied."]},{"l":"Encryption","p":["In Resolve, users can encrypt a .dctl file with an expiry date to distribute an effect without revealing the content. The encrypted .dctle can be distributed and used normally in any of Resolve's systems until it expires.","To encrypt a DCTL: From the LUT browser, select the desired .dctl file, open context menu, choose \"Encrypt DCTL\" option. A helper dialog will appear for user to set name, expiration date and output folder for the encrypted DCTL. The encrypted DCTL will have a .dctle extension."]},{"l":"DCTL Syntax","p":["DCTL is similar to C in syntax, and uses base C types - int, float, char*, pointer etc. Some familiarity with C programming language terminology is helpful when reading this documentation.","Additional DCTL types include the following: TEXTURE- type for a texture reference. float2, float3 and float4 - vector types of 2 3 and 4 float values respectively. The utility functions make_float2(float,float), make_float3(float,float,float) and make_float4(float,float,float,float) can be used to contruct them.","These qualifiers are used DEVICE- qualifier to define a function. CONSTANT- qualifier to define a constant memory. CONSTANTREF- qualifier for a constant memory parameter passed to a function.","Structures can be defined using \"typedef struct\" syntax, Example:","Use CONSTANT to qualify constant memory variables.","To pass the constant memory as a function argument, use CONSTANTREF qualifier.","The DCTL programming environment also allows read-only access to multiple global constants. These are described in context in the sections below."]},{"l":"The Main Entry Function","p":["Each DCTL file must use a single main entry function called 'transform()' or 'transition()', with the function signatures shown below. NOTE: Use the function definition below exactly as-is - including parameter types and names.","The Transform entry function for a Transform DCTL should be one of:","Description: This function performs a pixel transformation at offset (p_X, p_Y) on a single image (0, 0, p_Width, p_Height) with the input parameters provided.","Parameters:* p_Width and p_Height - the image resolution.* p_X and p_Y - the pixel coordinates where the transform function does the color transformation.* The (p_R, p_G, p_B) - input pixel's RGB values (in the first signature).* The (p_TexR, p_TexG, p_TexB) in the second signature - texture references to the RGB planes. The function can request the RGB values for any pixel from the image by calling _ tex2D([textureVariable], [posX], [posY]), which returns a float value (posX and posY being the desired input pixel coordinates).","Returns: Both transform functions return a float3 (RGB) value for each pixel at the coordinates (p_X, p_Y) for the result image.","The Transition function for a Transition DCTL uses the following signature:","Description: This function performs a blend from one clip (the 'From' clip : the clip fading out) to another (the 'To' clip : the clip fading in) over time.","As the transition progresses, the DCTL logic selects the appropriate image from the 'From' and 'To' clips and calls this function for each blend request. The global read-only float variable 'TRANSITION_PROGRESS', ranging from 0 (transition about to start) to 1 (transition has ended), can be used from within the function to monitor the progress of the transition. See the \"Other DCTL Keywords\" section.","Parameters:* p_Width and p_Height - the output image resolution.* p_X and p_Y - output pixel coordinates where the blend results are stored.* (p_FromTexR, p_FromTexG, p_FromTexB) - RGB texture references for the 'From' clip's image at TRANSITION_PROGRESS.* (p_ToTexR, p_ToTexG, p_ToTexB) - RGB texture references for the 'From' clip's image at TRANSITION_PROGRESS. Similar to the second transform signature, the function can access RGB values for any pixel in the \"From\" and \"To\" textures using the _ tex2D([textureVariable], [posX], [posY]) function.","Returns: The transition function returns a float4 (RGBA) value for each pixel at the coordinates (p_X, p_Y) for the result image."]},{"l":"Including Headers","p":["You can add commonly used DCTL logic to be called in multiple effects in a header file. To include a header, add the entry:","The path and the location of the headers are relative to the location of DCTL file.","Once included, the functions in this header file can now be referenced and used after the inclusion point."]},{"l":"Defining and Using LUTs","p":["Look Up Tables (LUTs) can be referenced from external files, and applied using the DEFINE_LUT and APPLY_LUT functions.","Parameters:- [lutName] is the user-defined name of the LUT- [lutPath] is the path to the external LUT file. Both absolute paths and paths relative to the DCTL location can be used.","Parameters:- (r, g, b) are LUT coordinates- [lutName] is the user-defined LUT name - this must match a prior DEFINE_LUT or DEFINE_CUBE_LUT call (see below).","As of DaVinci Resolve 17, LUTs can be defined inline using the DEFINE_CUBE_LUT function.","Parameters:- The [LUT_Content] should be wrapped with curly brackets '' and needs to follow the CUBE LUT standard format.- These LUTs can be applied in the same way as a referenced LUT - using the APPLY_LUT function.","The following rules apply:- LUTs must be defined in the DCTL file before use.- Multiple LUTs can be defined and applied in a single DCTL.- Multiple CUBE LUTs can be defined in a DCTL file and can be placed before or after the DCTL's Main Entry function.- LUT files must be in .cube format, with 1D or 3D LUTs, with/without shaper LUTs.- 1D LUT/Shaper LUTs will be applied with LINEAR interpolation method.- 3D LUTs will be applied with TRILINEAR or TETRAHEDRAL interpolation, as set in Resolve with [Project Settings > Color Management > 3D Lookup Table Interpolation ]."]},{"l":"Other DCTL keywords","p":["RESOLVE_VER_MAJOR and RESOLVE_VER_MINOR keys hold version values for checking and guarding version specific DCTL logic.","Example: For Resolve 17.0, RESOLVE_VER_MAJOR= 17 and RESOLVE_VER_MINOR= 0.#if (( RESOLVE_VER_MAJOR>= 17) && ( RESOLVE_VER_MINOR>= 0)) CallResolve17SpecificLogic();#else CallAlternativeLogic();#endif","DEVICE_IS_CUDA, DEVICE_IS_OPENCL, DEVICE_IS_METAL keys are defined for users to check and execute code conditionally in CUDA, OpenCL and Metal environments respectively. Example:#ifdef DEVICE_IS_CUDA DoSomethingCUDASpecific();#endif","For Transition DCTLs, the TRANSITION_PROGRESS key holds the progress of the current transition state as a float value with range [0.0f, 1.0f]. During the transition, DaVinci Resolve updates the TRANSITION_PROGRESS value and calls the transition main entry function for each image. The DissolveTransition.dctl example illustrates how to use this key."]},{"l":"Using DCTLs as Effects With Custom UI","p":["Custom DCTL effects (of the Transform DCTL type) can be added as plugins from Edit Page and Color Page effects libraries. To access them, double click or drag this plugin entry:- Edit page > Effects Library > OpenFX > Filters > ResolveFX Color > DCTL.- Color page > OpenFX > ResolveFX Color > DCTL. Once added, click the DCTL List combo box and select the desired DCTL effect to apply the effect.","To add new DCTL effects to this list, place the appropriate DCTL file in the DaVinci Resolve LUT directory. To edit a loaded DCTL effect,- navigate to the DaVinci Resolve LUT directory in a file browser.- load the appropriate DCTL file in a text editor to make changes.- Save the file.- In DaVinci Resolve's inspector, press \"Reload DCTL\" button to see the reflected result instantly.","DaVinci Resolve supports 5 types of UI elements. With the DEFINE_UI_PARAMS function, you can define custom controls for your DCTL plugins and link them to variables in the DCTL file. Float Slider: DEFINE_UI_PARAMS([variable name], [label], DCTLUI_SLIDER_FLOAT, [default value], [min value], [max value], [step]) Int Slider: DEFINE_UI_PARAMS([variable name], [label], DCTLUI_SLIDER_INT, [default value], [min value], [max value], [step]) Value Box: DEFINE_UI_PARAMS([variable name], [label], DCTLUI_VALUE_BOX, [default value]) Check Box: DEFINE_UI_PARAMS([variable name], [label], DCTLUI_CHECK_BOX, [default value]) Combo Box: DEFINE_UI_PARAMS([variable name], [label], DCTLUI_COMBO_BOX, [default value], [enum list], [enum label list])","Each DCTL plugin can have up to 64 UI controls for each type.","Parameters:- The [variable name] is linked with the UI element. This variable can be used inside the transform function.- The [label] text appears alongside the control and describes the control to the user of the DCTL.- The third parameter - the ui element enum - allows DaVinci Resolve to construct the appropriate UI control.- The [default value], [min value], [max value] and [step] are int-based (except for the Float Slider, where they are float)- The [enum list] - defined in curly brackets \"\" is available for use in the Main Entry function.- The [enum label list] - defined as string inside curly brackets \"\" is used to indicate the enum value in the UI. It must contain the same number of items as [enum list].","Examples: DEFINE_UI_PARAMS(gainR, Red Gain, DCTLUI_SLIDER_FLOAT, 1.0, 0.0, 10.0, 0.1) DEFINE_UI_PARAMS(iters, Iteration, DCTLUI_SLIDER_INT, 1, 0, 10, 1) DEFINE_UI_PARAMS(gain, Master Gain, DCTLUI_VALUE_BOX, 2.0) DEFINE_UI_PARAMS(apply, Apply, DCTLUI_CHECK_BOX, 1) DEFINE_UI_PARAMS(opt, Channel Option, DCTLUI_COMBO_BOX, 1, { RED, GREEN, BLUE }, { Channel Red, Channel Green, Channel Blue })","Changes to custom UI parameters - via user controls, Undo actions or from DCTL logic - are reflected both in the Resolve UI and in the DCTL variable."]},{"l":"Supporting math functions"},{"l":"List of floating-point math functions available","p":["float _ fabs(float x) # Returns the absolute value of x float _ powf(float x, float y) # Computes x raised to the power of y float _ logf(float x) # Computes the value of the natural logarithm of x float _ log2f(float x) # Computes the value of the logarithm of x to base 2 float _ log10f(float x) # Computes the value of the logarithm of x to base 10 float _ expf(float x) # Computes e x, the base-e exponential of x float _exp2f(float x) # Computes 2 x, the base-2 exponential of x float _ exp10f(float x) # Computes 10** x, the base-10 exponential of x float _ copysignf(float x, float y) # Returns x with its sign changed to y's float _ fmaxf(float x, float y) # Returns x or y, whichever is larger float _ fminf(float x, float y) # Returns x or y, whichever is smaller float _ clampf(float x, float min, float max) # Clamps x to be within the interval [min, max] float _ saturatef(float x) # Clamps x to be within the interval [0.0f, 1.0f] float _ sqrtf(float x) # Computes the non-negative square root of x float _ ceilf(float x) # Returns the smallest integral value greater than or equal to x float _ floorf(float x) # Returns the largest integral value less than or equal to x float _ truncf(float x) # Returns the integral value nearest to but no larger in magnitude than x float _ round(float x) # Returns the integral value nearest to x rounding, with half-way cases rounded away from zero float _ fmod(float x, float y) # Computes the floating-point remainder of x/y float _ hypotf(float x, float y) # Computes the square root of the sum of squares of x and y float _ cosf(float x) # Computes the cosine of x (measured in radians) float _ sinf(float x) # Computes the sine of x (measured in radians) float _ cospif(float x) # Computes the cosine of (x * pi) (measured in radians) float _ sinpif(float x) # Computes the sine of (x * pi) (measured in radians) float _ tanf(float x) # Computes the tangent of x (measured in radians) float _ acosf(float x) # Computes the principle value of the arc cosine of x float _ asinf(float x) # Computes the principle value of the arc sine of x float _ atan2f(float y, float x) # Computes the principal value of the arc tangent of y/x, using the signs of both arguments to determine the quadrant of the return value float _ acoshf(float x) # Computes the principle value of the inverse hyperbolic cosine of x float _ asinhf(float x) # Computes the principle value of the inverse hyperbolic sine of x float _ atanhf(float x) # Computes the inverse hyperbolic tangent of x float _ coshf(float x) # Computes the hyperbolic cosine of x float _ sinhf(float x) # Computes the hyperbolic sine of x float _ tanhf(float x) # Computes the hyperbolic tangent of x float _ fdimf(float x, float y) # Returns the positive difference between x and y: x - y if x > y, +0 if x is less than or equal to y float _ fmaf(float x, float y, float z) # Computes (x * y) + z as a single operation float _ rsqrtf(float x) # Computes the reciprocal of square root of x float _ fdivide(float x, float y) # Returns x/y float _ frecip(float x) # Returns 1/x int isinf(float x) # Returns a non-zero value if and only if x is an infinite value int isnan(float x) # Returns a non-zero value if and only if x is a NaN value int signbit(float x) # Returns a non-zero value if and only if sign bit of x is set T _ mix(T x, T y, float a) # T is used to indicate that the function can take float, float2, float3, float4, as the type for the arguments.# Returns: (x + (y - x) * a). \"a\" must be a value in the range [0.0f, 1.0f]. If not, the return values are undefined. float _ frexp(float x, int exp) # Extracts mantissa and exponent from x. The mantissa m returned is a float with magnitude in the interval [1/2, 1) or 0, # and exp is updated with integer exponent value, whereas x = m * 2exp float _ldexp(float x, int exp) # Returns (x * 2exp)","Note that float values must have 'f' character at the end (e.g. 1.2f)."]},{"l":"List of integer math functions available","p":["int abs(int x) # Returns the absolute value of x int min(int x, int y) # Returns x or y, whichever is smaller int max(int x, int y) # Returns x or y, whichever is larger"]},{"l":"Sample DCTLs"},{"l":"ACES DCTL","p":["ACES DCTLs allows user to define:- a standard color encoding (SMPTE ST 2065-1),- Input Transforms to convert different image sources to ACES,- Output Transforms in order to view ACES images on different types of displays. and use them to define the project's color science, or in Resolve FX ACES Transform for individual clips.","There are 2 types of ACES DCTL:- parametric ACES transforms- non-parametric ACES transforms (supported since DaVinci Resolve 17)."]},{"l":"Adding a Custom ACES IDT or ODT File","p":["Navigate to the \"ACES Transforms\" folder in Resolve's main application support folder.","MacOS: \"~/Library/Application Support/Blackmagic Design/DaVinci Resolve/ACES Transforms\" double check folders again","Windows: \"%AppData%\\Blackmagic Design\\DaVinci Resolve\\Support\\ACES Transforms\"","Linux: \"~/.local/share/DaVinciResolve/ACES Transforms\"","Place your custom ACES DCTL files for Input Device Transforms (IDTs) in the IDT subfolder.","Place your custom ACES DCTL files for Output Device Transforms (ODTs) in the ODT subfolder.","Start Resolve.","At start up, Resolve loads all the ACES DCTLs inside the \"ACES Transforms/IDT\" and \"ACES Transforms/ODT\" folders."]},{"l":"Using a Custom ACES IDT or ODT File","p":["Applying ACES transforms from Project Settings:- Color Science: select \"ACEScc\" or \"ACEScct\"- ACES Version: select ACES version 1.1 or above.- ACES Input Device Transform: select the required ACES DCTL IDT.- ACES Output Device Transform: select the required ACES DCTL ODT.","Applying ACES Transform plugins to individual clips:- Double click or drag this plugin entry:- Edit page > Effects Library > OpenFX > Filters > ResolveFX Color > ACES Transform.- Color page > OpenFX > ResolveFX Color > ACES Transform.- Once added, select the required ACES DCTLs from the Input Transform or Output Transform combo box."]},{"l":"Defining an ACES DCTL","p":["The basic ACES DCTL format is as follows:","Depending on its location, an ACES DCTL is interpreted as an IDT or an ODT. So the DEFINE_ACES_PARAM expands its parameters into either- float3 AcesInvOutputTransform(float p_R, float p_G, float p_B); // if the DCTL is an IDT- float3 AcesOutputTransform(float p_R, float p_G, float p_B); // if the DCTL is an ODT.","These functions can be called from the transform main entry function.","ACES DCTLs are written as transform DCTLs in one of three ways - using:- a non-parametric approach and hand-rolling your own transform functions.- a parametric ACES transform definition with standard ACES EOTFs.- a parametric ACES transform definition with custom EOTF functions. Example files for all three scenarios are available in the ACES Transform folder in the DCTL Developer documentation."]},{"l":"Writing a Non-Parametric ACES Transform","p":["Example files: IDT_Custom_sRGB.dctl and ODT_Custom_sRGB.dctl.","To define a Non-Parametric ACES transform (e.g. an IDT for new vendor camera, or an ODT for custom output screen), use the argument \"IS_PARAMETRIC_ACES_TRANSFORM: 0\". Example: DEFINE_ACES_PARAM(IS_PARAMETRIC_ACES_TRANSFORM: 0)","Once defined as non-parametric, all other parameter definitions in DEFINE_ACES_PARAM are ignored.","The user then defines either:","a custom IDT to convert the image source to the AP0 Linear colorspace, or","a custom ODT to convert incoming data from the AP0 linear colorspace.","invokes it from the main transform function."]},{"l":"Writing a Parametric ACES Transform","p":["Example Files: IDT_P3D65_108.dctl and ODT_P3D65_108.dctl","Parametric ACES transforms are supported under ACES version 1.1 or above. To write a parametric ACES transform following this standard, you need to define the following fields:- Y_MIN: black luminance (cd/m 2) - float. - Y_MID: mid-point luminance (cd/m 2) - float.- Y_MAX: peak white luminance (cd/m^ 2) - float.- DISPLAY_PRI: Display primaries - array of 8 floats inside curly brackets \"\".- LIMITING_PRI: Limiting primaries - array of 8 floats inside curly brackets \"\".- EOTF: Display device EOTF - integer in range [0-5] (see below)- INVERSE_EOTF: Input device EOTF - integer in range [0-5] (see below)- SURROUND: Viewing environment - integer (either 0,1) representing a boolean flag- STRETCH_BLACK: Stretch black luminance to a PQ code value of 0 - integer (either 0,1) representing a boolean flag- D60_SIM: Is user D60 adapted - integer (either 0,1) representing a boolean flag- LEGAL_RANGE: Output to legal range - integer (either 0,1) representing a boolean flag","Optional fields:- SKIP_STANDARD_ACES_RRT: Users can choose to run or skip standard ACES RRT (in output transform) or InvRRT (in input transform), and use their own custom RRT implementation. Integer (either 0,1) representing a boolean flag. By default, this value is treated as 0 and the standard ACES RRT (or InvRRT) is always used.","The EOTF and INVERSE EOTF fields correspond to the following Academy standard EOTF transforms:- 0: ST-2084 (PQ)- 1: BT.1886 (Rec.709/2020 settings)- 2: sRGB (mon_curve w/ presets)- 3: gamma 2.6- 4: linear (no EOTF)- 5: HLG The EOTF parameter value is used for ODT DCTLs and the INVERSE_EOTF parameter value is used for IDT DCTLs.","Example: DEFINE_ACES_PARAM(Y_MIN: 0.0001, Y_MID: 7.2, Y_MAX: 108.0, DISPLAY_PRI: { 0.68000, 0.32000, 0.26500, 0.69000, 0.15000, 0.06000, 0.31270, 0.32900 }, LIMITING_PRI: { 0.68000, 0.32000, 0.26500, 0.69000, 0.15000, 0.06000, 0.31270, 0.32900 }, EOTF: 0 , INVERSE_EOTF: 0, SURROUND: 0, STRETCH_BLACK: 1, D60_SIM: 0, LEGAL_RANGE: 0, SKIP_STANDARD_ACES_RRT: 0)"]},{"l":"Writing a Parametric ACES Transform with Custom Functions","p":["Example Files: IDT_CustomEOTF.dctl and ODT_CustomRRT.dctl","To write custom functions for your Parametric ACES Transform,","Write the parametric definition as above.","Define two functions for EOTF and INVERSE_EOTF transforms.","In the parametric definition, replace the (int) parameter values for EOTF and INVERSE_EOTF with the function names.","Example:","The second parameter in the custom functions is an input struct encapsulating the same parameters that you have defined using DEFINE_ACES_PARAM. typedef struct AcesTransformUserSettingParams{ float yMin; // Black luminance (cd/m 2) float yMid; // Mid-point luminance (cd/m 2) float yMax; // Peak white luminance (cd/m^ 2) float displayPri[8]; // Display primaries float limitingPri[8]; // Limiting primaries int eotf; // Display device EOTF int surround; // Viewing environment int stretchBlack; // Stretch black luminance to a PQ code value of 0 int d60Sim; // Is user D60 adapted int legalRange; // Output to legal range int skipRRT; // Skip the standard ACES RRT transform} AcesTransformUserSettingParams;","The ACES DCTL format follows the DCTL coding standard with extra options for users to define ACES parametric and non-parametric transforms, custom EOTF functions and custom RRT/invRRT functions."]},{"l":"Invoking Parametric Transforms from the Main Transform Function","p":["To apply the ACES transform, call the generated AcesOutputTransform or AcesInvOutputTransform in the DCTL's main transform function:","For Output Transforms: DEVICE float3 transform(int p_Width, int p_Height, int p_X, int p_Y, float p_R, float p_G, float p_B){ const float3 result = AcesOutputTransform(p_R, p_G, p_B); return result;}","For Input Transforms: DEVICE float3 transform(int p_Width, int p_Height, int p_X, int p_Y, float p_R, float p_G, float p_B){ const float3 result = AcesInvOutputTransform(p_R, p_G, p_B); return result;}","If you have set \"SKIP_STANDARD_ACES_RRT: 1\", you will need to chain in the custom RRT or Inverse RRT as an additional step. Example:","Output Transform: DEVICE float3 customRRT(float p_R, float p_G, float p_B){// RRT implementation code}","Input Transform: DEVICE float3 customInvRRT(float p_R, float p_G, float p_B){// InvRRT implementation code}"]},{"l":"Example ACES DCTLs"},{"l":"CHANGELOG","p":["Resolve 17.0- Support ACES DCTL.- Introduce _ ceilf() and _ floorf() functions which implicitly cast the input value to floating-point value and return floating-point result. Older version DCTL that uses deprecated _ ceil() and _ floor() functions are required to explicitly cast the input type to floating-point.- Support inline CUBE LUTs."]}],[{"l":"DaVinci Resolve IO Encode Plugin SDK"},{"l":"Getting Started","p":["The DaVinci Resolve IO Encode Plugin SDK enables development of additional codecs and container formats that can be rendered directly from DaVinci Resolve. These plugins can be distributed directly to customers who can use these in supported versions of DaVinci Resolve Studio. Currently, only CPU based plugins are supported."]},{"l":"Plugin Format","p":["Plugins should be distributed in the following format:","Mac: 64-bit dynamic library","Linux: 64-bit shared object","Windows: 64-bit DLL"]},{"l":"Plugin Packaging","p":["The plugin binary must be packaged in a bundle folder structure (similar to a Mac binary bundle). A single bundle may contain the plugin libraries for one or more architectures. The expected directory hierarchy is as follows:","where:","PLUGIN is the name of the plugin (the exact name should be used in both the bundle and binary name)","ARCH_x is the name of the architecture","The supported architectures on each operating system are:","Mac: MacOS - for Apple Universal2 binaries (x86_64 + Arm64) or Arm64 build","Mac: MacOS-x86-64 - on Intel only machines, this folder will be checked first, and if not found or empty, the MacOS folder will be checked","Linux: Linux-x86-64","Windows: Win64"]},{"l":"Example Plugin","p":["The 'Examples' folder contains a sample plugin for the x264 encoder in the folder named 'x264_encoder_plugin'.","Compile the x264 plugin from source (downloadable from here)","Modify .mk.defs(for Mac/Linux) or plugin2015.vcxproj(for Windows) in x264_encoder_plugin to point to the location of x264 install path.","From the x264_encoder_plugin folder, build the plugin via make on Mac/Linux, or using Visual Studio on Windows.","After the plugin has been successfully built, the target plugin library will be placed in the build folder. Package the plugin binary as per the naming convention above. For example:","Mac: x264_encoder_plugin.dvcp.bundle/Contents/MacOS-x86-64/x264_encoder_plugin.dvcp","Linux: x264_encoder_plugin.dvcp.bundle/Contents/Linux-x86-64/x264_encoder_plugin.dvcp","Windows: x264_encoder_plugin.dvcp.bundle/Contents/Win64/x264_encoder_plugin.dvcp","To activate the plugin in Resolve, copy 'x264_encoder_plugin.dvcp.bundle' folder to Application Support folder, into the 'IOPlugins' subfolder. The exact location is as follows:","Mac: /Library/Application Support/Blackmagic Design/DaVinci Resolve/IOPlugins","Mac (AppStore): ~/Library/Containers/com.blackmagic-design.DaVinciResolveAppStore/Data/Library/Application Support/IOPlugins","Linux: /opt/resolve/IOPlugins","Windows: %ProgramData%\\Blackmagic Design\\DaVinci Resolve\\Support\\IOPlugins","Once the plugin folder is installed, start Resolve and create a timeline with clips. Go to the Deliver page. In the format list, the list of containers supported by the plugin should show up. If a plugin supported container format (or QuickTime) is chosen, codecs supported by the plugin should be visible in the codecs list. Upon selecting the plugin codec, the corresponding UI widgets will be shown in the render settings."]}],[{"l":"Fusion Fuse","p":["You can find the Fusion Fuse Manual via the Help > Documentation > Developer > Fusion Fuse menubar item in DaVinci Resolve.","Want to contribute? Learn more here!"]}],[{"l":"Fusion Templates"},{"l":"Fusion Transitions","p":["Fusion transitions are templates built using Fusion tools. This added functionality gives you the freedom to create custom looks and designs that are traditionally not available on the Edit and Cut pages. Creating these templates can be done within Resolve's Fusion page, and when saved as a macro, your custom templates can be accessed on the Edit or Cut pages ready for use.","For more information about creating macros refer to Chapter 59 of the manual.","When creating a Fusion transition it's important to know that the animation and duration will be driven by the transition curve and edit length on the Edit & Cut pages. Fusion transitions animated with normal fixed-time keyframes will not adapt to other edit durations, so it's recommended to use adaptable modifiers such as Anim Curves instead.","When building a transition, instead of clicking the keyframe diamond on controls you want to animate, add the Anim Curves modifier with the \"Modify With\" item on the control's right-click context menu. This will create simple linear animation over the duration of the transition, which you can then customize using the controls in the Modifiers tab of the Inspector. Various preset and customizable curves are available, with options for scaling the values and timing of the curve. See the Anim Curves Modifier section below for more details."]},{"l":"Building a Transition","p":["As an example, to create a simple cross dissolve, do the following:","Selecting the transition will show any available controls for customization in the Inspector. It is also possible to make deeper changes to the transition's tools by right-clicking on the transition, and selecting \"Open in Fusion Page\".","Choose \"Create Transition Preset\" from the transition's context menu to save all control and tool changes as a User preset transition, for later use in the Edit or Cut pages.","Tip: When saving the macro, use \"Save As Group...\" to create a macro that can be opened within the Fusion Nodes view, allowing changes to its internal tools."]},{"l":"Fusion Generators","p":["Similar to Fusion transitions, generators are templates created from a macro, but with no image inputs, and a single image output. Generators can be created from Fusion generator tools such as Background or Fast Noise, or 3D rendered scenes, particles etc, or any combination of Fusion and ResolveFX tools.","As with transitions, it is recommended that the Anim Curves modifier be used for any animation, instead of fixed keyframes. This enables any animation in the generator to adapt to the duration on the Edit and Cut pages. See the Anim Curve Modifier section below for details."]},{"l":"Fusion Titles","p":["Titles are a special case of Generator that create text. Either Text+ or Text3D tools may be used as desired, along with other Fusion and ResolveFX tools. Most title templates have the text tool's \"Styled Text\" control exposed when creating the macro, so that users may supply their own text in the Edit Inspector. Exposing the Font, Style, and Size controls may be desirable too, along with Color controls from the Shading tab and any other relevent controls.","Likewise, it is recommended that the Anim Curves modifier be used for any animation, instead of fixed keyframes. This enables any animation in the title template to adapt to the duration on the Edit and Cut pages. See the Anim Curve Modifier section below for details."]},{"l":"Fusion Effects","p":["Effects are a template with a single image input and a single output. Similar to an Adjustment Layer, they can apply any desirable effect to the clip they are applied to, but with exposed controls for customization, and with animation that adapts to the duration of the effect. Additionally, multiple Fusion Effects may be applied to a single clip, and re-ordered as desired. To edit the controls of a Fusion Effect, select the clip it is applied to, then click the Effects tab in the Edit page Inspector.","As with other templates, it is recommended that the Anim Curves modifier be used for any animation, instead of fixed keyframes. This enables any animation in the effect to adapt to the duration on the Edit and Cut pages. See the Anim Curve Modifier section below for details."]},{"l":"Bundled Assets","p":["As of 17.2, Resolve allows various asset files to be included and used with your template. This includes image files of some supported formats (PNG, JPG, EXR, TGA, BMP) for logos, watermarks, particles etc, 3D objects and cameras in an FBX file, and LUTs. These can be used with Fusion tools including Loader, FBX Mesh 3D, and File LUT. For ease of portability and user installation, the new \"Setting:\" path map has been provided, which is valid inside templates and other macros & tool groups that have been loaded from a .setting file, and points to the same folder that the .setting file is in.","For example, a Loader set to \"Setting:leaf.jpg\" could provide an image source for a particle system, so long as the leaf.jpg file was in the same folder as the template .setting file containing the Loader, or an FBX Mesh tool could use \"Setting:Models/object.fbx\" to get an object from a Models subfolder."]},{"l":"The Anim Curves Modifier","p":["Anim Curves Controls:","Back","Bounce","Circ","Clip High: Ensure the output value never exceeds 1.0","Clip Low: Ensure the output value never dips below 0.0","Cubic","Curve: allows the following curve shape choices:","Custom: Displays an editable curve control allowing full customization of the animation","Custom: Timing can be controlled manually by a spline or other modifier on the revealed Input control","Duration: Animation is timed to match the duration of the edit","Easing: Allows selection from a number of preset curve shapes, for ease-in, ease-out, or both:","Elastic","Expo","Invert: The curve is flipped upside-down, so that the values start high and end low","Linear: Simple linear animation","Mirror: The animation curve is mirrored so that after reaching the end, it returns to the starting value","None (linear or no easing)","Offset: Adds to the default 0..1 output value, to allow animation over a specific range of values","Quad","Quart","Quint","Scale: Multiplies the default 0..1 output value, to reduce or increase the effect of the control","Sine","Source: allows the following timing choices:","The Anim Curves modifier is designed to allow easy creation of animation for transition and effect templates, and will speed up and slow down automatically to match the edit duration. It can also take the Edit page's Transition Curve easing into account, giving greater control to editors. It offers many preset curve shapes and combinations, including fully customized, with controls for scaling and timing the animation as well.","Time Offset: Delays the animation, as a fraction of its total duration","Time Scale: Speeds up or slows down the animation","Tip: The resulting animation curve can be seen in the Spline view, and is updated live as you change the controls. In the Spline view's tool tree, find the tool and select the name of the control you're animating to see the curve.","To use this animation modifier, right-click on a control in the Inspector, then select Anim Curves from the list of modifiers (choose Modify With > Anim Curves).","Transition: Like Duration, but values are shaped by the Edit page's Transition Curve"]},{"l":"Template Icons","p":["As of 17.2, Resolve supports an included .png image file with the same name as your .setting file, and will use this as your template's icon in the Resolve user interface. The recommended size is 104 x 58, but will be resized to suit. For example, a LogoPop.setting will use a LogoPop.png icon in the same dir."]},{"l":"Template Paths","p":["Fusion templates are stored in subdirectories within the OS specific directory described below:","Your template should be saved in one of the following subdirectories, according to its purpose:- Transitions- Titles- Generators- Effects","Please note that the folders for custom Fusion templates can also be located using the option \"Show Folder\" available in the 3 dot menu in \"Effects Library\" on the Fusion page. Select the desired template category, choose the Show Folder menu option, and a system file manager window will be opened at the proper path.","It is also possible to import template files by opening the Fusion page Effects Library to the appropriate category, then dragging and dropping the template file onto the list of templates. A restart of Resolve may be required for it to show up in the Edit and Cut pages."]},{"l":"DRFX Bundles","p":["As of 17.2, multiple templates may now be bundled together in .drfx files, which are ordinary zip files with a renamed extension (plain .zip files are supported too, with different naming in the UI). These may be organised into subfolders within the zip, if desired, and can also include icons for each template, and any associated assets, for ease of distribution and installation of one or more templates in a single file."]}],[{"l":"Cube LUT Format Specification","p":["A Cube file is a text file with extension \".cube\". It contains 2 parts: the header and the content. The header defines the properties of the LUT, while the content holds lookup table transformation data. The content section starts on a new line directly after last header definition.","The Cube LUT format supports 1D and 3D lookup tables, with an optional shaper LUT preceding it."]},{"l":"1D LUT","p":["A 1D lookup table allows output values to be specified corresponding to equally spaced input values in a given range. In the header of the LUT, the size and range of the LUT can be specified as follows:","LUT_1D_SIZE N","LUT_1D_INPUT_RANGE MIN_VAL MAX_VAL","where: N - number of entries, up to a maximum of 65536 MIN_VAL - floating point input value corresponding to the first entry in the lookup table MAX_VAL - floating point input value corresponding to the last entry in the lookup table","The lookup data follows the header and contains as many entries as specified in the size entry in the header. Each line contains 3 space separated floating point values corresponding to the R, G and B output values respectively.","The first line of data corresponds to the minimum input value specified in the header, and the last line corresponds to the maximum input value. In between lines corresponds to monotonically increasing scaled values of the input. For example, if a LUT has size of 6 with minimum value 0.0 and maximum value 1.0, then the 6 lines of the table would correspond to input values 0.0, 0.2, 0.4, 0.6, 0.8 and 1.0 respectively.","For any input values that are not explicitly mapped in the table, the result is linearly interpolated between the nearest available values (i.e nearest entry higher than the input and nearest entry lower than the input) in the table."]},{"l":"3D LUT","p":["A 3D lookup table is conceptually similar to a 1D LUT except that it allows for a lookup to be performed along each of the 3 color axes. This gives the user the ability to model a transformation where a change in one color channel may cause a change in the other two color channels as well.","Similar to a 1D LUT, the header contains information about the size of the lookup table as well as the range of input values.","LUT_3D_SIZE N","LUT_3D_INPUT_RANGE MIN_VAL MAX_VAL","where: N- number of entries per channel (NOTE: this results in a lookup table that has N * N * N entries) MIN_VAL- floating point input value corresponding to the first entry in the lookup table MAX_VAL- floating point input value corresponding to the last entry in the lookup table","The lookup data follows the header and contains N * N * N entries for a size N specified in the header. Each line contains 3 space separated floating point values corresponding to the R, G and B output values respectively.","The first line of data corresponds to the minimum input value specified in the header for all 3 channels, and the last line corresponds to the maximum input value for all 3 channels. In between lines corresponds to monotonically increasing scaled values of the input, with R values changing most rapidly. For example, if a LUT has size of 6 with minimum value 0.0 and maximum value 1.0, then the entries would correspond to all combinations of the 6 possible values for each input channel: 0.0, 0.2, 0.4, 0.6, 0.8 and 1.0 respectively.","The first 6 values would correspond to increasing values of R (from minimum to maximum), while G and B are 0.0. The next 6 values would correspond to increasing values of R (again starting from the minimum value) while G is 0.1 and B is 0.0. Once all values of G are covered, B in increased to the next possible value and the whole sequence is repeated. This continues until all combinations are covered.","In a 3D LUT, the 3 color components of the input value are used to find the nearest indexed values along each axis of the 3D cube. The 3-component output value is calculated by interpolating within the volume defined by the nearest corresponding positions along each axis in the LUT. Resolve supports 2 types of interpolation for 3D LUTs - trilinear interpolation and tetrahedral interpolation."]},{"l":"Shaper LUT","p":["A LUT samples each of the axes in a uniform manner. However, there may be cases where more precision is needed in a specific region of the input range as opposed to the rest of it. In such cases, a shaper LUT can be used to re-map the input range as a pre-processing step in order to make better use of the LUT samples. Such an operation can be done using a 1D LUT and is called a shaper LUT. Shaper LUTs can be applied before either a 1D LUT or a 3D LUT. It is defined in the same way as a 1D LUT, and is defined first before the actual LUT."]},{"l":"Optional Properties","p":["Comments and descriptions can be inserted at any point. The line needs to start with the # character. Such lines are ignored by the parser.","A LUT can be given a descriptive title using the TITLE keyword as follows:","TITLE Description","In Resolve, LUTs are applied in data range (0.0 to 1.0). The input data is in data range, and the LUT is expected to output in data range. However, there may be LUTs that are designed to operate on and/or output video range data (64 - 940 in 10-bit scale). To handle these cases, there are two properties which can be used to notify Resolve that the input/output is in video range. Based on this, Resolve will handle the input/output values so that it works correctly in a data range processing pipeline. Depending on the LUT, one or both of these properties can be specified by having the keywords below on a new line.","LUT_IN_VIDEO_RANGE","LUT_OUT_VIDEO_RANGE"]},{"l":"Examples","p":["Please look for these example files in DaVinci Resolve's installation folder.","On MacOS, they are located at:","1D LUT: /Library/Application Support/Blackmagic Design/DaVinci Resolve/LUT/VFX IO/Linear to Cineon Log.cube","3D LUT: /Library/Application Support/Blackmagic Design/DaVinci Resolve/LUT/Blackmagic Design/Blackmagic 4.6K Film to Rec709.cube","Shaper LUT: /Library/Application Support/Blackmagic Design/DaVinci Resolve/LUT/ACES/LMT ACES v0.1.1.cube","On Linux, they are located at:","1D LUT: /opt/resolve/LUT/VFX IO/Linear to Cineon Log.cube","3D LUT: /opt/resolve/LUT/Blackmagic 4.6K Film to Rec709.cube","Shaper LUT: /opt/resolve/LUT/ACES/LMT ACES v0.1.1.cube","On Windows, they are located at:","1D LUT: %PROGAMDATA%\\Blackmagic Design\\DaVinci Resolve\\LUT\\VFX IO\\Linear to Cineon Log.cube","3D LUT: %PROGAMDATA%\\Blackmagic Design\\DaVinci Resolve\\LUT\\Blackmagic Design\\Blackmagic 4.6K Film to Rec709.cube","Shaper LUT: %PROGAMDATA%\\Blackmagic Design\\DaVinci Resolve\\LUT\\ACES\\LMT ACES v0.1.1.cube"]}],[{"l":"OpenFX"},{"l":"Introduction","p":["OpenFX, also known as The Open Effects Association (OFX), is an open standard for visual effects plug-ins, and the interface between effects plug-ins and digital compositing systems. Established to facilitate the development of creative and efficient effects in post-production processes, it represents a significant advancement in the visual effects and video editing industry.","Prior to OpenFX, plug-in developers had to create multiple versions of each plug-in for different video editing software, which was time-consuming and inefficient. OpenFX addressed this issue by providing a single, unified standard that software developers could use to create plug-ins compatible with all video editing systems that support the OpenFX standard.","The OpenFX standard includes a robust API (Application Programming Interface), which defines how to write an effect plug-in and how host software should interact with these plug-ins. This API allows plug-ins to be written once and used across a range of different host applications.","OpenFX covers a broad scope of applications, including image processing, 2D and 3D effects, color correction, and more. Its strength lies in its versatility and platform neutrality, promoting a more integrated and efficient workflow in video editing and post-production processes. By creating an environment that allows seamless interplay between various software, OpenFX opens up possibilities for greater creativity and innovation in visual effects.","Blackmagic's DaVinci Resolve is a popular professional software for video editing, color correction, visual effects, and audio post-production. A significant feature of DaVinci Resolve is its strong support for OpenFX, allowing users to leverage an extensive variety of plug-ins to extend the capabilities of the software beyond its native functionality.","DaVinci Resolve's support for the OpenFX standard means that users can access a vast array of third-party effects plug-ins that conform to this standard. This means that, in addition to the robust set of tools available natively within DaVinci Resolve for color grading, visual effects, motion graphics, and audio post-production, users also have the flexibility to augment and customize their workflows with the specialized functionality that various OpenFX plug-ins provide.","The OpenFX plug-ins can be easily applied to clips on the timeline in DaVinci Resolve's Edit and Color pages, providing editors and colorists with the ability to perform more complex adjustments and effects directly within the software. This creates an integrated workflow that eliminates the need for round-tripping to other software for specific tasks, thereby increasing efficiency.","Moreover, DaVinci Resolve's support for OpenFX reflects Blackmagic's commitment to interoperability and customization, providing professionals with the flexibility they need to realize their creative visions. This level of compatibility helps ensure that DaVinci Resolve can adapt to a wide range of post-production workflows, catering to both individual creatives and larger collaborative teams."]},{"l":"Examples","p":["The Gyroflow OpenFX plugin is a great example of a very slick open-source OpenFX plugin that works great in DaVinci Resolve.","It's written in Rust and uses OpenFX bindings for Rust."]},{"l":"Sample Code","p":["[PluginName]::setupAndProcess() is called by [PluginName]::render(). It is used to setup all the parameters before invoking the image processor. Depending on the selected mode, the appropriate virtual methods ( processImagesCUDA, processImagesOpenCL, processImagesMetal and multiThreadProcessImages) will be invoked.","[PluginName].cpp- Contains the plugin factory class definition, plugin definition and the image processing algorithm","[PluginName].h- Contains the plugin factory class declaration","[PluginName].sln and GainPlugin.vcxproj- Visual Studio solution and project files","[PluginName].xcodeproj- Xcode project file","[PluginName]Factory::describe() is used to describe the plugin. For example, the supported bit depth and whether OpenCL, CUDA and Metal render capability is supported. User need to setup a appropriate OFX context based on expected effect behaviours (number of input clips it takes, and how it can interact with those input clips).","[PluginName]Factory::describeInContext() is used to describe the requirements of the clips and the parameters for the plugin.","After compilation, it will generate a directory named [PluginName].ofx.bundle. In order for Resolve to register this plugin, this directory needs to be copied to /Library/OFX/Plugins on the Mac OSX platform. On the Linux platform, this directory needs to be copied to /usr/OFX/Plugins.","CudaKernel.cu- Contains the CUDA kernel and the function to call the CUDA kernel","DissolveTransitionPlugin- Sample OpenFX plugin to demonstrate how to create a transition.","Finally, OFX::Plugin::getPluginIDs() is required to register the plugin.","For CUDA implementation, the plugin can operate on the cudaStream provided by the host and call p_Desc.setSupportsCudaStream(true) in [PluginName]Factory::describe(). If the plugin uses the default cudaStream or a stream created internally, it should set p_Desc.setSupportsCudaStream(false) and also perform synchronisation so that the GPU output buffers are ready when the plugin returns from the render call.","For the [PluginName]Factory class, there are three virtual methods ( describe, describeInContext and createInstance) that must be overridden.","GainPlugin- Sample OpenFX plugin using the CUDA, OpenCL and Metal render support.","GainPlugin::changedClip() is called when a clip has just changed.","GainPlugin::changedParam() is called when a parameter has changed its value.","GainPlugin::isIdentity() is used to indicate if processing is necessary with the given parameter set and rendering arguments.","In GainPluginFactory::describe(), p_Desc.setNoSpatialAwareness(true) is used to indicate that the plugin output does not depend on location or neighbours of a given pixel. Therefore, this plugin could be executed during LUT generation.","In the /Library/Application Support/Blackmagic Design/DaVinci Resolve/Developer/OpenFX folder on macOS, you can find the following subdirectories:","In the constructor, the handle to the input clips, output clips and required parameters are setup.","In the first part of [PluginName].cpp, there is a list of constants providing the details of the plugin. These are used to provide the information to the user when this plugin is selected.","In the next part, it creates a subclass of OFX::ImageProcessor. It has four virtual methods ( processImagesCUDA, processImagesOpenCL, processImagesMetal and multiThreadProcessImages) that can be overridden with your own implementation of processing algorithm on the GPU and CPU.","In the Plugin directory, the following project files are provided:","Makefile- Makefile for command line compilation","MetalKernel.mm- Contains the Metal kernel and the function to call the Metal kernel","Next, it creates a sublcass of OFX::ImageEffect:","OFX::eContextFilter requires single compulsory input, is used for a traditional 'filter effect' that transforms a single input (Refer to GainPlugin).","OFX::eContextTransition requires 2 compulsory input clips and a compulsory 'Transition' double parameter, is used to create transition effect between clips (Refer to DissolveTransitionPlugin).","On the Windows platform, the directory named GainPlugin.ofx.bundle is generated in the Debug/Release directory. This directory needs to be copied to C:\\Program Files\\Common Files\\OFX\\Plugins.","OpenCLKernel.cpp- Contains the OpenCL kernel and the function to call the OpenCL kernel","OpenFX-1.4- Contains the header files from the OpenFX package.","Other than the project files, there are four other files containing the source code for the plugin:","RandomFrameAccessPlugin- Sample OpenFX plugin using the CUDA, OpenCL and Metal render support with random frames access.","Support- Contains the header and source files from the OpenFX C++ wrapper package.","TemporalBlurPlugin- Sample OpenFX plugin using the CUDA, OpenCL and Metal render support with multiple frames access.","TemporalPlugin::getFramesNeeded() is called to set the clip's frame range that user wants to access.","Then, there are four virtual methods that are overridden. GainPlugin::render() must be overridden and is the plugin's render function.","This sample OpenFX plugin is capable of processing the images using the GPU (with CUDA or OpenCL or Metal) or the CPU. Other than the CUDA, OpenCL and Metal kernel implementation in CudaKernel.cu, OpenCLKernel.cpp and MetalKernel respectively, the rest of the plugin implementation details are in [PluginName].cpp."]}],[{"l":"Scripting","p":["This page is dedicated to Lua & Python scripting in DaVinci Resolve.","Whilst a lot of this page is currently just a \"copy and paste\" job from the existing documentation, the intention is to expand upon and enhance it - filling in all the gaps."]},{"l":"Community","p":["There's a really great community over at We Suck Less that discuss scripting in DaVinci Resolve.","You can also get help at Blackmagic's Developer Forum."]},{"l":"Updated as of 17 May 2023","p":["In this package, you will find a brief introduction to the Scripting API for DaVinci Resolve Studio. Apart from this README.txt file, this package contains folders containing the basic import modules for scripting access ( DaVinciResolve.py) and some representative examples.","From v16.2.0 onwards, the nodeIndex parameters accepted by SetLUT() and SetCDL() are 1-based instead of 0-based, i.e. 1 <= nodeIndex <= total number of nodes."]},{"l":"Overview","p":["As with Blackmagic Design Fusion scripts, user scripts written in Lua and Python programming languages are supported. By default, scripts can be invoked from the Console window in the Fusion page, or via command line. This permission can be changed in Resolve Preferences, to be only from Console, or to be invoked from the local network. Please be aware of the security implications when allowing scripting access from outside of the Resolve application."]},{"l":"Prerequisites","p":["DaVinci Resolve scripting requires one of the following to be installed (for all users):","Lua 5.1","Python 2.7 64-bit","Python >= 3.6 64-bit"]},{"l":"Using a script","p":["DaVinci Resolve needs to be running for a script to be invoked.","For a Resolve script to be executed from an external folder, the script needs to know of the API location. You may need to set the these environment variables to allow for your Python installation to pick up the appropriate dependencies as shown below:"]},{"l":"macOS"},{"l":"Windows"},{"l":"Linux","p":["As with Fusion scripts, Resolve scripts can also be invoked via the menu and the Console.","On startup, DaVinci Resolve scans the subfolders in the directories shown below and enumerates the scripts found in the Workspace application menu under Scripts. Place your script under Utility to be listed in all pages, under Comp or Tool to be available in the Fusion page or under folders for individual pages (Edit, Color or Deliver). Scripts under Deliver are additionally listed under render jobs. Placing your script here and invoking it from the menu is the easiest way to use scripts."]},{"i":"macos-1","l":"macOS","p":["All users: /Library/Application Support/Blackmagic Design/DaVinci Resolve/Fusion/Scripts","Specific user: /Users/UserName/Library/Application Support/Blackmagic Design/DaVinci Resolve/Fusion/Scripts"]},{"i":"windows-1","l":"Windows","p":["All users: %PROGRAMDATA%\\Blackmagic Design\\DaVinci Resolve\\Fusion\\Scripts","Specific user: %APPDATA%\\Roaming\\Blackmagic Design\\DaVinci Resolve\\Support\\Fusion\\Scripts"]},{"i":"linux-1","l":"Linux","p":["All users: /opt/resolve/Fusion/Scripts(or /home/resolve/Fusion/Scripts/ depending on installation)","Specific user: $HOME/.local/share/DaVinciResolve/Fusion/Scripts","The interactive Console window allows for an easy way to execute simple scripting commands, to query or modify properties, and to test scripts. The console accepts commands in Python 2.7, Python 3.6 and Lua and evaluates and executes them immediately. For more information on how to use the Console, please refer to the DaVinci Resolve User Manual.","This example Python script creates a simple project:","The resolve object is the fundamental starting point for scripting via Resolve. As a native object, it can be inspected for further scriptable properties - using table iteration and \"getmetatable\" in Lua and dir, help etc in Python (among other methods). A notable scriptable object above is fusion - it allows access to all existing Fusion scripting functionality."]},{"l":"Running DaVinci Resolve in headless mode","p":["DaVinci Resolve can be launched in a headless mode without the user interface using the -nogui command line option. When DaVinci Resolve is launched using this option, the user interface is disabled. However, the various scripting APIs will continue to work as expected."]},{"l":"Basic Resolve API","p":["Some commonly used API functions are described below (*). As with the resolve object, each object is inspectable for properties and functions."]},{"l":"List and Dict Data Structures","p":["Beside primitive data types, Resolve's Python API mainly uses list and dict data structures. Lists are denoted by [ ... ] and dicts are denoted by { ... } above. As Lua does not support list and dict data structures, the Lua API implements \"list\" as a table with indices, e.g. { [1] = listValue1, [2] = listValue2, ... }. Similarly the Lua API implements \"dict\" as a table with the dictionary key as first element, e.g. { [dictKey1] = dictValue1, [dictKey2] = dictValue2, ... }."]},{"l":"Looking up Project and Clip properties","p":["This section covers additional notes for the functions Project:GetSetting, Project:SetSetting, Timeline:GetSetting, Timeline:SetSetting, MediaPoolItem:GetClipProperty and MediaPoolItem:SetClipProperty. These functions are used to get and set properties otherwise available to the user through the Project Settings and the Clip Attributes dialogs.","The functions follow a key-value pair format, where each property is identified by a key (the settingName or propertyName parameter) and possesses a value (typically a text value). Keys and values are designed to be easily correlated with parameter names and values in the Resolve UI. Explicitly enumerated values for some parameters are listed below.","Some properties may be read only - these include intrinsic clip properties like date created or sample rate, and properties that can be disabled in specific application contexts (e.g. custom colorspaces in an ACES workflow, or output sizing parameters when behavior is set to match timeline)"]},{"l":"Getting values","p":["Invoke Project:GetSetting, Timeline:GetSetting or MediaPoolItem:GetClipProperty with the appropriate property key. To get a snapshot of all queryable properties (keys and values), you can call Project:GetSetting, Timeline:GetSetting or MediaPoolItem:GetClipProperty without parameters (or with a NoneType or a blank property key). Using specific keys to query individual properties will be faster. Note that getting a property using an invalid key will return a trivial result."]},{"l":"Setting values","p":["Invoke Project:SetSetting, Timeline:SetSetting or MediaPoolItem:SetClipProperty with the appropriate property key and a valid value. When setting a parameter, please check the return value to ensure the success of the operation. You can troubleshoot the validity of keys and values by setting the desired result from the UI and checking property snapshots before and after the change.","The following Project properties have specifically enumerated values:","superScale- the property value is an enumerated integer between 0 and 3 with these meanings: 0=Auto, 1=no scaling, and 2, 3 and 4 represent the Super Scale multipliers 2x, 3x and 4x.","Affects: x = Project:GetSetting('superScale') and Project:SetSetting('superScale', x)","timelineFrameRate- the property value is one of the frame rates available to the user in project settings under \"Timeline frame rate\" option. Drop Frame can be configured for supported frame rates by appending the frame rate with \"DF\", e.g. \"29.97 DF\" will enable drop frame and \"29.97\" will disable drop frame","Affects: x = Project:GetSetting('timelineFrameRate') and Project:SetSetting('timelineFrameRate', x)","The following Clip properties have specifically enumerated values:","superScale- the property value is an enumerated integer between 1 and 3 with these meanings: 1=no scaling, and 2, 3 and 4 represent the Super Scale multipliers 2x, 3x and 4x.","Affects: x = MediaPoolItem:GetClipProperty('Super Scale') and MediaPoolItem:SetClipProperty('Super Scale', x)"]},{"l":"Looking up Render Settings","p":["[1 -> MAX] (int) - will set input bit rate","[Least, Low, Medium, High, Best] (String) - will set input quality level","0 (int) - will set quality to automatic","AlphaMode: 0 - Premultiplied, 1 - Straight. Can only be set if ExportAlpha is true.","AudioBitDepth: int","AudioCodec: string (example: aac)","AudioSampleRate: int","ColorSpaceTag: string (example: Same as Project, AstroDesign)","CustomName: string","EncodingProfile: string (example: Main10). Can only be set for H.264 and H.265.","ExportAlpha: Bool","ExportAudio: Bool","ExportVideo: Bool","FormatHeight: int","FormatWidth: int","FrameRate: float (examples: 23.976, 24)","GammaTag: string (example: Same as Project, ACEScct)","MarkIn: int","MarkOut: int","MultiPassEncode: Bool. Can only be set for H.264.","NetworkOptimization: Bool. Only supported by QuickTime and MP4 formats.","PixelAspectRatio: string (for SD resolution: 16_9 or 4_3) (other resolutions: square or cinemascope)","SelectAllFrames: Bool (when set True, the settings MarkIn and MarkOut are ignored)","TargetDir: string","The parameter setting is a dictionary containing the following keys:","This section covers the supported settings for the method SetRenderSettings({settings})","UniqueFilenameStyle: 0 - Prefix, 1 - Suffix.","VideoQuality possible values for current codec (if applicable):"]},{"l":"Looking up timeline export properties","p":["exportSubtype can be one of the following enums:","exportType can be one of the following constants:","Note: Replace resolve. when using the constants above, if a different Resolve class instance name is used.","Please note that exportSubType is a required parameter for resolve.EXPORT_AAF and resolve.EXPORT_EDL. For rest of the exportType, exportSubtype is ignored. When exportType is resolve.EXPORT_AAF, valid exportSubtype values are resolve.EXPORT_AAF_NEW and resolve.EXPORT_AAF_EXISTING. When exportType is resolve.EXPORT_EDL, valid exportSubtype values are resolve.EXPORT_CDL, resolve.EXPORT_SDL, resolve.EXPORT_MISSING_CLIPS and resolve.EXPORT_NONE.","resolve.EXPORT_AAF","resolve.EXPORT_AAF_EXISTING","resolve.EXPORT_AAF_NEW","resolve.EXPORT_CDL","resolve.EXPORT_DOLBY_VISION_VER_2_9","resolve.EXPORT_DOLBY_VISION_VER_4_0","resolve.EXPORT_DOLBY_VISION_VER_5_1","resolve.EXPORT_DRT","resolve.EXPORT_EDL","resolve.EXPORT_FCP_7_XML","resolve.EXPORT_FCPXML_1_10","resolve.EXPORT_FCPXML_1_8","resolve.EXPORT_FCPXML_1_9","resolve.EXPORT_HDR_10_PROFILE_A","resolve.EXPORT_HDR_10_PROFILE_B","resolve.EXPORT_MISSING_CLIPS","resolve.EXPORT_NONE","resolve.EXPORT_OTIO","resolve.EXPORT_SDL","resolve.EXPORT_TEXT_CSV","resolve.EXPORT_TEXT_TAB","This section covers the parameters for the argument Export(fileName, exportType, exportSubtype)."]},{"l":"Unsupported exportType types","p":["Starting with DaVinci Resolve 18.1, the following export types are not supported:","resolve.EXPORT_FCPXML_1_3","resolve.EXPORT_FCPXML_1_4","resolve.EXPORT_FCPXML_1_5","resolve.EXPORT_FCPXML_1_6","resolve.EXPORT_FCPXML_1_7"]},{"l":"Looking up Timeline item properties","p":["This section covers additional notes for the function TimelineItem:SetProperty and TimelineItem:GetProperty. These functions are used to get and set properties mentioned.","The supported keys with their accepted values are:","The arguments can be passed as a key and value pair or they can be grouped together into a dictionary (for python) or table (for lua) and passed as a single argument.","Getting the values for the keys that uses constants will return the number which is in the constant"]},{"l":"Deprecated Resolve API Functions","p":["The following API functions are deprecated."]},{"l":"Unsupported Resolve API Functions","p":["The following API (functions and parameters) are no longer supported. Use job IDs instead of indices."]}],[{"l":"Workflow Integrations"},{"l":"Overview","p":["DaVinci Resolve Studio now supports Workflow Integration Plugins to be loaded and communicate with Resolve. Resolve can run one or more Workflow Integration Plugins at the same time. Users can write their own Workflow Integration Plugin (an Electron app) which could be loaded into DaVinci Resolve Studio. To interact with Resolve, Resolve's JavaScript APIs can be used from the plugin.","Alternatively, a Python or Lua script can be invoked, with the option of a user interface built with Resolve's built-in Qt-based UIManager, or with an external GUI manager. See the \"Sample Workflow Integration Script\" section below for details."]},{"l":"Sample Workflow Integration Plugin","p":["A sample Workflow Integration Plugin is available in the Examples/SamplePlugin directory. In order for Resolve to register this plugin, this directory needs to be copied to Workflow Integration Plugins root directory (mentioned in below section). Once a plugin is registered, plugin can be loaded from UI sub-menu under Workspace > Workflow Integrations. This will load the plugin and show the plugin HTML page in a separate window.","Sample plugin helps to understand how a plugin should be structured and how it works with Resolve. Please refer to the directory/file structure, manifest file info, plugin loading, JavaScript API usage examples, etc. This sample plugin and scripts demonstrates few basic scriptable JavaScript API usages to interact with Resolve."]},{"l":"Loading Workflow Integration Plugin","p":["On startup, DaVinci Resolve Studio scans the Workflow Integration Plugins root directory and enumerates all plugin modules. For each valid plugin module, it creates a UI sub-menu entry under Workspace > Workflow Integrations menu. DaVinci Resolve Studio reads the basic details of the plugin from its manifest.xml file during load time. Once plugin is loaded, user can click on the Workflow Integrations sub-menu to load the corresponding plugin."]},{"l":"Workflow Integration Plugin directory structure"},{"l":"Workflow Integration Plugins root directory","p":["User should place their Workflow Integration Plugin under the following directory:"]},{"l":"macOS","p":["/Library/Application Support/Blackmagic Design/DaVinci Resolve/Workflow Integration Plugins/"]},{"l":"Windows","p":["%PROGRAMDATA%\\Blackmagic Design\\DaVinci Resolve\\Support\\Workflow Integration Plugins\\"]},{"l":"Supported platforms"},{"l":"Plugins","p":["Windows, macOS (not supported on Linux currently)"]},{"l":"Scripts","p":["Windows, Mac OS X, Linux"]},{"l":"Using scriptable JavaScript API","p":["Scriptable JavaScript API execution happens under HTML environment like any typical website. Once HTML page is loaded it can execute scriptable JavaScript API as needed (like clicking on a button, etc.)","This example JavaScript snippet creates a simple project in DaVinci Resolve Studio:","The resolve object is the fundamental starting point for scripting via Resolve. As a native object, it can be inspected for further scriptable properties and functions in JavaScript."]},{"l":"WorkflowIntegration module API","p":["To interact with Resolve you need to use WorkflowIntegration.node Node.js module file in your plugin app. Below are the WorkflowIntegration(module) JavaScript API functions to communicate with Resolve."]},{"l":"Supported callbacks","p":["RenderStart","RenderStop","Please note that there is no console based support for JavaScript API."]},{"l":"Sample Workflow Integration Script","p":["A sample Workflow Integration Python script is also available in the Examples directory. In order for Resolve to register this script, it needs to be copied to the Workflow Integration Plugins root directory (mentioned in the above section). Once a script is registered, it can be also loaded from the Workspace menu, under Workflow Integrations. This will invoke the script and show the sample UIManager window.","Workflow Integration scripts work similarly to other scripts in Resolve, and use the same scripting API. This example script provides a basic introduction into creating a popup Workflow application using a UIManager window, with simple layout of text fields and buttons, and event handlers to dispatch functions for integration with the user's facility. Alternatively, third-party UI managers such PyQt may be used instead, or no GUI at all.","When launched by Resolve, plugin scripts are automatically provided with resolve and project variables for immediate and easy access to Resolve's scripting API. Additional third-party modules may be imported for access to asset-management systems as desired."]},{"l":"UIManager Introduction","p":["There are two main objects needed to manage a window, the UIManager that handles layout, and the UIDispatcher that manages interaction events, accessed as follows:","Windows are created with the the UIDispatcher, passing a dictionary of attributes like ID and Text, with GUI elements in nested layouts all created with the UIManager."]},{"l":"UIDispatcher Functions","p":["The UIDispatcher object has a few important functions to manage processing of events. The most important are:","Common usage is to create your window and set up any event handlers, including a Close handler for the window that calls ExitLoop(), then Show() your window and call RunLoop() to wait for user interaction:","AddWindow() will also accept a single child without needing a list, or a single dictionary containing both proprties and child elements, for ease of use.","As well as constructing new child elements and layouts, the UIManager also offers a few useful functions:"]},{"l":"UIManager Elements","p":["The element's ID is used to find, manage, and dispatch events for that element. GUI elements also support a set of common attributes including Enabled, Hidden, Visible, Font, WindowTitle, BackgroundColor, Geometry, ToolTip, StatusTip, StyleSheet, WindowOpacity, MinimumSize, MaximumSize, and FixedSize. Some other common GUI elements and their main attributes include:","Some elements also have property arrays, indexed by item or column (zero-based), e.g. newItem.Text[2] = 'Third column text'","Some elements like Label and Button will automatically recognise and render basic HTML in their Text attributes, and TextEdit is capable of displaying and returning HTML too. Element attributes can be specified when creating the element, or can be read or changed later:","Most elements have functions that can be called from them as well:","Some elements have extra functions of their own:","Elements can be accessed by the window's FindWindow(id) function, or by assigning them to a variable for later usage, which is more efficient. The GetItems() function will return a dictionary of all child elements for ease of access."]},{"l":"UIManager Layout","p":["Additionally, elements can be nested to define layout, using the HGroup and VGroup elements. As with Window and other elements, tou can pass a single dictionary or list with all properties and children, or separate them into a dict of properties and list of children, for convenience:","HGap and VGap elements can included for finer spacing control. Note also the Weight attribute, which can be applied to most elements to control how they adjust their relative sizes. A Weight of 0 will use the element's minimum size."]},{"l":"Event Handlers","p":["Window objects will call user-defined event handler functions in response to various interaction events. Event handlers are managed using a window member called On. This has sub-members for each GUI element with an ID, and those have members for each available event. To set up an event handler, define a function for it, then assign the function to the window's On.ID.Event member as follows:","Alternatively, if your object's ID is stored in a string variable called buttonID, you could use:","Many objects have specific events that can be handled:","Event handler functions are called with a dictionary of related attributes such as who, what, when, sender, and modifiers. Common events and some additional attributes they receive include:","Event handlers can be enabled or disabled for a given element by turning them on or off in the Events attribute:","Some common events like Clicked or Close are enabled by default."]},{"l":"Basic Resolve API","p":["Please refer to the Basic Resolve API section in /Developer/Scripting/README.txt file for the list of the functions that Resolve offers for scripted control. For plugin scripts, the resolve and project variables are automatically set up for you, and may be used to access any part of Resolve's API."]},{"l":"Further Information","p":["This document provides a basic introduction only, and does not list all available UIManager elements and attributes. As UIManager is based on Qt, you can refer to the Qt documentation here for more information on element types and their attributes. There are also many third-party examples and discussions available on user forums for DaVinci Resolve and Fusion Studio."]}],[{"l":"Credits","p":["Resolve Cafe was thrown together by Chris Hocking at LateNite Films.","The Resolve Cafe icon was designed by the amazing Matthew Skiles.","The origin story comes back to this tweet, where Alex Gollner tweeted that \"fcp.co is no longer the Final Cut Pro watercoooler place\", and Chris replied with \"Screw it… I just registered finalcutpro.tech. Let’s do this thing!\".","Chris decided that FCP Cafe was a better name/domain, and as a result, that site was born.","Julien Chichignoud then said to Chris that DaVinci Resolve is \"definitely where the industry is going\" - and here we are.","Dan Svoboda also seemed to think it was a good idea."]},{"l":"LateNite Films","p":["LateNite is an independent production studio committed to investing in emerging creatives with strong, unique voices, helping tell their stories in a creatively supportive and collaborative environment. Our work uses humour to explore outsider stories that are unmistakably human and straddle the line between light and dark."]},{"l":"Chris Hocking","p":["Chris has been working in the entertainment industry for over two decades. Previously the Post Production Supervisor at Melbourne's award winning editing house The Butchery, and finishing house The Refinery, Chris has an incredibly strong and varied technical and business background, ensuring that each production makes use of the best and most relevant technology and workflows. He is the creator of the open source macOS application, CommandPost, which has been downloaded over 165K times - as well as a suite of Final Cut Pro tools on the macOS App Store. His producing credits include the SBS2 series The Wizards of Aus, the Fairy Tale unit on Foxtel mini series Lambs of God, and the ABC ME project The Legend of Burnout Barry. Chris is a member of SPA, ASE and is an Adobe Certified Expert."]}],[{"l":"Privacy Policy","p":["Last Updated: Tuesday 13th June 2023","Resolve Cafe does not use cookies on its website.","We do not collect any personal identifiable information from you when you visit our Website.","We don't embed any videos - we only show a thumbnail which links to the video - to prevent third party cookies/trackers.","We use GitHub Pages to host and manage this website.","We use CloudFlare for DNS hosting, and VentraIP for domain hosting.","You can read CloudFlare's privacy policy here.","We use GitHub Issues to manage our Bug Tracker& Wish List.","We use GitHub Discussions to manage the comments and discussions on the site.","The comments feature at the bottom of every page is powered by giscus, which also has no tracking or database.","You can read GitHub's Privacy Statement here.","The source code and change log for this website can be found on GitHub.","Any code (such as GitHub Actions) are licensed under a MIT License."]},{"l":"Security","p":["The security of your Personal Information is important to us, but remember that no method of transmission over the Internet, or method of electronic storage, is 100% secure. While we strive to use commercially acceptable means to protect your Personal Information, we cannot guarantee its absolute security."]},{"l":"Links to other sites","p":["Resolve Cafe contains links to other sites that are not operated by us. If you click on a third party link, you will be directed to that third party's site. We strongly advise you to review the Privacy Policy of every site you visit.","We have no control over, and assume no responsibility for the content, privacy policies or practices of any third-party sites or services."]},{"l":"Changes to This Privacy Policy","p":["We may update our Privacy Policy from time to time. Thus, you are advised to review this page periodically for any changes. We will notify you of any changes by posting the new Privacy Policy on this page. These changes are effective immediately after they are posted on this page.","You can check the change history of this privacy policy here."]},{"i":"questions","l":"Questions?","p":["Please contact us with any questions: support@latenitefilms.com"]}],[{"l":"Wish List","p":["This page is dedicated to keeping track of DaVinci Resolve feature requests, via our GitHub issues site.","To submit a new feature request, simply sign up for a free GitHub account and post an issue here.","GitHub is a safe and secure developers platform used by over 73 million users worldwide.","We also keep track of the most popular feature requests, based on the amount of reactions the issues get.","In general, whenever posting a feature request to GitHub, we also submit feedback to the Blackmagic Design Forums."]},{"l":"Most Popular","p":["Here's a list of the 30 most popular DaVinci Resolve feature requests:","The above list is pulled from our GitHub issues site."]},{"l":"Recently Added","p":["Here's a list of the 30 most recently added DaVinci Resolve feature requests:","The above list is pulled from our GitHub issues site.","Want to contribute? Learn more here!"]}],[{"l":"Contribute","p":["Resolve Cafe is entirely open source and hosted on GitHub.","GitHub is a safe and secure developers platform used by over 73 million users worldwide.","You can make changes to the site by submitting pull requests on GitHub.","We welcome and encourage users submitting their own case studies, articles, products and news items.","You can see all the current contributors here. Everything is tracked and archived on GitHub.","The entire site is written in Markdown, so it's very easy to modify and update without necessarily knowing any HTML or code.","The website is build on Retype, which has a lot of power and flexibility, so you can easily add all kinds of components just using Markdown.","However, if you're not confident using GitHub, you can also email us content here: support@latenitefilms.com"]},{"l":"Our Mission","p":["We want this site to be:","Open: This site will remain open-source on GitHub for anyone to suggest pull requests","Up-to-date & Relevant: We want this site to always be up-to-date and relevant","No bullshit: We want this site to be honest, truthful, useful and professional","Community Driven: This isn't our site, it's \"owned\" by the professional DaVinci Resolve Community","Modern: This site should work great on the latest browsers, including mobile","Fast & Clean: This site should load quickly, and be easy to navigate","No analytics or user tracking: No cookies here!"]},{"i":"advertising--sponsored-content","l":"Advertising & Sponsored Content","p":["We're open to promoting DaVinci Resolve products and services on the front page within the Latest News in a clean and useful way.","For example, here's a sponsored post that could appear on the home page within the Latest News:","DaVinci Resolve Studio Scaling Fix: Fix Scaling issues in DaVinci Resolve Studio for FCPX and Premiere sequences imported via XML and FCPXML. Download Now!","Sponsored posts can just be plain text, with a single link. We don't allow images, videos, or other embedded elements.","If you would like to advertise on Resolve Cafe, please contact us to discuss: support@latenitefilms.com"]},{"i":"whats-a-pull-request","l":"What's a Pull Request?","p":["Imagine you're working with a group of friends on a big school project, and you're all adding different parts to it. Now, you're all using the same master copy of the project, but you're all working separately. When you're ready to add your part to the master copy, you don't just want to plop it in there. You want your friends to check it over, make sure it fits with everything else, and then add it in when they agree it's ready. This way, you ensure that everyone's work meshes well together and the project doesn't become a mess.","A GitHub pull request is basically the same idea. When you're working on a shared codebase, or \"project,\" you often work on your own copy, or \"branch\". When you think your changes are ready to be added to the shared codebase, you make a \"pull request\". This is a proposal that says \"I think these changes I made should be added to our shared project\".","Your teammates then can look over your changes, suggest edits, and finally, if they agree that your changes are good, they \"merge\" them into the shared project. This way, everyone keeps the code clean and organized, and you have a record of who added what and when.","So, in simple terms, a pull request is a way of proposing changes to a shared project and allowing others to review and approve those changes before they're added."]},{"l":"Navigating GitHub","p":["To create the fastest website possible, Resolve Cafe is what's called a \"static site\". It just a collection of HTML files in a folder - nothing fancy.","However, to make sure the website is super easy to update and improve, we use GitHub Actions to \"do stuff\" to our markdown files whenever we submit a pull request.","For example, each time you make a pull request, our fancy GitHub Action does the following:","Looks at all the individual Asset Management in this folder, and generates an alphabetical list of them for the Asset Management page.","Looks at all the individual FAQ in this folder, and generates an alphabetical list of them for the FAQ page.","Looks at all the individual Fusion Templates in this folder, and generates an alphabetical list of them for the Fusion Templates page.","Looks at all the individual News items in this folder, and generates an alphabetical list of them for the Latest News page.","Looks at all the individual Plugins in this folder, and generates an alphabetical list of them for the Plugins page.","Looks at all the individual Sponsors in this folder, and uses them on the Latest News page.","Looks at all the individual Tools in this folder, and generates an alphabetical list of them for the Tools page.","Looks at all the Latest News items and generates an RSS feed","This means, if you want to add a Tool, Fusion Template, or News Item, you can just add a new markdown file in that folder, and once the pull request is approved, everything will be updated automagically."]},{"l":"How to Edit Pages","p":["If you're not already registered with GitHub, create a free account.","There's an Edit this page on GitHub link at the bottom of every page.","Edit this file","You can edit the contents of this page by clicking the link at the bottom of this page.","To make changes simply click the little pencil Edit this file button.","You can then make changes in the text editor using the Markdown syntax. Copying and pasting existing syntax is the best way to get started.","You can learn more about basic formatting here.","Once done click Commit changes. You can enter a message and description for the commit. Press Commit changes again.","You will now be presented with a Open a pull request page.","You can add a title and detailed description to the pull request. Once you're done click Create pull request.","This will send your changes to the Resolve Cafe team to review and approve.","If changes are required, they'll add comments within the pull request.","If you have questions, you can ask them on the Discussions board.","You can also email us here: support@latenitefilms.com"]},{"l":"GitHub Web-based Editor","p":["You can use the github.dev web-based editor to edit files and commit your changes.","Simply replace the .com with .dev on any GitHub URL.","For example to edit this page you can use:","You can learn more here."]},{"l":"External Links","p":["All external links should open in a new tab/window.","The trick is to add {target=_blank} at the end of the link.","Here's an example of how to do this in Markdown:"]},{"l":"Embedded Videos","p":["To keep that site as fast as possible, and free from tracking/cookies, we've decided not to allow embedded videos.","Instead, we'll be posting the Video Thumbnail as a clickable link to the video.","Here's an example of how this looks in Markdown:","You can use this website for download YouTube Thumbnails."]},{"l":"Images","p":["All images should be stored within the /docs/static/ folder on GitHub.","You can find it here."]},{"l":"GitHub Desktop","p":["You can also use GitHub Desktop to essentially \"clone\" the entire Resolve Cafe website to your local machine.","You can then make changes locally, and once done, submit a pull request back to the main GitHub repository.","You can download GitHub Desktop here.","You can then use a text editor like BBEdit to edit your Markdown files on your Mac."]},{"l":"Powered by Retype","p":["Resolve Cafe is powered by Retype and hosted on GitHub Pages.","We've VERY thankful for all the support Retype has given us!","The comments feature at the bottom of every page is powered by giscus."]},{"l":"Contributor Covenant Code of Conduct"},{"l":"Our Pledge","p":["We as members, contributors, and leaders pledge to make participation in our community a harassment-free experience for everyone, regardless of age, body size, visible or invisible disability, ethnicity, sex characteristics, gender identity and expression, level of experience, education, socio-economic status, nationality, personal appearance, race, caste, color, religion, or sexual identity and orientation.","We pledge to act and interact in ways that contribute to an open, welcoming, diverse, inclusive, and healthy community."]},{"l":"Our Standards","p":["Examples of behavior that contributes to a positive environment for our community include:","Demonstrating empathy and kindness toward other people","Being respectful of differing opinions, viewpoints, and experiences","Giving and gracefully accepting constructive feedback","Accepting responsibility and apologizing to those affected by our mistakes, and learning from the experience","Focusing on what is best not just for us as individuals, but for the overall community","Examples of unacceptable behavior include:","The use of sexualized language or imagery, and sexual attention or advances of any kind","Trolling, insulting or derogatory comments, and personal or political attacks","Public or private harassment","Publishing others' private information, such as a physical or email address, without their explicit permission","Other conduct which could reasonably be considered inappropriate in a professional setting"]},{"l":"Enforcement Responsibilities","p":["Community leaders are responsible for clarifying and enforcing our standards of acceptable behavior and will take appropriate and fair corrective action in response to any behavior that they deem inappropriate, threatening, offensive, or harmful.","Community leaders have the right and responsibility to remove, edit, or reject comments, commits, code, wiki edits, issues, and other contributions that are not aligned to this Code of Conduct, and will communicate reasons for moderation decisions when appropriate."]},{"l":"Scope","p":["This Code of Conduct applies within all community spaces, and also applies when an individual is officially representing the community in public spaces. Examples of representing our community include using an official e-mail address, posting via an official social media account, or acting as an appointed representative at an online or offline event."]},{"l":"Enforcement","p":["Instances of abusive, harassing, or otherwise unacceptable behavior may be reported to the community leaders responsible for enforcement at[INSERT CONTACT METHOD]. All complaints will be reviewed and investigated promptly and fairly.","All community leaders are obligated to respect the privacy and security of the reporter of any incident."]},{"l":"Enforcement Guidelines","p":["Community leaders will follow these Community Impact Guidelines in determining the consequences for any action they deem in violation of this Code of Conduct:"]},{"l":"1. Correction","p":["Community Impact: Use of inappropriate language or other behavior deemed unprofessional or unwelcome in the community.","Consequence: A private, written warning from community leaders, providing clarity around the nature of the violation and an explanation of why the behavior was inappropriate. A public apology may be requested."]},{"l":"2. Warning","p":["Community Impact: A violation through a single incident or series of actions.","Consequence: A warning with consequences for continued behavior. No interaction with the people involved, including unsolicited interaction with those enforcing the Code of Conduct, for a specified period of time. This includes avoiding interactions in community spaces as well as external channels like social media. Violating these terms may lead to a temporary or permanent ban."]},{"l":"3. Temporary Ban","p":["Community Impact: A serious violation of community standards, including sustained inappropriate behavior.","Consequence: A temporary ban from any sort of interaction or public communication with the community for a specified period of time. No public or private interaction with the people involved, including unsolicited interaction with those enforcing the Code of Conduct, is allowed during this period. Violating these terms may lead to a permanent ban."]},{"l":"4. Permanent Ban","p":["Community Impact: Demonstrating a pattern of violation of community standards, including sustained inappropriate behavior, harassment of an individual, or aggression toward or disparagement of classes of individuals.","Consequence: A permanent ban from any sort of public interaction within the community."]},{"l":"Attribution","p":["This Code of Conduct is adapted from the Contributor Covenant, version 2.1, available at https://www.contributor-covenant.org/version/2/1/code_of_conduct.html.","Community Impact Guidelines were inspired by Mozilla's code of conduct enforcement ladder.","For answers to common questions about this code of conduct, see the FAQ at https://www.contributor-covenant.org/faq. Translations are available at https://www.contributor-covenant.org/translations."]}]]
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diff --git a/rss.xml b/rss.xml
index 22fb042..b3e85a8 100644
--- a/rss.xml
+++ b/rss.xml
@@ -4,7 +4,7 @@
         <description><![CDATA[Latest News from Resolve Cafe]]></description>
         <link>https://resolve.cafe</link>
         <generator>Resolve Cafe</generator>
-        <lastBuildDate>Mon, 07 Aug 2023 16:23:52 GMT</lastBuildDate>
+        <lastBuildDate>Sat, 16 Sep 2023 23:45:35 GMT</lastBuildDate>
         <atom:link href="https://resolve.cafe/rss.xml" rel="self" type="application/rss+xml"/>
         <pubDate>Sat, 27 May 2023 00:00:00 GMT</pubDate>
         <item>
@@ -269,16 +269,6 @@
             <guid isPermaLink="false">15th June 2023</guid>
             <pubDate>Thu, 15 Jun 2023 00:00:00 GMT</pubDate>
         </item>
-        <item>
-            <title><![CDATA[18th June 2023]]></title>
-            <description><![CDATA[<p>Russ Hughes has written a great blog post titled: <strong>I Ignored Davinci Resolve - I Was Wrong</strong>.</p>
-<p>It explains why he jumped from Final Cut Pro to DaVinci Resolve for editing, from a sound designers perspective.</p>
-<p>You can read <a href="https://www.pro-tools-expert.com/production-expert-1/i-ignored-davinci-resolve-i-was-wrong">here</a>.</p>
-]]></description>
-            <link>https://resolve.cafe/#18th-june-2023</link>
-            <guid isPermaLink="false">18th June 2023</guid>
-            <pubDate>Sun, 18 Jun 2023 00:00:00 GMT</pubDate>
-        </item>
         <item>
             <title><![CDATA[22nd June 2023]]></title>
             <description><![CDATA[<p><strong>Marker Toolbox v1.2.0</strong> is out now! It has some awesome new features:</p>
diff --git a/rss/index.html b/rss/index.html
index af82608..67fa239 100644
--- a/rss/index.html
+++ b/rss/index.html
@@ -3,7 +3,7 @@
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     <meta name="viewport" content="width=device-width,initial-scale=1">
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diff --git a/troubleshooting/index.html b/troubleshooting/index.html
index dfba762..a15a868 100644
--- a/troubleshooting/index.html
+++ b/troubleshooting/index.html
@@ -3,7 +3,7 @@
 <head>
     <meta charset="UTF-8">
     <meta name="viewport" content="width=device-width,initial-scale=1">
-    <meta name="turbo-cache-control" content="no-cache" data-turbo-track="reload" data-track-token="3.5.0.748223193170">
+    <meta name="turbo-cache-control" content="no-cache" data-turbo-track="reload" data-track-token="3.5.0.752273750126">
 
     <!-- See retype.com -->
     <meta name="generator" content="Retype 3.5.0">
@@ -31,11 +31,11 @@
     <script data-cfasync="false">(function () { var el = document.documentElement, m = localStorage.getItem("doc_theme"), wm = window.matchMedia; if (m === "dark" || (!m && wm && wm("(prefers-color-scheme: dark)").matches)) { el.classList.add("dark") } else { el.classList.remove("dark") } })();</script>
 
     <link href="../static/favicon.ico" rel="icon">
-    <link href="../resources/css/retype.css?v=3.5.0.748223193170" rel="stylesheet">
+    <link href="../resources/css/retype.css?v=3.5.0.752273750126" rel="stylesheet">
 
-    <script data-cfasync="false" src="../resources/js/config.js?v=3.5.0.748223193170" data-turbo-eval="false" defer></script>
+    <script data-cfasync="false" src="../resources/js/config.js?v=3.5.0.752273750126" data-turbo-eval="false" defer></script>
     <script data-cfasync="false" src="../resources/js/retype.js?v=3.5.0" data-turbo-eval="false" defer></script>
-    <script id="lunr-js" data-cfasync="false" src="../resources/js/lunr.js?v=3.5.0.748223193170" data-turbo-eval="false" defer></script>
+    <script id="lunr-js" data-cfasync="false" src="../resources/js/lunr.js?v=3.5.0.752273750126" data-turbo-eval="false" defer></script>
 
     <link rel="stylesheet" href="https://cdnjs.cloudflare.com/ajax/libs/font-awesome/4.7.0/css/font-awesome.min.css">
     <style>
diff --git a/wishlist/index.html b/wishlist/index.html
index 2650877..f303719 100644
--- a/wishlist/index.html
+++ b/wishlist/index.html
@@ -3,7 +3,7 @@
 <head>
     <meta charset="UTF-8">
     <meta name="viewport" content="width=device-width,initial-scale=1">
-    <meta name="turbo-cache-control" content="no-cache" data-turbo-track="reload" data-track-token="3.5.0.748223193170">
+    <meta name="turbo-cache-control" content="no-cache" data-turbo-track="reload" data-track-token="3.5.0.752273750126">
 
     <!-- See retype.com -->
     <meta name="generator" content="Retype 3.5.0">
@@ -33,11 +33,11 @@
     <script data-cfasync="false">(function () { var el = document.documentElement, m = localStorage.getItem("doc_theme"), wm = window.matchMedia; if (m === "dark" || (!m && wm && wm("(prefers-color-scheme: dark)").matches)) { el.classList.add("dark") } else { el.classList.remove("dark") } })();</script>
 
     <link href="../static/favicon.ico" rel="icon">
-    <link href="../resources/css/retype.css?v=3.5.0.748223193170" rel="stylesheet">
+    <link href="../resources/css/retype.css?v=3.5.0.752273750126" rel="stylesheet">
 
-    <script data-cfasync="false" src="../resources/js/config.js?v=3.5.0.748223193170" data-turbo-eval="false" defer></script>
+    <script data-cfasync="false" src="../resources/js/config.js?v=3.5.0.752273750126" data-turbo-eval="false" defer></script>
     <script data-cfasync="false" src="../resources/js/retype.js?v=3.5.0" data-turbo-eval="false" defer></script>
-    <script id="lunr-js" data-cfasync="false" src="../resources/js/lunr.js?v=3.5.0.748223193170" data-turbo-eval="false" defer></script>
+    <script id="lunr-js" data-cfasync="false" src="../resources/js/lunr.js?v=3.5.0.752273750126" data-turbo-eval="false" defer></script>
 
     <link rel="stylesheet" href="https://cdnjs.cloudflare.com/ajax/libs/font-awesome/4.7.0/css/font-awesome.min.css">
     <style>
